图片文件像素：4800 x 3400 px

卢卡斯·特罗伯格，接受就是给予，艺术作品是终身的-

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Lack, Markertusche auf Holz, 2017, 135 x 70 cm
www.lukastroberg.com

材质 :Rives Vellum 尺寸 :33 × 25 cm Print

图片文件尺寸 : 5630 x 4332px

阿尔伯特·马奎特（Albert Marquet）1927年创作的原创蚀刻作品《圣母院》-艾伯特·马尔凯(French, 1875–1947)

英文名称:Original Etching \"Notre Dame\" by Albert Marquet, 1927-Albert Marquet

材质 :Offset Lithograph 尺寸 :47 × 43.2 cm Print

图片文件尺寸 : 5630 x 4332px

1975年7月4日肯特两百周年纪念作品集的静物画-奥黛丽·弗莱克。(American, b. 1931)

英文名称:Fourth of July Still Life from the Kent Bicentennial Portfolio, 1975-Audrey Flack

材质 :Assemblage 尺寸 :48.5 × 65 × 71 cm Sculpture

我们每个人都无助地狂喜地跳进鳄鱼、狗、死亡的喉咙里（作品443）（1973）-柯特·斯坦维特(Austrian, 1920–1992)

英文名称:Jeder von uns tanzt hilflos verzückt in den Rachen des Krockodils, des Hundes, des Todes (Opus 443) (1973)-Curt Stenvert

材质 :Found Image and Acrylic on Paper 尺寸 :30.5 × 22.9 cm Drawing, Collage or other Work on Paper

\\“绿色与白色\\”-纸上绘画的具象作品，时尚，Found Image（2018）-劳拉·邓金丈夫(American, b. 1985)

英文名称:\\\"Green & White\\\" - Figurative Work on Paper with Paint, Fashion, Found Image (2018) | Available for Sale-Laura Dunkin-Hubby

i: Wrapped Electric Guitar (Schecter); ii. Study for Wrapped Electric Guitar (Schecter) [2 oeuvres]-Christo
（i:包好的电吉他（Schecter）；二、包裹式电吉他（Schecter）研究[2首作品]-克里斯托）

材质 :Screenprint with die-cut 尺寸 :61 × 50.8 cm Print

无标题自X+X（十位画家的十幅作品）（1964年）-乔治·厄尔·奥特曼

英文名称:Untitled from X + X (Ten Works by Ten Painters) (1964) | Available for Sale-George Earl Ortman

材质 :Screenprint 尺寸 :21.6 × 27.9 cm Print

关于博物馆文化中的一件博物馆藏品的展览，八幅版画的作品集（2020年）-马克·迪昂(American, b. 1961)

英文名称:On the Exhibition of a Museum Collection Object from Museum Culture, a portfolio of eight screenprints (2020)-Mark Dion

图片文件尺寸: 2870 x 3439px

迷失在思想中

` Lost in Thoughts (1922 ` 1923) --Magnus Enckell (Finnish, 1870-1925)

图片文件尺寸: 5654×6700 px

《思想家》，1880-1881年-奥古斯特·罗丁

-François Auguste René Rodin (1840–1917) was a 法国艺术家 sculptor generally considered the founder of modern sculpture. He was schooled traditionally and took a craftsman-like approach to his work. Rodin possessed a unique ability to model a complex, turbulent, and deeply pocketed surface in clay. He is known for such sculptures as The Thinker, The Kiss, The Burghers of Calais, and The Gates of Hell.
Rodin originally conceived The Thinker as a depiction of the Italian poet Dante Alighieri (1265–1321) sitting in the upper center of a monumental sculptural doorway titled The Gates of Hell (below). Inspired by Dante’s description of a journey through the underworld in his epic poem The Divine Comedy (about 1320), The Thinker contemplates mankind’s fate while gazing at a host of damned figures writhing in anguish below. Stripped of clothing, the figure’s rippling muscles convey an inner, animating life force symbolic of mental activity or creative effort. The figure leans forward, as if ready to spring from his perch, yet seems simultaneously caught in the inaction of deep thought. Rodin produced independent versions of The Thinker, first in this original size and later in a monumental version.