71. 这部电影是牛仔汤姆的特技表演。他讲故事的方式，以及他真正做了什么。` The Moving Picture Cowboy Tom Mix doing stunts. The way he told the story, and what he really did. (1914) by Goes Litho. Co. 高清作品[27%]

~ The Moving Picture Cowboy Tom Mix doing stunts. The way he told the story, and what he really did. (1914) -

图片文件尺寸: 5545 x 10519px

这部电影是牛仔汤姆的特技表演。他讲故事的方式，以及他真正做了什么。-去石像馆。有限公司。

~ The Moving Picture Cowboy Tom Mix doing stunts. The way he told the story, and what he really did. (1914) --Goes Litho. Co.

73. 在熊、美洲虎和鳄鱼的家里，三巨头。或者，加州阿罕布拉的奇迹。叛军领袖们在他们的助手们之上盘旋，他们擅长逆向转化。牧师的存活率为50%。与此同时，一些djinn来看看发生了什么。《卡米诺》中的黑白耶稣似乎很震惊。(2021) by Umar Rashid (Frohawk Two Feathers) 高清作品[26%]

In the House of the Bear, the Jaguar, and the Crocodile, The Triumvirate. Or, the miracle at the Californian Alhambra. The rebel leaders hover above their acolytes adept in the ways of reverse conversion. The priests have a 50 percent survival rate. Meanwhile, some djinn show up to see what’s going on. Black and White Jesus in the El Camino appear shocked. (2021)

材质 :Acrylic on canvas 尺寸 :182.9 × 182.9 × 3 cm Painting

在熊、美洲虎和鳄鱼的家里，三巨头。或者，加州阿罕布拉的奇迹。叛军领袖们在他们的助手们之上盘旋，他们擅长逆向转化。牧师的存活率为50%。与此同时，一些djinn来看看发生了什么。《卡米诺》中的黑白耶稣似乎很震惊。(2021)-乌马尔·拉希德（两根羽毛）

英文名称:In the House of the Bear, the Jaguar, and the Crocodile, The Triumvirate. Or, the miracle at the Californian Alhambra. The rebel leaders hover above their acolytes adept in the ways of reverse conversion. The priests have a 50 percent survival rate. Meanwhile, some djinn show up to see what’s going on. Black and White Jesus in the El Camino appear shocked. (2021)-Umar Rashid (Frohawk Two Feathers)

78. 思想家，思想家`Le Penseur, The Thinker by Auguste Rodin 高清作品[25%]

AF-Le Penseur, The Thinker

图片文件尺寸: 8186×9800 px

思想家，思想家-奥古斯特·罗丁

-The Thinker was originally conceived not in heroic isolation, but as part of Rodin\'s monumental Gates of Hell—a pair of bronze doors intended for a museum of decorative arts in Paris. Although the doors were never cast during the sculptor\'s lifetime, they nevertheless provided Rodin a rich source of ideas for individual figures and groups that he worked and reworked for the rest of his career.
The theme for Gates of Hell was taken from Dante\'s Inferno, and this figure, planned for the lintel on top, was initially conceived as the poet himself. His nudity, though, marked him as a universal embodiment of every poet—every creator—who draws new life from the imagination. In the late 1880s Rodin began to exhibit the figure, sometimes with the title Poet, other times as Poet/Thinker. By 1896, however, it had become simply The Thinker, a still more universal image that reveals in physical terms the mental effort and even anguish of creativity. As Rodin himself described: \"What makes my Thinker think is that he thinks not only with his brain, with his knitted brow, his distended nostrils and compressed lips, but with every muscle of his arms, back, and legs, with his clenched fist and gripping toes.\"
Rodin\'s Thinker exists today in many casts and sizes. More than fifty are known in this size—which is the size of Rodin\'s original handmade clay model.

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