72. 20世纪的一款总监风格的镀金青铜镀金铸铁控制台DAPPLIQUE - A-DIRECTOIRE-STYLE-GILT-brown-AND-patified-铸铁-CONSOLE-D#x27;贴花——20世纪 高清作品[23%]

A DIRECTOIRE STYLE GILT BRONZE AND PATINATED CAST IRON CONSOLE DAPPLIQUE, 20TH CENTURY-A-DIRECTOIRE-STYLE-GILT-BRONZE-AND-PATINATED-CAST-IRON-CONSOLE-D#x27;APPLIQUE-20TH-CENTURY

A DIRECTOIRE STYLE GILT BRONZE AND PATINATED CAST IRON CONSOLE DAPPLIQUE, 20TH CENTURY-A-DIRECTOIRE-STYLE-GILT-BRONZE-AND-PATINATED-CAST-IRON-CONSOLE-D#x27;APPLIQUE-20TH-CENTURY
(20世纪的一款总监风格的镀金青铜镀金铸铁控制台DAPPLIQUE-A-DIRECTOIRE-STYLE-GILT-brown-AND-patified-铸铁-CONSOLE-D#x27;贴花——20世纪)

76. 大约1720年左右,安德烈·查尔斯·布勒(ANDRE-CHARLES BOULLE)或他的工作室制作了两张路易十四(LOUIS XIV)晚期/早期摄政时期镀金青铜镶嵌的乌木、龟甲黄铜镶嵌控制台 - 两张晚期路易十四早期摄政镀金青铜镶嵌乌木龟甲黄铜镶嵌控制台桌子归因于安德烈查尔斯布勒或他的工作室约1720年 高清作品[22%]

TWO LATE LOUIS XIV/EARLY REGENCE GILT BRONZE MOUNTED EBONY, TORTOISESHELL AND BRASS MARQUETRY CONSOLE TABLES ATTRIBUTED TO ANDRE-CHARLES BOULLE OR HIS WORKSHOP, CIRCA 1720-TWO-LATE-LOUIS-XIV EARLY-REGENCE-GILT-BRONZE-MOUNTED-EBONY-TORTOISESHELL-AND-BRASS-MARQUETRY-CONSOLE-TABLES-ATTRIBUTED-TO-ANDRE-CHARLES-BOULLE-OR-HIS-WORKSHOP-CIRCA-1720

TWO LATE LOUIS XIV/EARLY REGENCE GILT BRONZE MOUNTED EBONY, TORTOISESHELL AND BRASS MARQUETRY CONSOLE TABLES ATTRIBUTED TO ANDRE-CHARLES BOULLE OR HIS WORKSHOP, CIRCA 1720-TWO-LATE-LOUIS-XIV EARLY-REGENCE-GILT-BRONZE-MOUNTED-EBONY-TORTOISESHELL-AND-BRASS-MARQUETRY-CONSOLE-TABLES-ATTRIBUTED-TO-ANDRE-CHARLES-BOULLE-OR-HIS-WORKSHOP-CIRCA-1720
(大约1720年左右,安德烈·查尔斯·布勒(ANDRE-CHARLES BOULLE)或他的工作室制作了两张路易十四(LOUIS XIV)晚期/早期摄政时期镀金青铜镶嵌的乌木、龟甲黄铜镶嵌控制台-两张晚期路易十四早期摄政镀金青铜镶嵌乌木龟甲黄铜镶嵌控制台桌子归因于安德烈查尔斯布勒或他的工作室约1720年)

77. 亲爱的阿摩:我一直在想疯子尚。他们如何共存,为什么他们需要彼此。我开始思考僧侣为他们做的决定。让花知道“为什么他们不能再这样做”的决定。。。(2019年) by Amogelang Maepa 高清作品[22%]

材质 :Ceramic 尺寸 :31 × 96 cm Sculpture

亲爱的阿摩:我一直在想疯子尚。他们如何共存,为什么他们需要彼此。我开始思考僧侣为他们做的决定。让花知道“为什么他们不能再这样做”的决定。。。(2019年)-在梅帕(South African, b. 1995)

英文名称:Dear Amo I have been thinking a lot about the Maniac and the Monk. How they can coexist and why they need each other. I started to think about the decision the Monk made for them. The decision to let the Flower know \\\"why they couldn\'t do this anymore\\\"... (2019) | Available for Sale-Amogelang Maepa

78. 设计用于三个装饰有树叶蜗壳的控制台,以及一个顶部有Satyr头部的控制台` Design for Three Consoles Decorated with Foliage and Volutes and a Console with a Satyr Head Surmounted by Three Human Figures, Garland and Foliage (1609–60) by Three Human Figures, Garland and Foliage by Agostino Mitelli 高清作品[22%]

~
Design for Three Consoles Decorated with Foliage and Volutes and a Console with a Satyr Head Surmounted by Three Human Figures, Garland and Foliage (1609–60) -

图片文件尺寸: 2841 x 1862px

设计用于三个装饰有树叶蜗壳的控制台,以及一个顶部有Satyr头部的控制台-Agostino Mitelli创作的三个人像、花环树叶

~ Design for Three Consoles Decorated with Foliage and Volutes and a Console with a Satyr Head Surmounted by Three Human Figures, Garland and Foliage (1609–60) --Agostino Mitelli (Italian, 1609-1660)

79. 科切拉战役第一部分。第一天。在一次大胆的白昼突袭,三位一体的人转而反对他们的前战友,这是由一个残废的任务控制心派来的新皈依治疗师提供的错误信息刺激的。马里亚希斯在结尾唱了一首挽歌。(2021) by Umar Rashid (Frohawk Two Feathers) 高清作品[22%]

The Battle of Coachella Part 1. Day 1. The Triumvirate turn against their former comrades in a daring daylight raid, goaded on by misinformation with new conversion therapists sent from a crippled mission control. Mariachis play a dirge at the end. (2021)

材质 :Acrylic and mica flake on canvas 尺寸 :182.9 × 182.9 × 3.8 cm Painting

科切拉战役第一部分。第一天。在一次大胆的白昼突袭,三位一体的人转而反对他们的前战友,这是由一个残废的任务控制心派来的新皈依治疗师提供的错误信息刺激的。马里亚希斯在结尾唱了一首挽歌。(2021)-乌马尔·拉希德(两根羽毛)

英文名称:The Battle of Coachella Part 1. Day 1. The Triumvirate turn against their former comrades in a daring daylight raid, goaded on by misinformation with new conversion therapists sent from a crippled mission control. Mariachis play a dirge at the end. (2021)-Umar Rashid (Frohawk Two Feathers)