61. 下午——颜色世界已经转变为形状。心不需要悲伤。它需要照顾。颜色。距离,2021 by Kristi Kongi 高清作品[24%]

Afternoon – Colours and the World Have Transformed into Shapes. Heart Doesn\'t Need Sorrow. It Needs Care. And Colours. And Distance, 2021

材质 :Oil on canvas 尺寸 :220 × 190 cm Painting

下午——颜色世界已经转变为形状。心不需要悲伤。它需要照顾。颜色。距离,2021-克里斯蒂·孔吉()

英文名称:Afternoon – Colours and the World Have Transformed into Shapes. Heart Doesn\'t Need Sorrow. It Needs Care. And Colours. And Distance, 2021-Kristi Kongi

65. 红色起源(2020年,作为她的艺术实践的延伸,马库斯接受了导乐培训——一个致力于在分娩、堕胎或流产之前、期间之后提供支持的人——以便为需要的妇女提供无偿服务。美国是世界上唯一一个拥大量孕产妇发病率统计数据的发达国家。(2021年) by Rose Marcus 高清作品[24%]

Red Origin (In 2020, as an extension of her art practice, Marcus trained as a doula – a person dedicated to providing support before, during, and after childbirth, abortion, or miscarriage – in order to provide pro bono services to women in need. The United States is the only developed country in the world with significant maternal morbidity statistics.   (2021) | Available for Sale

材质 :Print on vinyl with no white ink adhered to architectural glass, brackets 尺寸 :182.9 × 121.9 cm Mixed Media

红色起源(2020年,作为她的艺术实践的延伸,马库斯接受了导乐培训——一个致力于在分娩、堕胎或流产之前、期间之后提供支持的人——以便为需要的妇女提供无偿服务。美国是世界上唯一一个拥大量孕产妇发病率统计数据的发达国家。(2021年)-罗斯·马库斯(American, b. 1982)

英文名称:Red Origin (In 2020, as an extension of her art practice, Marcus trained as a doula – a person dedicated to providing support before, during, and after childbirth, abortion, or miscarriage – in order to provide pro bono services to women in need. The United States is the only developed country in the world with significant maternal morbidity statistics. (2021) | Available for Sale-Rose Marcus

66. 查尔斯·斯图尔特,伦敦德里第六侯爵,手持国家大刀,1902年`Charles Stewart, Sixth Marquess of Londonderry, Carrying the Great Sword of State, 1902 by John Singer Sargent 高清作品[24%]

AF-Charles Stewart, Sixth Marquess of Londonderry, Carrying the Great Sword of State, 1902

图片文件尺寸: 3500×5148 px

查尔斯·斯图尔特,伦敦德里第六侯爵,手持国家大刀,1902年-约翰·辛格·萨金特

-Charles Stewart, Sixth Marquess of Londonderry, Carrying the Great Sword of State at the Coronation of King Edward VII, August, 1902 (Oil on Canvas), by John Singer Sargent