图片文件尺寸: 5258 x 3731px

大天使加布里埃尔、迈克尔和拉斐尔以及托比亚斯和一名女性捐赠者-Serumido大师

~ Archangels Gabriel, Michael, and Raphael with Tobias and a Female Donor (ca. 1520–25) --Master of Serumido

Two men at the bar-Raphy-Dallèves
（酒吧里有两个人-拉斐·达利夫）

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人类最初是如何制造和完善螺丝的-威廉·希思·鲁宾逊

-How Did Man First Make and Perfect the Screw (Cartoon), by William Heath Robinson

材质 :Printed silk drapery on chromed steel tube 尺寸 :210 × 200 × 20 cm Textile Arts

如何从大卫·林奇（David Lynch）的《狂野的心》（Wild at Heart）电影（2020）中获得玛丽埃塔·福琼（Marietta Fortune）-贾斯汀·莫林

英文名称:How to drape Marietta Fortune from David Lynch’s Wild at Heart movie (2020)-Justin Morin

A CHINESE CANTON-ENAMEL HARDSTONE-EMBELLISHED GRAPEVINE JARDINIERE, QING DYNASTY, 19TH CENTURY-A-CHINESE-CANTON-ENAMEL-HARDSTONE-EMBELLISHED-#x27;GRAPEVINE#x27;-JARDINIERE-QING-DYNASTY-19TH-CENTURY
（中国广东珐琅硬石装饰葡萄藤，清代，19世纪-A-中国-广东-珐琅-硬石-装饰-#x27；葡萄藤#x27-贾迪尼尔-清朝-19世纪）

材质 :Molded fritware polychrome painted over white slip under transparent glaze 尺寸 :Phoenix Art Museum Design\\\\u002FDecorative Art

带凸起书法、花卉和几何图案句子碎片的模制光泽瓷砖（13世纪早期）-未知的(Unknown)

英文名称:Molded Luster Tile with Sentence Fragment in Raised Calligraphy, Floral and Geometric Motifs (early 13th century)-Unknown

图片文件尺寸: 4000 x 3465px

克劳尔如何描绘波尔战争中的一位朋友-克劳霍尔

~ How Crawhall Pictured A Friend In The Boer War--Joseph Crawhall (English, 1861 – 1913)

材质 :Oil and egg tempera on linen 尺寸 :60 × 42 cm Painting

3_2 1[绿色的麦当娜][之后：拉斐尔·桑蒂，绿色的麦当娜，113×88厘米，杨木上的油，1505-1506，维也纳艺术历史博物馆。在：明信片，维也纳艺术历史博物馆，GG 175，2013/1072。](2021)-Jochen Plogsties

英文名称:3_21 [Madonna im Grünen] [Nach: Raffael Santi, Madonna im Grünen, 113 × 88 cm, Öl auf Pappelholz, 1505–1506, Kunsthistorisches Museum Wien. In: Postkarte, Kunsthistorisches Museum Wien, GG 175, 2013/1072.] (2021)-Jochen Plogsties

材质 :Etching on paper 尺寸 :Allinson Gallery, Inc Print

拉斐特（1928）-约翰斯隆(American, 1871–1951)

英文名称:The Lafayette (1928)-John Sloan

图片文件尺寸: 5000×6507 px

炼金术士在寻找魔法石-德比的约瑟夫·赖特

-The Alchemist, in Search of the Philosopher’s Stone, discovers Phosphorus, and prays for the successful conclusion of his operation, as was the custom of the ancient chymical astrologers
Joseph Wright, oil on canvas, exhibited 1771, reworked and dated 1795.
Drawing upon such traditions, Wright’s alchemist kneels in awe before a flask from which a jet of phosphorus gas is released ‘and prays for the successful conclusion of his operation.’ Behind him two assistants, until recently engaged in extraction of lead from lead ore, stare on or point in amazement. Phosphorus was first discovered in 1676 and it is perhaps this event that Wright depicts here, the alchemist and his assistants’ ambiguous costume and gothic setting conveying some sense of a historical past.