62. 控制台采用雕刻、镶嵌镀金木材制成,顶部为希腊Verde Antico大理石,边缘为Giallo Antico大理石(1770-1780年) by Roman workshop 高清作品[24%]

Console in carved, inlaid and gilded wood, top with curvy outline in greek Verde Antico marble edged with Giallo Antico marble (1770-1780)

材质 :Gilt wood, Verde Antico and Giallo Antico 尺寸 :95 × 154.5 × 78 cm Design\\\\u002FDecorative Art

控制台采用雕刻、镶嵌镀金木材制成,顶部为希腊Verde Antico大理石,边缘为Giallo Antico大理石(1770-1780年)-罗马工作室(Italian, Active in the second half of the 18th century)

英文名称:Console in carved, inlaid and gilded wood, top with curvy outline in greek Verde Antico marble edged with Giallo Antico marble (1770-1780)-Roman workshop

63. 人种学物馆:NokIfe系列,Zango Kataf(2017年) by Marcia Kure 高清作品[24%]

Ethnographic Museum: The Nok and Ife Series, Zango Kataf (2017) | Available for Sale

材质 :Collage and 23.75 Karat Gold on Arches Hot Press Watercolour paper, 156LB, Mounted with reversible archival conservators’ adhesive on 100% cotton fiber board 尺寸 :61 × 45.7 × 1 cm Drawing, Collage or other Work on Paper

人种学物馆:NokIfe系列,Zango Kataf(2017年)-玛西娅·库尔(Nigerian, b. 1970)

英文名称:Ethnographic Museum: The Nok and Ife Series, Zango Kataf (2017) | Available for Sale-Marcia Kure

64. 埃斯特哈西王子,雪茄盒,皇宫史前物馆` by Fürsten Esterhazy - Zigarrenetui, 高清作品[24%]

DO-Fürsten Esterhazy - Zigarrenetui, - Kaiserhaus und Historika
图片文件像素:4800 x 3400 px

埃斯特哈西王子,雪茄盒,皇宫史前物馆-

-

Leder, gelb emaillierte Silbermontierung mit Wappen Fürsten Esterhazy, 14,5 x 9 cm, Herstellerbezeichnung Carl Hiess Wien, um 1900, dazu: 2 weitere Zigarrenetuis mit emaillierten Wappendarstellungen, Leder mit Silbermontierung, 14 x 10 cm, Herstellerbezeichnung Carl Hiess, um 1900, (Lu)

67. 2021,铁幕、室内设计遭遇的极端,或者,一项关于如何在墙体倒塌后根据国家意识形态装置的平均平方英尺变成灯泡的人类技术水平考古学 by objet A.D 高清作品[23%]

Iron Curtains, Interior Designs, and the Extremities of the Encounter—or, a Horizontal Archaeology of Human Technologies of How to Change to a Light Bulb Based On The Average Square Footage Of State Ideological Apparatuses After The Fall Of A Wall, 2021

材质 :Charcoal and Oil-stick on Paper 尺寸 :35.6 × 27.9 cm Drawing, Collage or other Work on Paper

2021,铁幕、室内设计遭遇的极端,或者,一项关于如何在墙体倒塌后根据国家意识形态装置的平均平方英尺变成灯泡的人类技术水平考古学-目标A.D()

英文名称:Iron Curtains, Interior Designs, and the Extremities of the Encounter—or, a Horizontal Archaeology of Human Technologies of How to Change to a Light Bulb Based On The Average Square Footage Of State Ideological Apparatuses After The Fall Of A Wall, 2021-objet A.D

68. 墙壁图纸#701:墙壁用12英寸(30厘米)的带子垂直分为两个相等的部分。在每个部分,叠加了彩色墨水洗涤的对角左或右条纹,首先绘制者:Manfredo de Souzanetto,Jo Watanabe;第一套装置:里约热内卢国家艺术物馆;1992年6月 by Sol LeWitt 高清作品[23%]

Wall Drawing #701: The wall is bordered and divided vertically into two equal parts by 12-inch (30 cm) bands. Within each part, diagonal left or right bands with color ink washes superimposed, First drawn by: Manfredo de Souzanetto, Jo Watanabe; First installation: Museu Nacional de Belas Artes, Rio de Janeiro; June 1992

材质 :Color ink wash 尺寸 :Paula Cooper Gallery Installation

图片文件尺寸 : 5630 x 4332px

墙壁图纸#701:墙壁用12英寸(30厘米)的带子垂直分为两个相等的部分。在每个部分,叠加了彩色墨水洗涤的对角左或右条纹,首先绘制者:Manfredo de Souzanetto,Jo Watanabe;第一套装置:里约热内卢国家艺术物馆;1992年6月-索尔·莱维特(American, 1928–2007)

英文名称:Wall Drawing #701: The wall is bordered and divided vertically into two equal parts by 12-inch (30 cm) bands. Within each part, diagonal left or right bands with color ink washes superimposed, First drawn by: Manfredo de Souzanetto, Jo Watanabe; First installation: Museu Nacional de Belas Artes, Rio de Janeiro; June 1992-Sol LeWitt