材质 :Lithograph 尺寸 :87.6 × 60.3 cm Print

安格尔1982-84年（1984年）的一幅绘画中的人体研究-弗朗西斯·培根(British, 1909–1992)

英文名称:Study for the Human Body from a Drawing by Ingres 1982-84 (1984) | Available for Sale-Francis Bacon

图片文件尺寸: 3788×5000 px

《安格尔的小提琴》，1924年-曼雷

-The Violon d\'Ingres depicts the nude back of Kiki de Montparnasse, the 法国艺术家 model, actress and nightclub singer who permeated and helped shape Parisian culture of the 1920s. She is posed in accordance with the Valpinçon Bather by Jean Auguste Dominque Ingres hanging famously in the Louvre. The curves of her figure mimic those of a violin, and as such, Man Ray superimposes sound holes characteristic of the musical instrument onto the small of her back. Indeed, the colloquial 法国艺术家 saying \"violon d\'Ingres\" refers to a hidden talent eclipsed by one\'s primary skill--derived from the little known fact that Ingres was an accomplished violinist in addition to his success as an artist. A further reading of the image alludes to the inherent sexual nuances--presenting this actress in the guise of the 19th century Orientalist femme fatale and thereby opening her up to the predatory male gaze or to being \"played\" like an instrument.
The source of this multi-dimensional title reveals Man Ray\'s wit and knowledge of painting and the history of art, as well as demonstrating his status as a forerunner of conceptual art. Arturo Schwarz writes that \"A photograph thus became an exciting Surrealist image by the coupling of two distant realities\' that transformed the woman\'s torso into the body of a violin. In addition--and this was probably what mattered to Man Ray--he was hinting at the fact that photography was for him merely his violon d\'Ingres; his real interests lay elsewhere\" (A. Schwarz, The Rigour of Imagination, New York, 1977, p. 281).
As a leading figure in the DADA and Surrealist movements, Man Ray paved the way for conceptual art practice as it developed in the course of the 20th century. His advancements in photography, namely through photocollage and in his self-proclaimed rayographs (cameraless photography), represent only a small piece of his contribution to the art world.

图片文件尺寸: 3398 x 2276px

代表四个元素的四个Putti-鲁多夫·迈耶

~ Four Putti representing the Four Elements (1605–38) --Rudolf Meyer (瑞士画家, 1803-1857)

Applique en terre cuite représentant le rapt de Ganymède, art grec, IIIe/IIe siècle avant J.-C.-A-Greek-terracotta-applique-of-Ganymede-and-the-Eagle-3rd 2nd-Century-B.C.-
（应用于公元前3/2世纪希腊艺术中，代表伽尼米德绑架案的陶器。-A-希腊-兵马俑-木卫三和鹰的贴花-公元前2世纪-）

A PAIR OF RUSSIAN NEOCLASSICAL STYLE BRASS-MOUNTED MAHOGANY SIDE CABINETS-A-PAIR-OF-RUSSIAN-NEOCLASSICAL-STYLE-BRASS-MOUNTED-MAHOGANY-SIDE-CABINETS
（一对俄罗斯新古典主义风格的黄铜安装红木侧柜-一对俄罗斯新古典风格的黄铜安装红木侧柜）

图片文件尺寸: 6500×4629 px

凡尔赛的盟军，盟军士兵的各种代表-巴比耶

-George Barbier (1882-1932) was one of the great 法国艺术家 illustrators of the early 20th century.

The Allies in Versailles, Various Representations of Soldiers of the Allies (illustration), by George Barbier

图片文件尺寸: 2223 x 3309px

安格尔之后的普辛之手-Georges Seurat先生

~ The Hand of Poussin, after Ingres (1875–77) --Georges Seurat (法国艺术家, 1859-1891)

[SEGAL] -- ROBBE-GRILLET, ALAIN. AUTOGRAPH MANUSCRIPT FOR THE SEGAL EXHIBITION, 1990.-[SEGAL]----ROBBE-GRILLET,-ALAIN.-AUTOGRAPH-MANUSCRIPT-FOR-THE-SEGAL-EXHIBITION,-1990.
（[西格尔]——罗比·格里莱，阿兰。西格尔展览的亲笔签名手稿，1990年。-[西格尔]——罗比·格里耶，-阿兰-签名手稿展览，1990年。）

Set of four dessus-de-porte representing Greek mythology goddesses with parrots and aras:Juno;Diana;Venus;Hera-FRENCH-SCHOOL,-MID-18TH-CENTURY
（一套四个德苏·德波特，代表希腊神话中的女神和鹦鹉及阿拉斯：朱诺；戴安娜；维纳斯赫拉-法国学校——18世纪中叶）

材质 :Glaze crayon on ceramic vase 尺寸 :25.4 × 12.7 × 12.7 cm Sculpture

A代表一无所有，B代表一大堆胡说八道，C代表废话，D代表下次好运，E代表去你妈的，（2021年）-卡里·莱博维茨（“糖果屁股”）(American, b. 1963)

英文名称:A is for Nothing, B is for a Whole Lot of Nuthin, C is for Crap, D is for Better Luck Next Time, E is for Go Fuck Yourself, (2021)-Cary Leibowitz ("Candy Ass")