71. 表演参与者的肖像,准备感受条L.B.项链,苏西·戈梅兹在其中提议试验条项链,这是路易丝·布尔乔亚的作品,具有明确的女权主义内涵,创作时是对女性状态、女性的社会、政治和法律限制的指控。(2019-2020) by Susy Gómez 高清作品[20%]

Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear  feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)

材质 :Photography 96 x 11 each 尺寸 :96 × 111 cm Photography

表演参与者的肖像,准备感受条L.B.项链,苏西·戈梅兹在其中提议试验条项链,这是路易丝·布尔乔亚的作品,具有明确的女权主义内涵,创作时是对女性状态、女性的社会、政治和法律限制的指控。(2019-2020)-苏西·戈梅兹(Spanish, b. 1964)

英文名称:Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)-Susy Gómez

76. 玛丽安·穆尔在《观察》中的个坟墓”是这抽象集合的基础,2021。 by Linda Saccoccio 高清作品[20%]

The  stunning poem, “A Grave” by Marianne Moore in “Observations” is the basis for this abstract  collection, 2021

材质 :Gouache and Watercolor 尺寸 :22.9 × 30.5 cm Painting

图片文件尺寸 : 5630 x 4332px

玛丽安·穆尔在《观察》中的个坟墓”是这抽象集合的基础,2021。-琳达·萨科西奥

英文名称:The stunning poem, “A Grave” by Marianne Moore in “Observations” is the basis for this abstract collection, 2021-Linda Saccoccio

77. 夏时制结束,1918年,10月27日,星期日,将你的时钟向后拨小时,10月27日,星期日,凌晨2点。` Saving daylight ends, for 1918, Sunday, Oct. 27th Set your clock back one hour at 2 A.M. Sunday October 27th. (1918) 高清作品[20%]

`
Saving daylight ends, for 1918, Sunday, Oct. 27th Set your clock back one hour at 2 A.M. Sunday October 27th. (1918) -

图片文件尺寸: 2241 x 4100px

夏时制结束,1918年,10月27日,星期日,将你的时钟向后拨小时,10月27日,星期日,凌晨2点。

` Saving daylight ends, for 1918, Sunday, Oct. 27th Set your clock back one hour at 2 A.M. Sunday October 27th. (1918) -

80. 我们从任何扇门来到花丛;2019年《鲜花之地》中的Anywhere Door(哆啦A梦之门) by Takashi Murakami 高清作品[19%]

We Came to the Field of Flowers through Anywhere Door; Anywhere Door ( Doraemon Door) in the Field of Flowers etc, 2019

材质 :Silkscreen 尺寸 :48.5 × 48.5 cm Print

图片文件尺寸 : 5630 x 4332px

我们从任何扇门来到花丛;2019年《鲜花之地》中的Anywhere Door(哆啦A梦之门)-村上隆(Japanese, b. 1962)

英文名称:We Came to the Field of Flowers through Anywhere Door; Anywhere Door ( Doraemon Door) in the Field of Flowers etc, 2019-Takashi Murakami