62. 罗兰特·萨弗里(Roelandt Savery)被认为《老大师2》(Old Masters II)的作品` by Roelandt Savery zugeschrieben 高清作品[32%]

DO-Roelandt Savery zugeschrieben - Alte Meister II
图片文件像素:4600 x 3500 px

罗兰特·萨弗里(Roelandt Savery)被认为《老大师2》(Old Masters II)的作品-

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(Courtrai 1576–1639 Utrecht)
以人物、山羊和村庄为背景的山河景观;和山河景观,背景一个由两个驴子带领的农民和一个村庄,
木头上的油,每个49 x 37厘米,框架,对应(2)

63. 一个独特的托斯卡纳新古典主义马桶,可能锡耶纳式的,带有原装波尔图大理石台面(约1790年) by Italian, 18th Century 高清作品[32%]

AN EXCEPTIONAL TUSCAN NEO-CLASSICAL COMMODE, PROBABLY SIENESE, WITH ORIGINAL PORTOR MARBLE TOP (ca. 1790)

材质 :Cherry, boxwood, lemonwood, Portor marble 尺寸 :96.5 × 147.3 × 62.2 cm Design\\\\u002FDecorative Art

一个独特的托斯卡纳新古典主义马桶,可能锡耶纳式的,带有原装波尔图大理石台面(约1790年)-意大利,18世纪

英文名称:AN EXCEPTIONAL TUSCAN NEO-CLASSICAL COMMODE, PROBABLY SIENESE, WITH ORIGINAL PORTOR MARBLE TOP (ca. 1790)-Italian, 18th Century

64. 伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》一部宏大的现实主义作品` Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) by Strobridge and Co 高清作品[32%]

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Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) -

图片文件尺寸: 1877 x 2844px

伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》一部宏大的现实主义作品-斯特罗布里奇公司。

` Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) --Strobridge and Co (美国艺术家, 1910-1954)

65. 伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》一部宏大的现实主义作品` Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) by Strobridge and Co 高清作品[32%]

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Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) -

图片文件尺寸: 1877 x 2844px

伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》一部宏大的现实主义作品-斯特罗布里奇公司。

~ Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) --Strobridge and Co (美国艺术家, 1910-1954)

67. 表演参与者的肖像,准备感受一条L.B.项链,苏西·戈梅兹在其中提议试验一条项链,这路易丝·布尔乔亚的作品,具有明确的女权主义内涵,创作时对女性状态、女性的社会、政治和法律限制的指控。(2019-2020) by Susy Gómez 高清作品[30%]

Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear  feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)

材质 :Photography 96 x 11 each 尺寸 :96 × 111 cm Photography

表演参与者的肖像,准备感受一条L.B.项链,苏西·戈梅兹在其中提议试验一条项链,这路易丝·布尔乔亚的作品,具有明确的女权主义内涵,创作时对女性状态、女性的社会、政治和法律限制的指控。(2019-2020)-苏西·戈梅兹(Spanish, b. 1964)

英文名称:Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)-Susy Gómez

68. 从1992年到现在,几乎所有的电影和视频作品如此。可以在显示器上看到,一些人戴着耳机,其他人安静地同时运行。(1999年进行中) by Douglas Gordon 高清作品[30%]

Pretty much every film and video work from about 1992 until now. To be seen on monitors, some with headphones, others run silently and all simultaneously. (1999-ongoing)

材质 :Multi-channel video installation, black-and-white and color, on monitors 尺寸 :San Francisco Museum of Modern Art (SFMOMA) Installation

从1992年到现在,几乎所有的电影和视频作品如此。可以在显示器上看到,一些人戴着耳机,其他人安静地同时运行。(1999年进行中)-道格拉斯·戈登(Scottish, b. 1966)

英文名称:Pretty much every film and video work from about 1992 until now. To be seen on monitors, some with headphones, others run silently and all simultaneously. (1999-ongoing)-Douglas Gordon

69. 镶嵌非此类胸前,雕刻图纸桌子,雕刻的烟囱,埃德温·弗利最早的英国墙纸` Inlaid nonesuch chest, Carved ;drawing table, Carved chimneypiece, Earliest English wallpaper (1910 ~ 1911) by Edwin Foley 高清作品[29%]

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Inlaid nonesuch chest, Carved ;drawing table, Carved chimneypiece, Earliest English wallpaper (1910 ~ 1911) -

图片文件尺寸: 4414 x 3385px

镶嵌非此类胸前,雕刻图纸桌子,雕刻的烟囱,埃德温·弗利最早的英国墙纸-埃德温·福利

~ Inlaid nonesuch chest, Carved ;drawing table, Carved chimneypiece, Earliest English wallpaper (1910 ~ 1911) --Edwin Foley (English, 1859-1912)