69. 穿着高跟鞋的耶路撒冷。一名以色列性人和一名巴勒斯坦性女性与著名的巴勒斯坦装皇后“埃曼”聊天(2006年) by Tanya Habjouqa 高清作品[26%]

Jerusalem in Heels.  An Israeli trans person and a Palestinian trans woman chat with \'Eman\', a renowned Palestinian drag queen (2006)

材质 : 尺寸 : Photography

穿着高跟鞋的耶路撒冷。一名以色列性人和一名巴勒斯坦性女性与著名的巴勒斯坦装皇后“埃曼”聊天(2006年)-Tanya Habjouqa

英文名称:Jerusalem in Heels. An Israeli trans person and a Palestinian trans woman chat with \'Eman\', a renowned Palestinian drag queen (2006)-Tanya Habjouqa

70. Jazzy Jay的罗兰TR-727软件节奏合成器,由Jazzy Jay在12“版本的LL Cool J上编程;《摇滚钟声》(1985年,由里克·鲁宾制作)由爵士杰伊借给里克·鲁宾,用于制作《Beastie男孩》的首张专辑《Hold it,Now Hit it》(1986年),该专辑由Ill授权发行 - [爵士杰伊] 高清作品[26%]

Jazzy Jay’s Roland TR-727 Software Rhythm Composer, programmed by Jazzy Jay on 12” Version of LL Cool J;s “Rock the Bells” (1985, produced by Rick Rubin) and lent by Jazzy Jay to Rick Rubin for production on the Beastie Boys’ “Hold it, Now Hit It” (1986) from their debut album Licensed to Ill-[Jazzy Jay]

Jazzy Jay’s Roland TR-727 Software Rhythm Composer, programmed by Jazzy Jay on 12” Version of LL Cool J;s “Rock the Bells” (1985, produced by Rick Rubin) and lent by Jazzy Jay to Rick Rubin for production on the Beastie Boys’ “Hold it, Now Hit It” (1986) from their debut album Licensed to Ill-[Jazzy-Jay]
(Jazzy Jay的罗兰TR-727软件节奏合成器,由Jazzy Jay在12“版本的LL Cool J上编程;《摇滚钟声》(1985年,由里克·鲁宾制作)由爵士杰伊借给里克·鲁宾,用于制作《Beastie男孩》的首张专辑《Hold it,Now Hit it》(1986年),该专辑由Ill授权发行-[爵士杰伊])