73. 展品设计,舞台形式为折叠屏风。][配有现代桌椅的展览草图]` Exhibit design with stage in form of folding screen.] [Sketch of exhibit with modern chairs and tables (1910) by Winold Reiss 高清作品[35%]

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Exhibit design with stage in form of folding screen.] [Sketch of exhibit with modern chairs and tables (1910) -

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展品设计,舞台形式为折叠屏风。][配有现代桌椅的展览草图]-温诺德赖斯

~ Exhibit design with stage in form of folding screen.] [Sketch of exhibit with modern chairs and tables (1910) --Winold Reiss (美国艺术家, 1886-1953)

74. 特拉华州威尔明顿杜邦比尔特莫尔现代套房设计。]210套房颜色表` Designs for Modern Hotel Suite, Du Pont Biltmore Hotel, Wilmington, Delaware.] Colour chart for Suite 210 (1928) by Winold Reiss 高清作品[35%]

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Designs for Modern Hotel Suite, Du Pont Biltmore Hotel, Wilmington, Delaware.] Colour chart for Suite 210 (1928) -

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特拉华州威尔明顿杜邦比尔特莫尔现代套房设计。]210套房颜色表-温诺德赖斯

~ Designs for Modern Hotel Suite, Du Pont Biltmore Hotel, Wilmington, Delaware.] Colour chart for Suite 210 (1928) --Winold Reiss (美国艺术家, 1886-1953)

75. 纽约世界应用艺术大厦展览设计“公平,1939年。]【建筑物前面的研究】` Designs for Exhibition of Applied Arts Building, New York Worlds Fair, 1939.] [Study for front of the building (1938) by Winold Reiss 高清作品[34%]

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Designs for Exhibition of Applied Arts Building, New York Worlds Fair, 1939.] [Study for front of the building (1938) -

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纽约世界应用艺术大厦展览设计“公平,1939年。]【建筑物前面的研究】-温诺德赖斯

~ Designs for Exhibition of Applied Arts Building, New York Worlds Fair, 1939.] [Study for front of the building (1938) --Winold Reiss (美国艺术家, 1886-1953)

76. 建筑设计中,祭坛画被框在壁龛中,并被超越` Architectural Design with an Altarpiece Framed in a Niche and Surmounted by a Dome (1735–1817) by a Dome by Flaminio Innocenzo Minozzi 高清作品[34%]

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Architectural Design with an Altarpiece Framed in a Niche and Surmounted by a Dome (1735–1817) -

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建筑设计中,祭坛画被框在壁龛中,并被超越-弗拉米尼奥·因诺森佐·米诺齐的圆顶

~ Architectural Design with an Altarpiece Framed in a Niche and Surmounted by a Dome (1735–1817) --Flaminio Innocenzo Minozzi (Italian, 1735-1817)

77. 瑞典国王黑森的弗雷德里克一世进入巴黎的节日建筑设计` Design for Festival Architecture for an Entry into Paris for the King of Sweden, Fredrerick I of Hesse (18th century) by Guillaume Taraval 高清作品[34%]

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Design for Festival Architecture for an Entry into Paris for the King of Sweden, Fredrerick I of Hesse (18th century) -

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瑞典国王黑森的弗雷德里克一世进入巴黎的节日建筑设计-纪尧姆·塔拉瓦尔

~ Design for Festival Architecture for an Entry into Paris for the King of Sweden, Fredrerick I of Hesse (18th century) --Guillaume Taraval (法国艺术家, 1701 – 1750)

78. 为瑞典国王黑森的弗雷德里克一世设计进入巴黎的节日建筑` Design for Festival Architecture for an Entry into Paris for the King of Sweden, Frederick I of Hesse (18th century) by Guillaume Taraval 高清作品[34%]

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Design for Festival Architecture for an Entry into Paris for the King of Sweden, Frederick I of Hesse (18th century) -

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为瑞典国王黑森的弗雷德里克一世设计进入巴黎的节日建筑-纪尧姆·塔拉瓦尔

~ Design for Festival Architecture for an Entry into Paris for the King of Sweden, Frederick I of Hesse (18th century) --Guillaume Taraval (法国艺术家, 1701 – 1750)

79. 新古典主义建筑设计,被认为是斯德哥尔摩市的艺术学校` Design for a Neoclassical Building, Thought to be a School of Arts for the City of Stockholm (ca. 1770–94) by Louis Gustave Taraval 高清作品[33%]

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Design for a Neoclassical Building, Thought to be a School of Arts for the City of Stockholm (ca. 1770–94) -

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新古典主义建筑设计,被认为是斯德哥尔摩市的艺术学校-路易·古斯塔夫·塔拉瓦尔

~ Design for a Neoclassical Building, Thought to be a School of Arts for the City of Stockholm (ca. 1770–94) --Louis Gustave Taraval (法国艺术家, 1738–1794)

80. Jorgen Gammelgaard钢制折叠凳,带黄色尼龙座椅,1970年长:57厘米,高:40厘米,宽:46厘米生产商:意大利博洛尼亚的Strutture d’Interni,获得丹麦设计论坛A/S的许可证,由Det danske Kunstindustrimuseum于1970年购买。第63/1970号道格拉斯·M·帕克工作室迈克尔·阿舍,“1976年7月18日至10月16日,意大利威尼斯威尼斯双年展未来学家奥吉·阿尔特(Ambiente arte),本杰明·H·D·布赫勒(编辑),迈克尔·阿舍,1973-1983年关于1969-1979年作品的著作(洛杉矶和哈利法克斯:新斯科舍艺术与设计学院当代艺术博物和出版社,1983年):138-145。加利福尼亚州洛杉矶1998年10月12日(第8号) - 克里斯托弗·威廉姆斯 高清作品[33%]

Jorgen Gammelgaard Folding stool of steel with yellow nylon seat, 1970 L: 57 cm, H: 40 cm, W: 46 cm Producer: Strutture d\'Interni of Bologna, Italy, under license from Design Forum A/S, Denmark Purchased by Det danske Kunstindustrimuseum 1970 Mus. no. 63/1970 Douglas M. Parker Studio Michael Asher, \"July 18 - October 16, 1976, Ambiente arte, dal futurismo ad oggi, Venice Biennale, Venice, Italy,\" in Benjamin H.D. Buchloh (ed.), Michael Asher, Writings 1973-1983 on Works 1969-1979 (Los Angeles and Halifax: The Museum of Contemporary Art and Press of the Nova Scotia College of Art and Design, 1983): 138-145. Los Angeles, California October 12, 1998 (No. 8), 1998-CHRISTOPHER-WILLIAMS
(Jorgen Gammelgaard钢制折叠凳,带黄色尼龙座椅,1970年长:57厘米,高:40厘米,宽:46厘米生产商:意大利博洛尼亚的Strutture d’Interni,获得丹麦设计论坛A/S的许可证,由Det danske Kunstindustrimuseum于1970年购买。第63/1970号道格拉斯·M·帕克工作室迈克尔·阿舍,“1976年7月18日至10月16日,意大利威尼斯威尼斯双年展未来学家奥吉·阿尔特(Ambiente arte),本杰明·H·D·布赫勒(编辑),迈克尔·阿舍,1973-1983年关于1969-1979年作品的著作(洛杉矶和哈利法克斯:新斯科舍艺术与设计学院当代艺术博物和出版社,1983年):138-145。加利福尼亚州洛杉矶1998年10月12日(第8号)-克里斯托弗·威廉姆斯)