751. 阿图罗马提尼-现代` by Arturo Martini 高清作品[16%]

DO-Arturo Martini - Moderne
图片文件像素:4800 x 3400 px

阿图罗马提尼-现代-

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(Treviso 1889–1947 Milan)
Torso di giovanetto, c. 1929, bronze, posthumous casting from the original terracotta, 78 x 28 x 19.5 cm, 87 x 30 x 23 cm (with marble base)

This work is accompanied by a photo certificate issued by Gianni Vianello in photocopy

Of the present work there are 8 terracotta examples, 1 plaster example, 5 bronzes of authorized posthumous casting realized by Fonderia MAF, Milan and other examples of posthumous castings realized from a terracotta example

Literature:
Domus, 1933
Dell’Aquila 1951, p. 12
G. Perocco, Arturo Martini, Rome 1962, p. 56, no. 20
G. Perocco, Arturo Martini, Milan 1966, no. 165 no. 136, 166, 167
Milan 70/70, Un secolo d’arte, Milan 1971, p. 125, no. 289
Caramel-Pirovano, Galleria d’Arte Moderna. Padiglione d’Arte, 1973, p. 24, no. 219, no. 146
F. Bellonzi, Arturo Martini, Rome, 1974, no. 43
M. Carrà (ed.), L’umano nella scultura italiana, 1978 with ill.
Barilli-Solmi (eds.), La Metafisica e gli anni Venti, Bologna 1980, vol. I, p. 240 and 261
De Micheli, La Scultura del Novecento, Turin 1981, p. 148
C. Gian Ferrari, Sironi, Carrà e Martini: le poetiche in “Il Novecento Italiano, 1983, p. 345, no. 85
De Micheli (ed.), Arturo Martini, La scultura lingua morta e altri scritti, Milan 1983 with ill.
Ghianda, Schede, in “M. De Micheli, C. Gian Ferrari, Arturo, 1985, p. 63, no. 27
F. Benzi, Arturo Martini, catalogue of the exhibition Arturo Martini, Rome 1986, no.12 pp. 19–20
Fergonzi, Tra Scultura e ceramica: uno sguardo sugli anni Trenta e Quaranta, in Terra come in Materia, 1986, p. 906
Vianello, Arturo Martini, vita, opere, fortuna critica, 1989, p. 57, no. 17
Bagliani 1989, no. 34 p. 150–1
Cowling-Mundy (eds.), On classic ground, Picasso, Leger, de Chirico and the New Classicism 1910–1930, catalogue of the exhibition, London, 1990, p. 171, no. 109
Nonveiller, Arturo Martini. La scultura degli anni Venti e il confronto con l’Antico, in “Arte Documento”, no. 4, 1990, p. 215, no. 18
Quesada, I giocattoli capolavoro di Arturo Martini, in “Keramicos”, no.  23, 1990 ill.
Vianello, La storia d’amore della Biennale romana del 1925, in F. Benzi (ed.), Arturo Martini, 1991 pp. 137-8 and p. 107 no. 37
Baldacci-Coen, A short history of Modern Italian Sculpture, New York 1992 pp. 54-5
Gian Ferrari, Arturo Martini, catalogue of the exhibition Milan 1993, pp. 34-5
Tallarico, 1993, p. 132
Di Genova 1994 tomo II, p. 868 no. 1149
F. Benzi, Arturo Martini. Ritorno alle radici, in “ARS” 1998, p. 208
G. Vianello, N. Stringa, C. Gian Ferrari, Arturo Martini. Catalogo ragionato delle sculture, Neri Pozza editore, Vicenza 1998, p. 158, no. 230 with ill.

752. 路德维希·布鲁姆-现代` by Ludwig Blum 高清作品[16%]

DO-Ludwig Blum  - Moderne
图片文件像素:4800 x 3400 px

路德维希·布鲁姆-现代-

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(Lösch near Brno 1891–1974 Jerusalem)
Eliat Bay, 1959, signed also in Hebrew and dated, oil on canvas, 38 x 65 cm, on stretcher

The authenticity of this work has been confirmed by Mrs. Mira Chen, the artist’s granddaughter.

754. 德克萨斯州圣安杰洛肥马牛仔竞技表演上的高中马和他的主人训练师`High school horse and his owner-trainer at the rodeo of the San Angelo Fat Stock Show, Texas by Farm Security Administration 高清作品[16%]

AF-High school horse and his owner-trainer at the rodeo of the San Angelo Fat Stock Show, Texas

图片文件尺寸: 4800×3023 px

德克萨斯州圣安杰洛肥马牛仔竞技表演上的高中马和他的主人训练师-农场安全管理局

-High school horse and his owner-trainer at the rodeo of the San Angelo Fat Stock Show, San Angelo, Texas (Photo), by Farm Security Administration