63. 2021,铁幕、室内设计和遭遇极端,或者,一项关于如何墙体倒塌后根据国家意识形态装置平均平方英尺变成灯泡人类技术水平考古学 by objet A.D 高清作品[45%]

Iron Curtains, Interior Designs, and the Extremities of the Encounter—or, a Horizontal Archaeology of Human Technologies of How to Change to a Light Bulb Based On The Average Square Footage Of State Ideological Apparatuses After The Fall Of A Wall, 2021

材质 :Charcoal and Oil-stick on Paper 尺寸 :35.6 × 27.9 cm Drawing, Collage or other Work on Paper

2021,铁幕、室内设计和遭遇极端,或者,一项关于如何墙体倒塌后根据国家意识形态装置平均平方英尺变成灯泡人类技术水平考古学-目标A.D()

英文名称:Iron Curtains, Interior Designs, and the Extremities of the Encounter—or, a Horizontal Archaeology of Human Technologies of How to Change to a Light Bulb Based On The Average Square Footage Of State Ideological Apparatuses After The Fall Of A Wall, 2021-objet A.D

65. l\'039号发现一幅古画碎片1689年,圣塞巴斯蒂亚诺门外一座维吉纳教堂,与多明·库瓦迪斯对面。` Frammento di una pittura antica soperto lanno 1689 in una vigina fuori della porta San Sebastiano dirincontro Domine quo vadis. (1783) by Pierre-Jean Mariette 高清作品[45%]

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Frammento di una pittura antica soperto lanno 1689 in una vigina fuori della porta San Sebastiano dirincontro Domine quo vadis. (1783) -

图片文件尺寸: 3808 x 2224px

l\'039号发现一幅古画碎片1689年,圣塞巴斯蒂亚诺门外一座维吉纳教堂,与多明·库瓦迪斯对面。-皮埃尔·让·马里特

~ Frammento di una pittura antica soperto lanno 1689 in una vigina fuori della porta San Sebastiano dirincontro Domine quo vadis. (1783) --Pierre-Jean Mariette (法国艺术家, 1694-1774)

66. 1968年,理查德·塞拉(Richard Serra)于1969年4月4日至5月5日惠特尼物馆(Whitney Museum)《当代美国雕塑:精选2》(the当代美国雕塑:精选2)中展出(灰尘图片) - 维克·穆尼兹 高清作品[45%]

  • Vik Muniz
  • After Richard Serra, Prop, 1968, Installed at the Whitney Museum in \"Contemporary American Sculpture: Selection 2,\" April 4-May 5, 1969 (Pictures of Dust)
  • signed and dated 2000 on a label affixed to the reverse
  • c-print mounted on sintra
  • After Richard Serra, Prop, 1968, Installed at the Whitney Museum in \"Contemporary American Sculpture: Selection 2,\" April 4-May 5, 1969 (Pictures of Dust)-VIK-MUNIZ
    (1968年,理查德·塞拉(Richard Serra)于1969年4月4日至5月5日惠特尼物馆(Whitney Museum)《当代美国雕塑:精选2》(the当代美国雕塑:精选2)中展出(灰尘图片)-维克·穆尼兹)

    67. 尼古拉·帕尼特科夫、埃琳娜·埃拉吉尼亚和安德烈·菲利波夫出席了马尼物馆开幕式。40 1991年3月26日(1991年)法兰克福卡密特修道院莫斯考尔·昆斯特勒(Moskauer Kuenstler) by Vadim Zakharov 高清作品[45%]

    Nikolai Panitkov, Elena Elagina, and Andrei Filippov at the opening of MANI Museum. 40 Moskauer Kuenstler at the Carmelite Monastery in Frankfurt, March 26, 1991 (1991)

    材质 : 尺寸 : Video\\\\u002FFilm\\\\u002FAnimation

    尼古拉·帕尼特科夫、埃琳娜·埃拉吉尼亚和安德烈·菲利波夫出席了马尼物馆开幕式。40 1991年3月26日(1991年)法兰克福卡密特修道院莫斯考尔·昆斯特勒(Moskauer Kuenstler)-瓦迪姆·扎哈罗夫(Russian, b. 1959)

    英文名称:Nikolai Panitkov, Elena Elagina, and Andrei Filippov at the opening of MANI Museum. 40 Moskauer Kuenstler at the Carmelite Monastery in Frankfurt, March 26, 1991 (1991)-Vadim Zakharov

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Late Gothic schrank. In the Bavarian Museum, Munich, with hanging light (leuchterweibschen), from Albert Dürers house at Nuremburg (1910 ~ 1911) -

    图片文件尺寸: 3369 x 4504px

    哥特式晚期施兰克。慕尼黑巴伐利亚物馆,阿尔伯特·杜勒(Albert Dürer&)吊灯(leuchterweibschen)埃德温·弗利纽伦堡家-埃德温·福利

    ~ Late Gothic schrank. In the Bavarian Museum, Munich, with hanging light (leuchterweibschen), from Albert Dürers house at Nuremburg (1910 ~ 1911) --Edwin Foley (English, 1859-1912)

    70. 巴塞尔艺术馆举办巴塞尔私有制艺术品和工艺品历史展览` Historische Ausstellung v. Erzeugnissen des Kunstgewerbes aus Basler Privatbesitz in der Basler Kunsthalle (1912) by Burkhard Mangold 高清作品[44%]

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Historische Ausstellung v. Erzeugnissen des Kunstgewerbes aus Basler Privatbesitz in der Basler Kunsthalle (1912) -

    图片文件尺寸: 4096 x 2783px

    巴塞尔艺术馆举办巴塞尔私有制艺术品和工艺品历史展览-伯克哈德·曼戈尔德

    ~ Historische Ausstellung v. Erzeugnissen des Kunstgewerbes aus Basler Privatbesitz in der Basler Kunsthalle (1912) --Burkhard Mangold