材质 :Acrylic & mixed media on wood panel 尺寸 :121.9 × 91.4 × 5.1 cm Painting

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第80号摘要——有机形态与鲜明对比的当代绘画（黑色+白色+奶油色）（2021年）-海伦·贝拉弗(American)

英文名称:Abstract No. 80 - Contemporary Painting With Organic Shapes & Stark Contrast (Black+White+Cream) (2021)-Helen Bellaver

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思想家（思想家）-阿方斯·勒格罗

~ Thinker (Le penseur)--Alphonse Legros (法国艺术家, 1837-1911)

材质 :Acrylic & mixed media on paper 尺寸 :48.3 × 40.6 cm Painting

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摘要第85号——具有鲜明对比和表现力笔触的当代绘画（奶油+黑色+白色）（2021年）-海伦·贝拉弗(American)

英文名称:Abstract No. 85 - Contemporary Painting With Stark Contrast & Expressive Brushstrokes (Cream+Black+White) (2021) | Available for Sale-Helen Bellaver

材质 :Acrylic & mixed media on wood panel 尺寸 :76.2 × 61 × 3.8 cm Painting

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摘要第82号——具有强烈对比和表现形式的当代绘画（黑色+白色+奶油色）（2021年）-海伦·贝拉弗(American)

英文名称:Abstract No. 82 - Contemporary Painting With Strong Contrast & Expressive Forms (Black+White+Cream) (2021) | Available for Sale-Helen Bellaver

材质 :Acrylic & mixed media on wood panel 尺寸 :50.8 × 50.8 × 3.8 cm Painting

图片文件尺寸 : 5630 x 4332px

第92号摘要——具有强烈对比和几何抽象的当代绘画（黑色+白色+奶油色）（2021年）-海伦·贝拉弗(American)

英文名称:Abstract No. 92 - Contemporary Painting with Strong Contrast and Geometric Abstraction (Black+White+Cream) (2021) | Available for Sale-Helen Bellaver

材质 :Acrylic & mixed media on paper 尺寸 :48.3 × 40.6 cm Painting

图片文件尺寸 : 5630 x 4332px

第86号摘要——具有几何抽象和强烈对比的当代绘画（黑色+白色+奶油色）（2021年）-海伦·贝拉弗(American)

英文名称:Abstract No. 86 - Contemporary Painting With Geometric Abstraction & Strong Contrast (Black+White+Cream) (2021) | Available for Sale-Helen Bellaver

Attempt to correlate social class with elevation above main harbor channel, San Pedro, July 1975-Allan-Sekula
（1975年7月，圣佩德罗，试图将社会阶层与主要港口航道上方的海拔高度联系起来-高对比度）

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思想家，思想家-奥古斯特·罗丁

-The Thinker was originally conceived not in heroic isolation, but as part of Rodin\'s monumental Gates of Hell—a pair of bronze doors intended for a museum of decorative arts in Paris. Although the doors were never cast during the sculptor\'s lifetime, they nevertheless provided Rodin a rich source of ideas for individual figures and groups that he worked and reworked for the rest of his career.
The theme for Gates of Hell was taken from Dante\'s Inferno, and this figure, planned for the lintel on top, was initially conceived as the poet himself. His nudity, though, marked him as a universal embodiment of every poet—every creator—who draws new life from the imagination. In the late 1880s Rodin began to exhibit the figure, sometimes with the title Poet, other times as Poet/Thinker. By 1896, however, it had become simply The Thinker, a still more universal image that reveals in physical terms the mental effort and even anguish of creativity. As Rodin himself described: \"What makes my Thinker think is that he thinks not only with his brain, with his knitted brow, his distended nostrils and compressed lips, but with every muscle of his arms, back, and legs, with his clenched fist and gripping toes.\"
Rodin\'s Thinker exists today in many casts and sizes. More than fifty are known in this size—which is the size of Rodin\'s original handmade clay model.

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减少对比度的研究;-Wassily Kandinsky.

` Étude Pour ;contrastes Réduits (1941) --Wassily Kandinsky (Russian, 1866 - 1944)

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的研究对比度降低-瓦西里·康定斯基

~ Étude Pour ;contrastes Réduits (1941) --Wassily Kandinsky (Russian, 1866 - 1944)