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达奈，1907年-古斯塔夫·克里姆特

-Danaë is an oil painting by Gustav Klimt, created in 1907. An example of Symbolism, the canvas measures 77 x 83 cm, and is in the Galerie Würthle in Vienna. Danaë was a popular subject in the early 1900s for many artists; she was used as the quintessential symbol of divine love, and transcendence.
While imprisoned by her father, King of Argos, in a tower of bronze, Danaë was visited by Zeus, symbolized here as the golden rain flowing between her legs. It is apparent from the subject\'s face that she is aroused by the golden stream.
In this work, she is curled in a royal purple veil which refers to her imperial lineage. Sometime after her celestial visitation she gave birth to a son, Perseus, who is cited later in Greek mythology for slaying the Gorgon Medusa and rescuing Andromeda.

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女巫，1907年-亚瑟·拉克姆

-Witches, 1907 (Watercolor), by Arthur Rackham

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《通告》，1907年-莫里斯·丹尼斯

-Annunciation, 1907 (Oil on Canvas), by Maurice Denis

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法学，1907年-古斯塔夫·克里姆特

-Gustav Klimt (1862-1918) was an 奥地利艺术家 symbolist painter and one of the most prominent members of the Vienna Secession movement.

Jurisprudence, too, is laden with anxiety: A condemned man is depicted surrounded by three female furies and a sea monster, while in the background, the three goddesses of Truth, Justice, and Law look on. They are shown as the Eumenides, punishing the condemned man with an octopus\'s deadly embrace. It is not surprising that the conflict in Jurisprudence has been seen as \"psycho-sexual\"

Jurisprudence, 1907 (Oil on Canvas), by Gustav Klimt

1907-2001 1907 - 2001年-Le-Pho-黎譜-
（1907-2001 1907 - 2001年-Le-Pho-黎譜-）

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海吉亚，1907年-古斯塔夫·克里姆特

-Hygieia, detail from Medicine.
Medicine was the second of University of Vienna Ceiling Paintings, presented in March 1901 at the tenth Secession Exhibition. It featured a column of nude figures on the right hand side of the painting, representing the river of life. Beside it was a young nude female who floated in space, with a newborn infant at her feet, representing life. A skeleton represented death in the river of life. The only link between the floating woman and the river of bodies is two arms, the woman\'s and a man\'s as seen from behind. Figure of Hygeia, the mythological daughter of the god of medicine is shown at the bottom of the painting. Hygieia stood with the Aesculapian snake around her arm and the cup of Lethe in her hand, turning her back to mankind. Klimt conveyed an ambiguous unity of life and death, with nothing to celebrate the role of medicine or the science of healing.
Klimt was loyal to traditional depictions of the goddess, providing her with a snake and the cup of Lethe. However, above Hygeia, Klimt painted a large column of light, and placed on either side several nude figures and, most notably, a skeleton to symbolize Death. For this Klimt received much criticism from physicians and university officials who were offended by what they saw as his lurid, almost pornographic depiction, of the human form, and for suggesting that the healing arts were unable to prevent death. Klimt\'s University paintings, of which Medicine was a part, were some of his first works to explore the female form in vivid detail.

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医学，1900-1907-古斯塔夫·克里姆特

-Medicine was the second of University of Vienna Ceiling Paintings, presented in March 1901 at the tenth Secession Exhibition. It featured a column of nude figures on the right hand side of the painting, representing the river of life. Beside it was a young nude female who floated in space, with a newborn infant at her feet, representing life. A skeleton represented death in the river of life. The only link between the floating woman and the river of bodies is two arms, the woman\'s and a man\'s as seen from behind. Figure of Hygeia, the mythological daughter of the god of medicine is shown at the bottom of the painting. Hygieia stood with the Aesculapian snake around her arm and the cup of Lethe in her hand, turning her back to mankind. Klimt conveyed an ambiguous unity of life and death, with nothing to celebrate the role of medicine or the science of healing.
Klimt was loyal to traditional depictions of the goddess, providing her with a snake and the cup of Lethe. However, above Hygeia, Klimt painted a large column of light, and placed on either side several nude figures and, most notably, a skeleton to symbolize Death. For this Klimt received much criticism from physicians and university officials who were offended by what they saw as his lurid, almost pornographic depiction, of the human form, and for suggesting that the healing arts were unable to prevent death. Klimt\'s University paintings, of which Medicine was a part, were some of his first works to explore the female form in vivid detail.

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波里菲莫斯，1907年-莫里斯·丹尼斯

-Polyphemus, 1907 (Oil on Canvas), by Maurice Denis

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对话，1907年-路易斯·默勒

-The Conversation, 1907 (Oil on Canvas), by Louis Charles Moeller

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成年，1907年-克林特

-Adulthood, 1907 (Oil on Canvas), by Hilma af Klint