641. “Eli Chi自称为非二元transmasculine,来自一个从古巴移民到美国中国家庭。他是Tender Bois Club创始人之一,这是一家音乐制作公司,塑造了他希望在世界上看到那种温柔、有创意、相互关联男性气质。(2019年) by Jamil Hellu 高清作品[20%]

“Self-identified as non-binary transmasculine, Eli Chi comes from a Chinese family who immigrated to the United States from Cuba. He’s one of the founders of the Tender Bois Club, a music production house modeling the kind of tender, creative, and connected masculinity he wishes to see in the world. (2019) | Available for Sale

材质 :Digital pigment print 尺寸 :147.3 × 101.6 cm Photography

“Eli Chi自称为非二元transmasculine,来自一个从古巴移民到美国中国家庭。他是Tender Bois Club创始人之一,这是一家音乐制作公司,塑造了他希望在世界上看到那种温柔、有创意、相互关联男性气质。(2019年)-Jamil灯

英文名称:“Self-identified as non-binary transmasculine, Eli Chi comes from a Chinese family who immigrated to the United States from Cuba. He’s one of the founders of the Tender Bois Club, a music production house modeling the kind of tender, creative, and connected masculinity he wishes to see in the world. (2019) | Available for Sale-Jamil Hellu

643. 路易丝·莫伊隆(Louise Moillon)在中国明朝一件斗篷瓷器上画着桃子静物画` Still life with peaches in a chinese ming porcelain on an entablature (1629) by Louise Moillon 高清作品[20%]

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Still life with peaches in a chinese ming porcelain on an entablature (1629) -

图片文件尺寸: 3660 x 2566px

路易丝·莫伊隆(Louise Moillon)在中国明朝一件斗篷瓷器上画着桃子静物画-路易丝·莫隆

~ Still life with peaches in a chinese ming porcelain on an entablature (1629) --Louise Moillon (法国艺术家, 1610 - 1696)

645. 一对中国出口粉彩烛台宫廷女像,清代,乾隆时期,约1760年 - A-PAIR-OF-CHINESE-EXPORT-Famile-ROSE-CANDLESTICK-FIGURES-OF-COURT-LADIES-清代-乾隆时期-大约1760年 高清作品[20%]

A PAIR OF CHINESE EXPORT FAMILLE-ROSE CANDLESTICK FIGURES OF COURT LADIES, QING DYNASTY, QIANLONG PERIOD, CIRCA 1760-A-PAIR-OF-CHINESE-EXPORT-FAMILLE-ROSE-CANDLESTICK-FIGURES-OF-COURT-LADIES-QING-DYNASTY-QIANLONG-PERIOD-CIRCA-1760

A PAIR OF CHINESE EXPORT FAMILLE-ROSE CANDLESTICK FIGURES OF COURT LADIES, QING DYNASTY, QIANLONG PERIOD, CIRCA 1760-A-PAIR-OF-CHINESE-EXPORT-FAMILLE-ROSE-CANDLESTICK-FIGURES-OF-COURT-LADIES-QING-DYNASTY-QIANLONG-PERIOD-CIRCA-1760
(一对中国出口粉彩烛台宫廷女像,清代,乾隆时期,约1760年-A-PAIR-OF-CHINESE-EXPORT-Famile-ROSE-CANDLESTICK-FIGURES-OF-COURT-LADIES-清代-乾隆时期-大约1760年)

646. 苏美达河堤上小雨图片,选自《江户名胜古迹新编》` Picture of Light Rain on the Embankment of the Sumida River, from the series A New Selection of Famous Places in Edo (late 1830s or early 1840s) by Andō Hiroshige 高清作品[20%]

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Picture of Light Rain on the Embankment of the Sumida River, from the series A New Selection of Famous Places in Edo (late 1830s or early 1840s) -

图片文件尺寸: 7123 x 4404px

苏美达河堤上小雨图片,选自《江户名胜古迹新编》-ōHiroshige

~ Picture of Light Rain on the Embankment of the Sumida River, from the series A New Selection of Famous Places in Edo (late 1830s or early 1840s) --Andō Hiroshige (Japanese, 1797 – 1858)

648. 2010年11月8日,亚琛Boxgraben 100学生视觉传达图片实验室,亚琛设计学院学习课程 by Christopher Williams 高清作品[20%]

Fachhochschule Aachen Fachbereich Gestaltung Studiengang: Visuelle Kommunikation Fotolabor für Studenten Boxgraben 100, Aachen, November 8, 2010 (2010)

材质 :Digital pigment print 尺寸 :61 × 50.8 cm Photography

2010年11月8日,亚琛Boxgraben 100学生视觉传达图片实验室,亚琛设计学院学习课程-克里斯托弗·威廉姆斯(American, b. 1956)

英文名称:Fachhochschule Aachen Fachbereich Gestaltung Studiengang: Visuelle Kommunikation Fotolabor für Studenten Boxgraben 100, Aachen, November 8, 2010 (2010)-Christopher Williams