69. 废墟中有人物两个经典场景:A)被土耳其人洗劫城市中一座废弃宫殿大厅(RECTO);建筑物平面图人物研究(VERSO)B)前景泳池边土耳其古典遗迹随想曲 - PIERRE-NICOLAS-LEGRAND-DE-LÉRANT- 高清作品[34%]

 A PAIR OF CLASSICAL SCENES WITH FIGURES AMONG RUINS: A) A RUINED PALATIAL HALL IN A CITY SACKED BY TURKS (RECTO); A PLAN OF THE BUILDING WITH STUDIES OF FIGURES (VERSO) B) A CAPRICCIO OF CLASSICAL RUINS WITH TURKS BY A POOL IN THE FOREGROUND-PIERRE-NICOLAS-LEGRAND-DE-LÉRANT-

A PAIR OF CLASSICAL SCENES WITH FIGURES AMONG RUINS: A) A RUINED PALATIAL HALL IN A CITY SACKED BY TURKS (RECTO); A PLAN OF THE BUILDING WITH STUDIES OF FIGURES (VERSO) B) A CAPRICCIO OF CLASSICAL RUINS WITH TURKS BY A POOL IN THE FOREGROUND-PIERRE-NICOLAS-LEGRAND-DE-LÉRANT-
(废墟中有人物两个经典场景:A)被土耳其人洗劫城市中一座废弃宫殿大厅(RECTO);建筑物平面图人物研究(VERSO)B)前景泳池边土耳其古典遗迹随想曲-PIERRE-NICOLAS-LEGRAND-DE-LÉRANT-)

70. 表演参与者肖像,准备感受一条L.B.项链,苏西·戈梅兹在其中提议试验一条项链,这是路易丝·布尔乔亚作品,具有明确女权主义内涵,创作时是对女性状态、女性社会、政治法律限制指控。(2019-2020) by Susy Gómez 高清作品[34%]

Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear  feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)

材质 :Photography 96 x 11 each 尺寸 :96 × 111 cm Photography

表演参与者肖像,准备感受一条L.B.项链,苏西·戈梅兹在其中提议试验一条项链,这是路易丝·布尔乔亚作品,具有明确女权主义内涵,创作时是对女性状态、女性社会、政治法律限制指控。(2019-2020)-苏西·戈梅兹(Spanish, b. 1964)

英文名称:Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)-Susy Gómez