784. 矿工在废弃中国大院中铺位,之所以这样称呼,是因为它可能在1904年至1910年间安置了契约中国劳工。在20世纪50年代被遗弃之前,黑人矿工住在这里。小火和杰克金矿,杰米斯顿。1965年7月,1965年 by David Goldblatt 高清作品[14%]

Miner\'s bunks in the abandoned Chinese compound, so called because it probably housed indentured Chinese labourer between 1904 and 1910. Before its abandonment in the 1950s, Black miners were accomodated here. Simmer and Jack Gold Mine, Germiston. July 1965, 1965

材质 :Silver gelatin photograph on fibre-based paper 尺寸 :55 × 44.5 cm Photography

图片文件尺寸 : 5630 x 4332px

矿工在废弃中国大院中铺位,之所以这样称呼,是因为它可能在1904年至1910年间安置了契约中国劳工。在20世纪50年代被遗弃之前,黑人矿工住在这里。小火和杰克金矿,杰米斯顿。1965年7月,1965年-大卫·戈德布拉特(South African, 1930–2018)

英文名称:Miner\'s bunks in the abandoned Chinese compound, so called because it probably housed indentured Chinese labourer between 1904 and 1910. Before its abandonment in the 1950s, Black miners were accomodated here. Simmer and Jack Gold Mine, Germiston. July 1965, 1965-David Goldblatt

785. 德里克·乔宁19岁时曾在俄克拉荷马州一所州立监狱服刑4年半,他说:“我没被关进监狱,主要是因为我不想遇到比现在更多问题。看起来你很软弱,这是你在监狱里最不想被打电话事情。”。(2018年) by Jamil Hellu 高清作品[14%]

“I was not out in prison mainly because I didn’t want more problems than I already had. It can look like you’re soft, and that’s the last thing you want to be called in prison,” said Derek Chowning who went to a state correctional facility in Oklahoma for 4 ½ years when he was 19. (2018) | Available for Sale

材质 :Digital pigment print 尺寸 :147.3 × 101.6 cm Photography

德里克·乔宁19岁时曾在俄克拉荷马州一所州立监狱服刑4年半,他说:“我没被关进监狱,主要是因为我不想遇到比现在更多问题。看起来你很软弱,这是你在监狱里最不想被打电话事情。”。(2018年)-Jamil灯

英文名称:“I was not out in prison mainly because I didn’t want more problems than I already had. It can look like you’re soft, and that’s the last thing you want to be called in prison,” said Derek Chowning who went to a state correctional facility in Oklahoma for 4 ½ years when he was 19. (2018) | Available for Sale-Jamil Hellu

786. 历史主义超端口,散文元素,第19页结束。19世纪春季拍卖` by Historismus Supraporte - Aufsatzelement, Ende 19. Jahrhundert 高清作品[14%]

DO-Historismus Supraporte - Aufsatzelement, Ende 19. Jahrhundert - Frühlingsauktion
图片文件像素:4800 x 3400 px

历史主义超端口,散文元素,第19页结束。19世纪春季拍卖-

-

胡桃木雕刻成中央盾形花纹,两侧是天使和神话动物,集成在卷帘中,位于后来墙壁控制台/基座上,长度约184/200厘米,高度约46/49厘米,天使之翼缩短(SLS)呼叫360

788. 超现实主义是我!(萨尔瓦多·达利肖像,带着珠宝和眼泪,在霍斯特之后),2009年 by Francesco Vezzoli 高清作品[14%]

Le Surréalisme C\'Est Moi! (Portrait of Salvador Dalí with Jewels and Tears, After Horst), 2009

材质 :Inkjet print on canvas with custom jewelry and cotton and metallic embroidery, in artists chosen frame 尺寸 :104 × 77 × 6 cm Painting

图片文件尺寸 : 5630 x 4332px

超现实主义是我!(萨尔瓦多·达利肖像,带着珠宝和眼泪,在霍斯特之后),2009年-弗朗西斯科·维佐利(Italian, b. 1971)

英文名称:Le Surréalisme C\'Est Moi! (Portrait of Salvador Dalí with Jewels and Tears, After Horst), 2009-Francesco Vezzoli

789. 三块中国出口IMARI DAME AU阳伞图案板,清代,乾隆时期,约1740年 - 三-中国-出口-伊玛里#x27;DAME-AU-Parsol#x27-图案板——清代——乾隆时期——约1740年 高清作品[14%]

THREE CHINESE EXPORT IMARI DAME AU PARASOL PATTERN PLATES, QING DYNASTY, QIANLONG PERIOD, CIRCA 1740-THREE-CHINESE-EXPORT-IMARI-#x27;DAME-AU-PARASOL#x27;-PATTERN-PLATES-QING-DYNASTY-QIANLONG-PERIOD-CIRCA-1740

THREE CHINESE EXPORT IMARI DAME AU PARASOL PATTERN PLATES, QING DYNASTY, QIANLONG PERIOD, CIRCA 1740-THREE-CHINESE-EXPORT-IMARI-#x27;DAME-AU-PARASOL#x27;-PATTERN-PLATES-QING-DYNASTY-QIANLONG-PERIOD-CIRCA-1740
(三块中国出口IMARI DAME AU阳伞图案板,清代,乾隆时期,约1740年-三-中国-出口-伊玛里#x27;DAME-AU-Parsol#x27-图案板——清代——乾隆时期——约1740年)

790. 在工厂里战斗。你雇主、工头或工会代表会告诉你` Fighting fit in the factory. Your employer, foreman or trade union representative will tell you about it (between 1939 and 1946) by A R Thomson 高清作品[14%]

~
Fighting fit in the factory. Your employer, foreman or trade union representative will tell you about it (between 1939 and 1946) -

图片文件尺寸: 3354 x 4647px

在工厂里战斗。你雇主、工头或工会代表会告诉你-汤姆森先生

~ Fighting fit in the factory. Your employer, foreman or trade union representative will tell you about it (between 1939 and 1946) --A R Thomson