65. 弗兰克·韦德金德(Frank Wedekind)《老求婚者》(The old Suiter)和阿尔弗雷德·库宾(Alfred Kubin,1887-1959)六幅平版画(The 6-litrographs),这是一幅迄今为止古典现代主义绘画` by Der greise Freier von Frank Wedekind mit 6 Lithografien von Alfred Kubin (1887-1959), 高清作品[20%]

DO-Der greise Freier von Frank Wedekind mit 6 Lithografien von Alfred Kubin (1887-1959), - Malerei der Klassischen Moderne bis zur Gegenwart
图片文件像素:4800 x 3400 px

弗兰克·韦德金德(Frank Wedekind)《老求婚者》(The old Suiter)和阿尔弗雷德·库宾(Alfred Kubin,1887-1959)六幅平版画(The 6-litrographs),这是一幅迄今为止古典现代主义绘画-

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jeweils mit Bleistift signiert unten rechts: Kubin, Privatauflage, Nr. 142 von 200 Exemplaren, Titel und weitere kleine Lithos von A. Kubin, Verlag Franz Schneider, Berlin, Georg Müller, München, Format ca. 26 x 18,5 cm, stockfleckig Ruf 300

66. 伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》是一部宏大现实主义作品` Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) by Strobridge and Co 高清作品[20%]

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Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) -

图片文件尺寸: 1877 x 2844px

伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》是一部宏大现实主义作品-斯特罗布里奇公司。

` Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) --Strobridge and Co (美国艺术家, 1910-1954)

67. 伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》是一部宏大现实主义作品` Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) by Strobridge and Co 高清作品[20%]

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Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) -

图片文件尺寸: 1877 x 2844px

伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》是一部宏大现实主义作品-斯特罗布里奇公司。

~ Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) --Strobridge and Co (美国艺术家, 1910-1954)

69. 表演参与者肖像,准备感受一条L.B.项链,苏西·戈梅兹在其中提议试验一条项链,这是路易丝·布尔乔亚作品,具明确女权主义内涵,创作时是对女性状态、女性社会、政治和法律限制指控。(2019-2020) by Susy Gómez 高清作品[20%]

Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear  feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)

材质 :Photography 96 x 11 each 尺寸 :96 × 111 cm Photography

表演参与者肖像,准备感受一条L.B.项链,苏西·戈梅兹在其中提议试验一条项链,这是路易丝·布尔乔亚作品,具明确女权主义内涵,创作时是对女性状态、女性社会、政治和法律限制指控。(2019-2020)-苏西·戈梅兹(Spanish, b. 1964)

英文名称:Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)-Susy Gómez

70. 手穿过边缘,木头上裂缝,三条线和一幅风景画。(2018年) by Susanne S. D. Themlitz 高清作品[20%]

A mão passa pela aresta, a madeira com fenda, três linhas e uma paisagem. (2018) | Available for Sale

材质 :Plywood, acrylic glass, tile, stone, modeling paste 尺寸 :136.5 × 64 × 40 cm Sculpture

手穿过边缘,木头上裂缝,三条线和一幅风景画。(2018年)-苏珊娜·S·D·塞姆利茨(Portuguese-German, b. 1968)

英文名称:A mão passa pela aresta, a madeira com fenda, três linhas e uma paisagem. (2018) | Available for Sale-Susanne S. D. Themlitz