61. 朱利安(Julien)以东方为灵感创作的彩绘丝绸嵌板,18世纪“中国风”品味的一个杰出早期范例。普林西比别墅,安德里亚·多里亚宫,私人公寓(意大利热那亚)(2016年) by Julien Spiewak 高清作品[28%]

材质 :Argentic print 尺寸 :70 × 50 cm Photography

朱利安(Julien)以东方为灵感创作的彩绘丝绸嵌板,18世纪“中国风”品味的一个杰出早期范例。普林西比别墅,安德里亚·多里亚宫,私人公寓(意大利热那亚)(2016年)-朱利安·斯皮瓦克(French, b. 1984)

英文名称:Painted silk panel inspired by the Orient, a magnificent early example of taste for the \\\"chinoiseries\\\" of the 18th century, Julien. Villa del Principe, Palace of Andrea Doria, private apartments (Genoa, Italy) (2016)-Julien Spiewak

63. 他们在南特威德运动人俱乐部一流的扑克机休息室见面,但直到第二天早上她付了早餐和房间费后,他才意识到她真正的梅格·瑞安,一个著名的人,比他大15岁,2020年 by Dale Frank 高清作品[27%]

They meet in the Premier First Class Poker Machine Lounge of the South Tweed Sportmans Club but it was not till the next morning after she paid for breakfast and the room that he realised she was the real Meg Ryan, someone famous and 15 years older than him, 2020

材质 :Pigments in easycast resin, epoxyglass on perspex 尺寸 :200 × 200 cm Painting

图片文件尺寸 : 5630 x 4332px

他们在南特威德运动人俱乐部一流的扑克机休息室见面,但直到第二天早上她付了早餐和房间费后,他才意识到她真正的梅格·瑞安,一个著名的人,比他大15岁,2020年-戴尔·弗兰克(Australian, b. 1959)

英文名称:They meet in the Premier First Class Poker Machine Lounge of the South Tweed Sportmans Club but it was not till the next morning after she paid for breakfast and the room that he realised she was the real Meg Ryan, someone famous and 15 years older than him, 2020-Dale Frank

64. 佩内洛普·惠特尼(Penelope Whitney)回忆道:“我从小在加利福尼亚州中部骑马和比赛的马匹世界如此可怕的性别歧视;女孩和女人通常只被视为性对象,而不天才的骑手和训练员。”惠特尼的灵感来自查理·帕克赫斯特(Charley Parkhurst,又名独眼查理)的故事。在淘金热期间,帕克赫斯特一名著名的驿站马车司机,他去世后,人们发现帕克赫斯特在生物学上女性。(2018年) by Jamil Hellu 高清作品[26%]

“The horse world I grew up riding and competing in central California was so horribly sexist; girls and women were often seen only as sexual objects, not as talented riders and trainers,” recalls Penelope Whitney who is inspired by the story of Charley Parkhurst, aka One-Eyed Charley. Celebrated as a stagecoach driver during the Gold Rush, it was discovered after his death that Parkhurst was biologically female. (2018) | Available for Sale

材质 :Digital pigment print 尺寸 :147.3 × 101.6 cm Photography

佩内洛普·惠特尼(Penelope Whitney)回忆道:“我从小在加利福尼亚州中部骑马和比赛的马匹世界如此可怕的性别歧视;女孩和女人通常只被视为性对象,而不天才的骑手和训练员。”惠特尼的灵感来自查理·帕克赫斯特(Charley Parkhurst,又名独眼查理)的故事。在淘金热期间,帕克赫斯特一名著名的驿站马车司机,他去世后,人们发现帕克赫斯特在生物学上女性。(2018年)-Jamil灯

英文名称:“The horse world I grew up riding and competing in central California was so horribly sexist; girls and women were often seen only as sexual objects, not as talented riders and trainers,” recalls Penelope Whitney who is inspired by the story of Charley Parkhurst, aka One-Eyed Charley. Celebrated as a stagecoach driver during the Gold Rush, it was discovered after his death that Parkhurst was biologically female. (2018) | Available for Sale-Jamil Hellu

66. 伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》现代奥林匹亚最伟大的作品。` Imre Kiralfys historical romance, Venice, the bride of the sea at Olympia the greatest production of modern times at Olympia. (1891) by Strobridge and Co 高清作品[25%]

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Imre Kiralfys historical romance, Venice, the bride of the sea at Olympia the greatest production of modern times at Olympia. (1891) -

图片文件尺寸: 2374 x 3567px

伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》现代奥林匹亚最伟大的作品。-斯特罗布里奇公司。

~ Imre Kiralfys historical romance, Venice, the bride of the sea at Olympia the greatest production of modern times at Olympia. (1891) --Strobridge and Co (美国艺术家, 1910-1954)

67. 伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》现代奥林匹亚最伟大的作品。` Imre Kiralfys historical romance, Venice, the bride of the sea at Olympia the greatest production of modern times at Olympia. (1891) by Strobridge and Co 高清作品[25%]

~
Imre Kiralfys historical romance, Venice, the bride of the sea at Olympia the greatest production of modern times at Olympia. (1891) -

图片文件尺寸: 2374 x 3567px

伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》现代奥林匹亚最伟大的作品。-斯特罗布里奇公司。

~ Imre Kiralfys historical romance, Venice, the bride of the sea at Olympia the greatest production of modern times at Olympia. (1891) --Strobridge and Co (美国艺术家, 1910-1954)

68. 他们可以没有我们我们就活不下去。加入我的新ATS,英国的一个重要分支中国的领土军。9个师——配备现代化设备` They cant get on without us. Join me in the new ATS, a vital branch of Britains territorial army. 9 divisions – with modern equipment (between 1939 and 1946) by Thomas Cantrell Dugdale 高清作品[25%]

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They cant get on without us. Join me in the new ATS, a vital branch of Britains territorial army. 9 divisions – with modern equipment (between 1939 and 1946) -

图片文件尺寸: 2428 x 3620px

他们可以没有我们我们就活不下去。加入我的新ATS,英国的一个重要分支中国的领土军。9个师——配备现代化设备-托马斯·坎特雷尔·杜格代尔

~ They cant get on without us. Join me in the new ATS, a vital branch of Britains territorial army. 9 divisions – with modern equipment (between 1939 and 1946) --Thomas Cantrell Dugdale (English, 1880 – 1952)

69. 他们可以没有我们我们就活不下去。加入我的新ATS,英国的一个重要分支中国的领土军。9个师——配备现代化设备` They cant get on without us. Join me in the new ATS, a vital branch of Britains territorial army. 9 divisions – with modern equipment (between 1939 and 1946) by Thomas Cantrell Dugdale 高清作品[25%]

~
They cant get on without us. Join me in the new ATS, a vital branch of Britains territorial army. 9 divisions – with modern equipment (between 1939 and 1946) -

图片文件尺寸: 2428 x 3620px

他们可以没有我们我们就活不下去。加入我的新ATS,英国的一个重要分支中国的领土军。9个师——配备现代化设备-托马斯·坎特雷尔·杜格代尔

~ They cant get on without us. Join me in the new ATS, a vital branch of Britains territorial army. 9 divisions – with modern equipment (between 1939 and 1946) --Thomas Cantrell Dugdale (English, 1880 – 1952)

70. 路易十五镀金青铜装中国漆器和乌木便桶,18世纪的棺材,19世纪的坐骑,可能19世纪添加的漆器面板 - A-LOUIS-XV-GILT-BRONZE-MOUNTED-CHINESE-漆器和乌木-便桶-THE-CARCASE-18世纪-THE-MOUNTS-19世纪-THE-漆器面板-可能在19世纪添加的 高清作品[25%]

A LOUIS XV GILT BRONZE-MOUNTED CHINESE LACQUER AND EBONIZED WOOD COMMODE, THE CARCASE 18TH CENTURY, THE MOUNTS 19TH CENTURY, THE LACQUER PANELS PROBABLY ADDED IN THE 19TH CENTURY-A-LOUIS-XV-GILT-BRONZE-MOUNTED-CHINESE-LACQUER-AND-EBONIZED-WOOD-COMMODE-THE-CARCASE-18TH-CENTURY-THE-MOUNTS-19TH-CENTURY-THE-LACQUER-PANELS-PROBABLY-ADDED-IN-THE-19TH-CENTURY

A LOUIS XV GILT BRONZE-MOUNTED CHINESE LACQUER AND EBONIZED WOOD COMMODE, THE CARCASE 18TH CENTURY, THE MOUNTS 19TH CENTURY, THE LACQUER PANELS PROBABLY ADDED IN THE 19TH CENTURY-A-LOUIS-XV-GILT-BRONZE-MOUNTED-CHINESE-LACQUER-AND-EBONIZED-WOOD-COMMODE-THE-CARCASE-18TH-CENTURY-THE-MOUNTS-19TH-CENTURY-THE-LACQUER-PANELS-PROBABLY-ADDED-IN-THE-19TH-CENTURY
(路易十五镀金青铜装中国漆器和乌木便桶,18世纪的棺材,19世纪的坐骑,可能19世纪添加的漆器面板-A-LOUIS-XV-GILT-BRONZE-MOUNTED-CHINESE-漆器和乌木-便桶-THE-CARCASE-18世纪-THE-MOUNTS-19世纪-THE-漆器面板-可能在19世纪添加的)