611. 关注需求(嘿,J,很抱歉,我在阅读方面落后了,非常抱歉,谢谢你发送图片…我的团队中有大约10个人,考虑到每天和每月的目标,我们都是从IT毕业生开始的lol)(2021) by Jordan Halsall 高清作品[7%]

Eyes on demand (Hey J, sorry mortified on how behind I am on readings, thanks for sending the pics thru…. Sup J theres like 10 people on my squad, no where near enough considering daily and monthly targets, we all started as I.T graduates lol) (2021)

材质 :Engraved content moderation logo and iridologist logo on silicon wafer 尺寸 :30 × 60 cm Sculpture

关注需求(嘿,J,很抱歉,我在阅读方面落后了,非常抱歉,谢谢你发送图片…我的团队中有大约10个人,考虑到每天和每月的目标,我们都是从IT毕业生开始的lol)(2021)-乔丹·哈索尔(Australian, b. 1991)

英文名称:Eyes on demand (Hey J, sorry mortified on how behind I am on readings, thanks for sending the pics thru…. Sup J theres like 10 people on my squad, no where near enough considering daily and monthly targets, we all started as I.T graduates lol) (2021)-Jordan Halsall

612. 哈姆雷特&;为什么看你!看看它是如何悄悄溜走的——就在门口&; 第三幕,第四场,哈姆雷特` Hamlet; ;Why look you there! look how it steals away – out at the portal! Act III, Scene iv, Hamlet (1902) by Edwin Austin Abbey 高清作品[7%]

~
Hamlet; ;Why look you there! look how it steals away – out at the portal! Act III, Scene iv, Hamlet (1902) -

图片文件尺寸: 2039 x 2776px

哈姆雷特&;为什么看你!看看它是如何悄悄溜走的——就在门口&; 第三幕,第四场,哈姆雷特-埃德温·奥斯汀修道院

~ Hamlet; ;Why look you there! look how it steals away – out at the portal! Act III, Scene iv, Hamlet (1902) --Edwin Austin Abbey (美国艺术家, 1852 - 1911)

613. 哈姆雷特;为什么看你!看看它是如何悄悄溜走的——就在门口; 第三幕,第四场,哈姆雷特` Hamlet; Why look you there! look how it steals away – out at the portal! Act III, Scene iv, Hamlet (1902) by Edwin Austin Abbey 高清作品[7%]

~
Hamlet; Why look you there! look how it steals away – out at the portal! Act III, Scene iv, Hamlet (1902) -

图片文件尺寸: 2039 x 2776px

哈姆雷特;为什么看你!看看它是如何悄悄溜走的——就在门口; 第三幕,第四场,哈姆雷特-埃德温·奥斯汀修道院

~ Hamlet; Why look you there! look how it steals away – out at the portal! Act III, Scene iv, Hamlet (1902) --Edwin Austin Abbey (美国艺术家, 1852 - 1911)

614. 一对查尔斯二世镀银马桶盒,制造商在花押字上标了一个M,可能是1680年左右为伦敦的阿瑟·曼瓦林制作的 - 一对查尔斯二世镀银马桶盒制造商#x27;S-MARK-A-M-IN-MONOGRAM-crowed-maybuly-FOR-ARTHUR-MANWARIN-LONDON-CIRCA-1680 高清作品[6%]

A PAIR OF CHARLES II SILVER-GILT TOILET BOXES, MAKERS MARK A M IN MONOGRAM CROWNED, PROBABLY FOR ARTHUR MANWARIN, LONDON, CIRCA 1680-A-PAIR-OF-CHARLES-II-SILVER-GILT-TOILET-BOXES-MAKER#x27;S-MARK-A-M-IN-MONOGRAM-CROWNED-PROBABLY-FOR-ARTHUR-MANWARIN-LONDON-CIRCA-1680

A PAIR OF CHARLES II SILVER-GILT TOILET BOXES, MAKERS MARK A M IN MONOGRAM CROWNED, PROBABLY FOR ARTHUR MANWARIN, LONDON, CIRCA 1680-A-PAIR-OF-CHARLES-II-SILVER-GILT-TOILET-BOXES-MAKER#x27;S-MARK-A-M-IN-MONOGRAM-CROWNED-PROBABLY-FOR-ARTHUR-MANWARIN-LONDON-CIRCA-1680
(一对查尔斯二世镀银马桶盒,制造商在花押字上标了一个M,可能是1680年左右为伦敦的阿瑟·曼瓦林制作的-一对查尔斯二世镀银马桶盒制造商#x27;S-MARK-A-M-IN-MONOGRAM-crowed-maybuly-FOR-ARTHUR-MANWARIN-LONDON-CIRCA-1680)

615. 站起来的方式,来自女性礼仪图片(Onna Reishiki Zuga)` Manner of Standing Up, from Pictures of Female Manners (Onna Reishiki Zuga) (late 18th century – early 19th century) by Bunkyu Sakura 高清作品[6%]

~
Manner of Standing Up, from Pictures of Female Manners (Onna Reishiki Zuga) (late 18th century – early 19th century) -

图片文件尺寸: 4096 x 2986px

站起来的方式,来自女性礼仪图片(Onna Reishiki Zuga)-樱本久

~ Manner of Standing Up, from Pictures of Female Manners (Onna Reishiki Zuga) (late 18th century – early 19th century) --Bunkyu Sakura (Japanese, 1767–1830)

616. 《女性礼仪图片》中的用餐方式(Onna Reishiki Zuga)` Manner of Eating a Meal, from Pictures of Female Manners (Onna Reishiki Zuga) (late 18th century – early 19th century) by Bunkyu Sakura 高清作品[6%]

~
Manner of Eating a Meal, from Pictures of Female Manners (Onna Reishiki Zuga) (late 18th century – early 19th century) -

图片文件尺寸: 4096 x 2991px

《女性礼仪图片》中的用餐方式(Onna Reishiki Zuga)-樱本久

~ Manner of Eating a Meal, from Pictures of Female Manners (Onna Reishiki Zuga) (late 18th century – early 19th century) --Bunkyu Sakura (Japanese, 1767–1830)

618. 对于海洛因和女主人公来说,维纳斯间的复活和静脉注射的亲密是沿着方位角进入爱情(总是已经失去)的入口;或者,如何使用符号逻辑在迈克尔湾攻击两栖动物,同时在广场完工时保持坐姿(否则,就去问爱丽丝……当她十英尺高的时候……),2020年 by objet A.D 高清作品[6%]

Of Heroin and Heroines—the Extimacy of the Inter-Venus and the Intimacy of the Intravenous as Entries Into Love (Always Already Lost) Along the Azimuth; or, How to Use Symbolic Logic to Launch an Assault on Amphibians in Michael’s Bay While Remaining Couched in the Completion of the Square (otherwise, Just Go Ask Alice… When She’s Ten Feet Tall…), 2020

材质 :Charcoal, Chalk, Oil-stick, and Oil-pastel on Paper 尺寸 :61 × 45.7 cm Drawing, Collage or other Work on Paper

图片文件尺寸 : 5630 x 4332px

对于海洛因和女主人公来说,维纳斯间的复活和静脉注射的亲密是沿着方位角进入爱情(总是已经失去)的入口;或者,如何使用符号逻辑在迈克尔湾攻击两栖动物,同时在广场完工时保持坐姿(否则,就去问爱丽丝……当她十英尺高的时候……),2020年-目标A.D(b. 1993)

英文名称:Of Heroin and Heroines—the Extimacy of the Inter-Venus and the Intimacy of the Intravenous as Entries Into Love (Always Already Lost) Along the Azimuth; or, How to Use Symbolic Logic to Launch an Assault on Amphibians in Michael’s Bay While Remaining Couched in the Completion of the Square (otherwise, Just Go Ask Alice… When She’s Ten Feet Tall…), 2020-objet A.D

620. 当我在那儿的时候,孩子们回家时,你们在这里干什么,美国的学生们,你们将如何回答他` When the boys come home While I was over there what were you doing here, Students of America, how will you answer him (1918) by Wladyslaw Theodore Benda 高清作品[6%]

~
When the boys come home While I was over there what were you doing here, Students of America, how will you answer him (1918) -

图片文件尺寸: 2478 x 3371px

当我在那儿的时候,孩子们回家时,你们在这里干什么,美国的学生们,你们将如何回答他-弗拉迪斯拉夫·西奥多·本达

~ When the boys come home While I was over there what were you doing here, Students of America, how will you answer him (1918) --Wladyslaw Theodore Benda (波兰画家, 1873–1948)