746. 伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》是一部宏大现实主义作品` Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) by Strobridge and Co 高清作品[26%]

`
Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) -

图片文件尺寸: 1877 x 2844px

伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》是一部宏大现实主义作品-斯特罗布里奇公司。

` Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) --Strobridge and Co (美国艺术家, 1910-1954)

747. 伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》是一部宏大现实主义作品` Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) by Strobridge and Co 高清作品[26%]

~
Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) -

图片文件尺寸: 1877 x 2844px

伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》是一部宏大现实主义作品-斯特罗布里奇公司。

~ Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) --Strobridge and Co (美国艺术家, 1910-1954)

749. 纠缠之心——Aporia——关于人类、鲸鱼、猩猩棕榈油难题(2020年) by Maki Ohkojima 高清作品[26%]

Entanglement hearts - Aporia - Conundrum about people, whales, orangutans and palm oil  (2020) | Available for Sale

材质 :Pencil and acrylic on paper mounted on panel 尺寸 :38 × 28 cm Drawing, Collage or other Work on Paper

纠缠之心——Aporia——关于人类、鲸鱼、猩猩棕榈油难题(2020年)-大岛真纪(Japanese, b. 1987)

英文名称:Entanglement hearts - Aporia - Conundrum about people, whales, orangutans and palm oil (2020) | Available for Sale-Maki Ohkojima

750. 关于黄昏构成沉着,与新月或强直、阵挛其他在死前死后重复僵硬慢性倾向有关。,二千零二十一 by objet A.D 高清作品[26%]

On the Composition and Composure of the Crepuscular in Relation to the Presence of a Crescent—or, the Tonic, the Clonic, and Other Chronic Tendencies Toward Timing the Repetition of Rigor Between Pre- and Post- Mortem., 2021

材质 :Gesso, Charcoal, Oil, Oil-stick, and Oil-pastel on Hardboard 尺寸 :76.2 × 61 × 0.6 cm Painting

图片文件尺寸 : 5630 x 4332px

关于黄昏构成沉着,与新月或强直、阵挛其他在死前死后重复僵硬慢性倾向有关。,二千零二十一-目标A.D(b. 1993)

英文名称:On the Composition and Composure of the Crepuscular in Relation to the Presence of a Crescent—or, the Tonic, the Clonic, and Other Chronic Tendencies Toward Timing the Repetition of Rigor Between Pre- and Post- Mortem., 2021-objet A.D