材质 :Lithograph on paper 尺寸 :35.6 × 25.4 cm Reproduction

图片文件尺寸 : 5630 x 4332px

1958年的《女性安非拉》（有安非拉的女人）-亨利·马蒂斯(French, 1869–1954)

英文名称:Femme a l\'Amphore (Woman with Amphora), 1958-Henri Matisse

材质 : Gouache

图片文件尺寸 : 4859 x 3695 px

农民拉着马拉的雪橇，1927年。-克希纳

英文名称:Bauer mit Pferdeschlitten, Um 1927.-Ernst Ludwig Kirchner

材质 :Etching 尺寸 :65 × 50.5 cm Print

图片文件尺寸 : 5630 x 4332px

参孙和达利拉的“著名情人”，1979年-安德烈·马森(French, 1896–1987)

英文名称:Samson et Dalila des \"Amants Célèbres\", 1979-André Masson

Mary Magdalene at the tomb, with two angels-Giovanni-Biliverti
（抹大拉的马利亚和两个天使在坟墓里-乔瓦尼·比利维蒂）

图片文件尺寸: 4113×4737 px

抹大拉的马利亚-圭多·雷尼

` `Saint Mary Magdalene by Guido Reni -Saint Mary Magdalene (oil on canvas), by Guido Reni (1575-1642).

图片文件尺寸: 2584 x 3627px

抹大拉的马利亚-米歇尔·托西尼

~ Saint Mary Magdalene--Michele Tosini (Italian, 1503 - 1577)

图片文件尺寸: 1798×4200 px

图内拉的入口-雨果·辛伯格

-Hugo Simberg dealt with the subject of death in many different ways. This oil painting The Entrance to Tuonela depicts figures of skeletons, which Simberg often used as the heralds of death or, here also as ferrymen to the Underworld. The River of Tuonela (the Underworld in Finnish mythology) has been crossed, and departed persons of various ages are being escorted to the realm of the dead. Some make the journey on their own, reconciled to their fate. A dog, too, is being taken to the other side in the arms of a skeleton. In Simberg’s work, death is often portrayed as friendly and sympathetic – sometimes even pathetic. Death is an integral, natural part of life. Even so, here the artist has painted the way to Tuonela as bare and barren.

图片文件尺寸: 2913 x 3638px

康奈马拉的玛丽-罗伯特·亨利

~ Mary Of Connemara (1913) --Robert Henri (美国艺术家, 1865-1929)

Kneeling Saint, probably Mary Magdalene-Italo-Flemish-17th-century
（跪着的圣徒，可能是抹大拉的玛丽-伊塔洛-佛兰德-17世纪）

PENITENT MARY MAGDALENE WITH ROSARY, IN A CAVE-CIRCLE-OF-SIMON-VOUET-
（在山洞里忏悔的抹大拉的马利亚，带着念珠-西蒙之圈-）