63. 有时我会听无害独立音乐,但我永远不知道它如何影响非洲身份,2012年 by Rowan Smith 高清作品[37%]

Sometimes I listen to Innocuous Indie Music, but I Never Know how it Informs my African Identity, 2012

材质 :Gouache on Strathmore Watercolour paper 尺寸 :76.2 × 55.6 cm Drawing, Collage or other Work on Paper

图片文件尺寸 : 5630 x 4332px

有时我会听无害独立音乐,但我永远不知道它如何影响非洲身份,2012年-罗恩·史密斯。(South African, b. 1983)

英文名称:Sometimes I listen to Innocuous Indie Music, but I Never Know how it Informs my African Identity, 2012-Rowan Smith

65. 表演参与者肖像,准备感受一条L.B.项链,苏西·戈梅兹其中提议试验一条项链,这是路易丝·布尔乔亚作品,具有明确女权主义内涵,创作时是对女性状态、女性社会、政治和法律限制指控。(2019-2020) by Susy Gómez 高清作品[37%]

Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear  feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)

材质 :Photography 96 x 11 each 尺寸 :96 × 111 cm Photography

表演参与者肖像,准备感受一条L.B.项链,苏西·戈梅兹其中提议试验一条项链,这是路易丝·布尔乔亚作品,具有明确女权主义内涵,创作时是对女性状态、女性社会、政治和法律限制指控。(2019-2020)-苏西·戈梅兹(Spanish, b. 1964)

英文名称:Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)-Susy Gómez

66. 私酒影响/传感器自动化限制/接近是危险,但信息丰富/但我坐里面(2020年) by Kirill Savchenkov 高清作品[37%]

the effect of a moonshine / the limits of sensor automation / proximity is dangerous yet information-rich / but I’m sitting inside there (2020)

材质 :Mixed media sculpture 尺寸 :56 × 20 × 15 cm Sculpture

私酒影响/传感器自动化限制/接近是危险,但信息丰富/但我坐里面(2020年)-基里尔·萨夫琴科夫(Russian, b. 1987)

英文名称:the effect of a moonshine / the limits of sensor automation / proximity is dangerous yet information-rich / but I’m sitting inside there (2020)-Kirill Savchenkov

68. 整个该死东西都着火了。或者,早期绅士化对坚韧不拔人群影响。(2021) by Umar Rashid (Frohawk Two Feathers) 高清作品[37%]

The whole fucking thing is on fire. Or, The effects of early gentrification on an unyielding population. (2021)

材质 :Acrylic and spray paint on canvas 尺寸 :183 × 183 cm Painting

整个该死东西都着火了。或者,早期绅士化对坚韧不拔人群影响。(2021)-乌马尔·拉希德(两根羽毛)

英文名称:The whole fucking thing is on fire. Or, The effects of early gentrification on an unyielding population. (2021)-Umar Rashid (Frohawk Two Feathers)

69. 新古典主义盒子,20。19世纪,` by Neoklassizistisches Aufsatzkästchen, 20. Jahrhundert 高清作品[37%]

DO-Neoklassizistisches Aufsatzkästchen, 20. Jahrhundert - Osterauktion
图片文件像素:4600 x 3500 px

新古典主义盒子,20。19世纪,复活节拍卖-

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两件套针叶木和枫木主体,红木贴面,黑色染成田野上有各种珍贵木材,形式为风格化卷须、嵌合体和阿拉伯花纹,抛光,桌状底座,带一个连续抽屉,双门附件,门内有隔间,花环抽屉,高度约71/136厘米,宽度约为73/68厘米,深度约为41/30厘米,2键,已修复,几乎没有干燥损坏