621. 从库维利尔先生收藏的盘子上取下40张照片。(1921年) by Jean-Baptiste-Camille Corot, Charles François Daubigny, Eugène Delacroix, Théodore Rousseau, Jean-François Millet 高清作品[8%]

Quarante Clichés-Glace, tirés sur les plaques provenant de la Collection de M. Cuvelier. (1921)

材质 :Album of 40 clichés-glasses, with 2 original original cliché-glasses matrices. 尺寸 :About the work Print

从库维利尔先生收藏的盘子上取下40张照片。(1921年)-让-巴蒂斯特·卡米尔·科洛特、查尔斯·弗朗索瓦·道比尼、尤金·德拉克罗瓦、西奥多·卢梭、让-弗朗索瓦·米利特(French, 1796–1875)

英文名称:Quarante Clichés-Glace, tirés sur les plaques provenant de la Collection de M. Cuvelier. (1921)-Jean-Baptiste-Camille Corot, Charles François Daubigny, Eugène Delacroix, Théodore Rousseau, Jean-François Millet

622. 对于海洛因和女主人公来说,维纳斯间的复活和静脉注射的亲密是沿着方位角进入爱情(总是已经失去)的入口;或者,如何使用符号逻辑在迈克尔湾攻击两栖动物,同时在广场完工时保持坐姿(否则,就去问爱丽丝……当她十英尺高的时候……),2020年 by objet A.D 高清作品[8%]

Of Heroin and Heroines—the Extimacy of the Inter-Venus and the Intimacy of the Intravenous as Entries Into Love (Always Already Lost) Along the Azimuth; or, How to Use Symbolic Logic to Launch an Assault on Amphibians in Michael’s Bay While Remaining Couched in the Completion of the Square (otherwise, Just Go Ask Alice… When She’s Ten Feet Tall…), 2020

材质 :Charcoal, Chalk, Oil-stick, and Oil-pastel on Paper 尺寸 :61 × 45.7 cm Drawing, Collage or other Work on Paper

图片文件尺寸 : 5630 x 4332px

对于海洛因和女主人公来说,维纳斯间的复活和静脉注射的亲密是沿着方位角进入爱情(总是已经失去)的入口;或者,如何使用符号逻辑在迈克尔湾攻击两栖动物,同时在广场完工时保持坐姿(否则,就去问爱丽丝……当她十英尺高的时候……),2020年-目标A.D(b. 1993)

英文名称:Of Heroin and Heroines—the Extimacy of the Inter-Venus and the Intimacy of the Intravenous as Entries Into Love (Always Already Lost) Along the Azimuth; or, How to Use Symbolic Logic to Launch an Assault on Amphibians in Michael’s Bay While Remaining Couched in the Completion of the Square (otherwise, Just Go Ask Alice… When She’s Ten Feet Tall…), 2020-objet A.D

623. 乌姆布里安平原的景色,远处是斯波莱托,前景是牧羊人和他的羊群` A view of the Umbrian campagna with Spoleto in the distance and a goatherd and his flock in the foreground (1833) by Thomas Hartley Cromek 高清作品[8%]

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A view of the Umbrian campagna with Spoleto in the distance and a goatherd and his flock in the foreground (1833) -

图片文件尺寸: 2883 x 1836px

乌姆布里安平原的景色,远处是斯波莱托,前景是牧羊人和他的羊群-托马斯·哈特利·克罗梅克

~ A view of the Umbrian campagna with Spoleto in the distance and a goatherd and his flock in the foreground (1833) --Thomas Hartley Cromek (English, 1809-1873)

624. 当我在那儿的时候,孩子们回家时,你们在这里干什么,美国的学生们,你们将如何回答他` When the boys come home While I was over there what were you doing here, Students of America, how will you answer him (1918) by Wladyslaw Theodore Benda 高清作品[8%]

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When the boys come home While I was over there what were you doing here, Students of America, how will you answer him (1918) -

图片文件尺寸: 2478 x 3371px

当我在那儿的时候,孩子们回家时,你们在这里干什么,美国的学生们,你们将如何回答他-弗拉迪斯拉夫·西奥多·本达

~ When the boys come home While I was over there what were you doing here, Students of America, how will you answer him (1918) --Wladyslaw Theodore Benda (波兰画家, 1873–1948)

625. 摘自卢浮宫收藏的迈克尔·安吉尔·博纳罗蒂(Michael Angel Buonarotti)的画作` Przerys z rysunku Michała Anioła Buonarottiego ze zbiorów Luwru (1888~1889) by Stanisław Wyspiański 高清作品[8%]

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Przerys z rysunku Michała Anioła Buonarottiego ze zbiorów Luwru (1888~1889) -

图片文件尺寸: 2447 x 3868px

摘自卢浮宫收藏的迈克尔·安吉尔·博纳罗蒂(Michael Angel Buonarotti)的画作-斯坦尼斯·瓦夫·怀斯皮安斯基

~ Przerys z rysunku Michała Anioła Buonarottiego ze zbiorów Luwru (1888~1889) --Stanisław Wyspiański (波兰画家, 1869-1907)

626. 凯乌斯·塞斯提乌斯金字塔和古代遗迹的景观,前景是一名士兵和一位年轻女士` A View Of The Pyramid Of Caius Cestius And Ancient Ruins With A Soldier And Young Lady In The Foreground by Jean-Baptiste Lallemand 高清作品[8%]

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A View Of The Pyramid Of Caius Cestius And Ancient Ruins With A Soldier And Young Lady In The Foreground-

图片文件尺寸: 3231 x 4460px

凯乌斯·塞斯提乌斯金字塔和古代遗迹的景观,前景是一名士兵和一位年轻女士-让·巴蒂斯特·拉勒曼德

~ A View Of The Pyramid Of Caius Cestius And Ancient Ruins With A Soldier And Young Lady In The Foreground--Jean-Baptiste Lallemand (法国艺术家, 1716-1805)

627. 一个装满鲜花、葡萄、桃子、李子和杏子的瓮,前景是威廉·范·莱恩(Willem van Leen)的一个菠萝和一只鸽子` An urn filled with flowers, grapes, peaches, plums and apricots, a pineapple and a pigeon in the foreground by Willem van Leen 高清作品[8%]

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An urn filled with flowers, grapes, peaches, plums and apricots, a pineapple and a pigeon in the foreground-

图片文件尺寸: 2851 x 3660px

一个装满鲜花、葡萄、桃子、李子和杏子的瓮,前景是威廉·范·莱恩(Willem van Leen)的一个菠萝和一只鸽子-威廉·范莱恩

~ An urn filled with flowers, grapes, peaches, plums and apricots, a pineapple and a pigeon in the foreground--Willem van Leen (荷兰艺术家, 1753 – 1825)

628. 亚当和夏娃。梵蒂冈博物馆收藏的拉斐尔·桑蒂的马赛克节选。` Adam i Ewa. Przerys z mozaiki według Rafaela Santi w zbiorach Muzeum Watykańskiego. (1887) by Stanisław Wyspiański 高清作品[8%]

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Adam i Ewa. Przerys z mozaiki według Rafaela Santi w zbiorach Muzeum Watykańskiego. (1887) -

图片文件尺寸: 2383 x 3736px

亚当和夏娃。梵蒂冈博物馆收藏的拉斐尔·桑蒂的马赛克节选。-斯坦尼斯·瓦夫·怀斯皮安斯基

~ Adam i Ewa. Przerys z mozaiki według Rafaela Santi w zbiorach Muzeum Watykańskiego. (1887) --Stanisław Wyspiański (波兰画家, 1869-1907)

629. 乡村的一条小溪,山坡上的一座城堡,前景是P–ris和Oenone` View of a brook in the countryside, a castle in the hillside above, with Pâris and Oenone in the foreground by Jean-Victor Bertin 高清作品[8%]

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View of a brook in the countryside, a castle in the hillside above, with Pâris and Oenone in the foreground-

图片文件尺寸: 3221 x 3929px

乡村的一条小溪,山坡上的一座城堡,前景是P–ris和Oenone-让·维克托·贝尔廷

~ View of a brook in the countryside, a castle in the hillside above, with Pâris and Oenone in the foreground--Jean-Victor Bertin (法国艺术家, 1767-1842)

630. 基督的洗礼(基督站在左边中间,背朝下,右边前景是一个年轻人的脱衣舞)` The Baptism of Christ (with Christ Standing at Left Center, His Back Turned, and a Youth Stripping in the Right Foreground) (ca. 1770–90) by Giovanni Domenico Tiepolo 高清作品[8%]

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The Baptism of Christ (with Christ Standing at Left Center, His Back Turned, and a Youth Stripping in the Right Foreground) (ca. 1770–90) -

图片文件尺寸: 2094 x 3185px

基督的洗礼(基督站在左边中间,背朝下,右边前景是一个年轻人的脱衣舞)-乔万尼·多门尼克·帖保罗

~ The Baptism of Christ (with Christ Standing at Left Center, His Back Turned, and a Youth Stripping in the Right Foreground) (ca. 1770–90) --Giovanni Domenico Tiepolo (Italian, 1727-1804)