61. \\“原子皱眉”——混合媒体、小型、方形、女权主义、纸上框架作品(2017年) by Vivian Liddell 高清作品[21%]

材质 :Mixed Media 尺寸 :33.7 × 29.8 cm Drawing, Collage or other Work on Paper

\\“原子皱眉”——混合媒体、小型、方形、女权主义、纸上框架作品(2017年)-维维安·利德尔(American, b. 1971)

英文名称:\\\"Atomic Frown\\\"- Mixed Media, Small, Square, Feminist, Framed Work on Paper (2017) | Available for Sale-Vivian Liddell

63. 诗人安德烈·切尼尔(1762-1794)肖像,四分之三长,坐在一张桌子旁,桌上盖着一块绿布,上面纸和墨水瓶,他手插在夹克里 - 埃米尔·让·霍勒斯·韦尔内 高清作品[21%]

Portrait of the poet André Chénier (1762-1794), three-quarter length, seated at a table covered in a green cloth with papers and an inkwell, his hand tucked into his jacket-Emile-Jean-Horace-Vernet

Portrait of the poet André Chénier (1762-1794), three-quarter length, seated at a table covered in a green cloth with papers and an inkwell, his hand tucked into his jacket-Emile-Jean-Horace-Vernet
(诗人安德烈·切尼尔(1762-1794)肖像,四分之三长,坐在一张桌子旁,桌上盖着一块绿布,上面纸和墨水瓶,他手插在夹克里-埃米尔·让·霍勒斯·韦尔内)

64. 一个季节,我像橡子一样出生/倒下/我是唯一一棵树/每个人都离开了/我必须离开你/蓓蕾在我身边长大/我看到一张怨恨脸/一道刺眼光似乎在诅咒你/是因为我是你吗?”-罗氏(2021) by Marisa Takal 高清作品[21%]

“One season I was born/ Fell down like an acorn/ I am the only tree/ And everybody leaves/ I’ve got to get away from you/ Bud growing up at me/ Resentful face I see/ A harsh light seems to damn you/ Is it because I am you?”-The Roches (2021) | Available for Sale

材质 :Oil on canvas 尺寸 :177.8 × 152.4 cm Painting

一个季节,我像橡子一样出生/倒下/我是唯一一棵树/每个人都离开了/我必须离开你/蓓蕾在我身边长大/我看到一张怨恨脸/一道刺眼光似乎在诅咒你/是因为我是你吗?”-罗氏(2021)-玛丽莎·塔卡尔(American, b. 1991)

英文名称:“One season I was born/ Fell down like an acorn/ I am the only tree/ And everybody leaves/ I’ve got to get away from you/ Bud growing up at me/ Resentful face I see/ A harsh light seems to damn you/ Is it because I am you?”-The Roches (2021) | Available for Sale-Marisa Takal

67. 伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》是一部宏大现实主义作品` Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) by Strobridge and Co 高清作品[20%]

`
Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) -

图片文件尺寸: 1877 x 2844px

伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》是一部宏大现实主义作品-斯特罗布里奇公司。

` Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) --Strobridge and Co (美国艺术家, 1910-1954)

68. 伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》是一部宏大现实主义作品` Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) by Strobridge and Co 高清作品[20%]

~
Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) -

图片文件尺寸: 1877 x 2844px

伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》是一部宏大现实主义作品-斯特罗布里奇公司。

~ Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) --Strobridge and Co (美国艺术家, 1910-1954)

69. 表演参与者肖像,准备感受一条L.B.项链,苏西·戈梅兹在其中提议试验一条项链,这是路易丝·布尔乔亚作品,具明确女权主义内涵,创作时是对女性状态、女性社会、政治和法律限制指控。(2019-2020) by Susy Gómez 高清作品[20%]

Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear  feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)

材质 :Photography 96 x 11 each 尺寸 :96 × 111 cm Photography

表演参与者肖像,准备感受一条L.B.项链,苏西·戈梅兹在其中提议试验一条项链,这是路易丝·布尔乔亚作品,具明确女权主义内涵,创作时是对女性状态、女性社会、政治和法律限制指控。(2019-2020)-苏西·戈梅兹(Spanish, b. 1964)

英文名称:Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)-Susy Gómez