623. 《哈姆雷特》第三幕第二幕戏剧场景中一位凯尔特女子头部研究` Study for head of a Celtic woman, from The Play Scene, Hamlet, act 3, scene 2 (1897) by Edwin Austin Abbey 高清作品[25%]

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Study for head of a Celtic woman, from The Play Scene, Hamlet, act 3, scene 2 (1897) -

图片文件尺寸: 2245 x 3000px

《哈姆雷特》第三幕第二幕戏剧场景中一位凯尔特女子头部研究-埃德温·奥斯汀修道院

` Study for head of a Celtic woman, from The Play Scene, Hamlet, act 3, scene 2 (1897) --Edwin Austin Abbey (美国艺术家, 1852 - 1911)

625. 阿尔法天琴座(Alpha Lyrae)——具有美丽色彩渐变当代未来主义空间绘画(青色+黑色+白色+黄色)(2021年) by Hero 高清作品[25%]

Alpha Lyrae - Contemporary Futuristic Space Painting with A Beautiful Color Gradient (Teal + Black + White + Yellow) (2021)

材质 :Aerosol and diamond dust on wood panel 尺寸 :50.8 × 25.4 cm Painting

图片文件尺寸 : 5630 x 4332px

阿尔法天琴座(Alpha Lyrae)——具有美丽色彩渐变当代未来主义空间绘画(青色+黑色+白色+黄色)(2021年)-英雄

英文名称:Alpha Lyrae - Contemporary Futuristic Space Painting with A Beautiful Color Gradient (Teal + Black + White + Yellow) (2021)-Hero

628. 思想者》青铜雕塑`The Thinker, Bronze Sculpture by Auguste Rodin 高清作品[25%]

AF-The Thinker, Bronze Sculpture

图片文件尺寸: 4552×5800 px

思想者》青铜雕塑-奥古斯特·罗丁

-François Auguste René Rodin (1840–1917) was a 法国艺术家 sculptor generally considered the founder of modern sculpture. He was schooled traditionally and took a craftsman-like approach to his work. Rodin possessed a unique ability to model a complex, turbulent, and deeply pocketed surface in clay. He is known for such sculptures as The Thinker, The Kiss, The Burghers of Calais, and The Gates of Hell.
Rodin originally conceived The Thinker as a depiction of the Italian poet Dante Alighieri (1265–1321) sitting in the upper center of a monumental sculptural doorway titled The Gates of Hell (below). Inspired by Dante’s description of a journey through the underworld in his epic poem The Divine Comedy (about 1320), The Thinker contemplates mankind’s fate while gazing at a host of damned figures writhing in anguish below. Stripped of clothing, the figure’s rippling muscles convey an inner, animating life force symbolic of mental activity or creative effort. The figure leans forward, as if ready to spring from his perch, yet seems simultaneously caught in the inaction of deep thought. Rodin produced independent versions of The Thinker, first in this original size and later in a monumental version.