666. 无标题(S.114,悬挂式,六瓣连续形状,在一个形状内,一个悬挂式球体两个系带球体)(约1958年) by Ruth Asawa 高清作品[19%]

Untitled (S.114, Hanging, Six-Lobed Continuous Form within a Form with One Suspended and Two Tied Spheres) (ca. 1958)

材质 :Iron, copper, and brass wire 尺寸 :332.7 × 55.9 × 55.9 cm Sculpture

无标题(S.114,悬挂式,六瓣连续形状,在一个形状内,一个悬挂式球体两个系带球体)(约1958年)-露丝的妻子(American, 1926–2013)

英文名称:Untitled (S.114, Hanging, Six-Lobed Continuous Form within a Form with One Suspended and Two Tied Spheres) (ca. 1958)-Ruth Asawa

667. 这最蓝的形态,这片海洋,在这无月之夜最黑暗的时刻,被褐色的地球运动夜间的变化唤醒,最微小的看不见的生物,可见的生物,像信使一样在人们身上翻滚,他们知道更多的是什么,在下面,看不见的 by Rina Banerjee 高清作品[19%]

This bluest of form, this ocean, in the darkest of hour this moonless night, awaked by brown earthly movements, shifts in the night, the tiniest creatures invisible, visible tumble over people as messengers who knew more of what was, in the beneath, invisible, 2018

材质 :Wood panel, acrylic, sequin, marbled and Batik paper, cow horn, thread, copper nails, silver leaf 尺寸 :101.6 × 50.8 × 3.8 cm Painting

图片文件尺寸 : 5630 x 4332px

这最蓝的形态,这片海洋,在这无月之夜最黑暗的时刻,被褐色的地球运动夜间的变化唤醒,最微小的看不见的生物,可见的生物,像信使一样在人们身上翻滚,他们知道更多的是什么,在下面,看不见的-班尼杰(Indian, b. 1963)

英文名称:This bluest of form, this ocean, in the darkest of hour this moonless night, awaked by brown earthly movements, shifts in the night, the tiniest creatures invisible, visible tumble over people as messengers who knew more of what was, in the beneath, invisible, 2018-Rina Banerjee

670. 私酒的影响/传感器自动化的限制/接近是危险的,但信息丰富/但我坐在里面(2020年) by Kirill Savchenkov 高清作品[19%]

the effect of a moonshine / the limits of sensor automation / proximity is dangerous yet information-rich / but I’m sitting inside there (2020)

材质 :Mixed media sculpture 尺寸 :56 × 20 × 15 cm Sculpture

私酒的影响/传感器自动化的限制/接近是危险的,但信息丰富/但我坐在里面(2020年)-基里尔·萨夫琴科夫(Russian, b. 1987)

英文名称:the effect of a moonshine / the limits of sensor automation / proximity is dangerous yet information-rich / but I’m sitting inside there (2020)-Kirill Savchenkov