61. 日本伊玛里(IMARI)瓷器双柄花瓶,镶有银质底座,约1700年瓷器;银巴黎,1717-1712年 - 一日式伊玛里瓷双柄银质花瓶约1700年-银牌巴黎1717-22 高清作品[25%]

A PAIR OF JAPANESE IMARI PORCELAIN TWO-HANDLED VASES WITH RÉGENCE SILVER MOUNTS, THE PORCELAIN CIRCA 1700; THE SILVER PARIS, 1717-22-A-PAIR-OF-JAPANESE-IMARI-PORCELAIN-TWO-HANDLED-VASES-WITH-RÉGENCE-SILVER-MOUNTS-THE-PORCELAIN-CIRCA-1700;-THE-SILVER-PARIS-1717-22

A PAIR OF JAPANESE IMARI PORCELAIN TWO-HANDLED VASES WITH RÉGENCE SILVER MOUNTS, THE PORCELAIN CIRCA 1700; THE SILVER PARIS, 1717-22-A-PAIR-OF-JAPANESE-IMARI-PORCELAIN-TWO-HANDLED-VASES-WITH-RÉGENCE-SILVER-MOUNTS-THE-PORCELAIN-CIRCA-1700;-THE-SILVER-PARIS-1717-22
(一日本伊玛里(IMARI)瓷器双柄花瓶,镶有银质底座,约1700年瓷器;银巴黎,1717-1712年-一日式伊玛里瓷双柄银质花瓶约1700年-银牌巴黎1717-22)

69. 有时我会听无害独立音乐,但我永远不知道它如何影响非洲身份,2012年 by Rowan Smith 高清作品[25%]

Sometimes I listen to Innocuous Indie Music, but I Never Know how it Informs my African Identity, 2012

材质 :Gouache on Strathmore Watercolour paper 尺寸 :76.2 × 55.6 cm Drawing, Collage or other Work on Paper

图片文件尺寸 : 5630 x 4332px

有时我会听无害独立音乐,但我永远不知道它如何影响非洲身份,2012年-罗恩·史密斯。(South African, b. 1983)

英文名称:Sometimes I listen to Innocuous Indie Music, but I Never Know how it Informs my African Identity, 2012-Rowan Smith

70. 私酒影响/传感器自动化限制/接近是危险,但信息丰富/但我坐在里面(2020年) by Kirill Savchenkov 高清作品[25%]

the effect of a moonshine / the limits of sensor automation / proximity is dangerous yet information-rich / but I’m sitting inside there (2020)

材质 :Mixed media sculpture 尺寸 :56 × 20 × 15 cm Sculpture

私酒影响/传感器自动化限制/接近是危险,但信息丰富/但我坐在里面(2020年)-基里尔·萨夫琴科夫(Russian, b. 1987)

英文名称:the effect of a moonshine / the limits of sensor automation / proximity is dangerous yet information-rich / but I’m sitting inside there (2020)-Kirill Savchenkov