602. 虽然现在离开了这个行业,但她一生都在悉尼三个商业画廊工作,有三个孩子,每一个都是来自每个画廊艺术家,但是哀叹这一事实,而不是三个小狗屎中没有一个会去看她或关心她,2021。 by Dale Frank 高清作品[9%]

Although now left the industry she had worked for three Sydney commercial galleries all her life and had three children, each fathered by an artist from each gallery, but bemoaned the fact than none of the three little shits would visit or cared about her, 2021

材质 :Colour and metallic pigments, black aluminium, acrylic in easycast resin, epoxyglass, on perspex 尺寸 :200 × 180 cm Painting

图片文件尺寸 : 5630 x 4332px

虽然现在离开了这个行业,但她一生都在悉尼三个商业画廊工作,有三个孩子,每一个都是来自每个画廊艺术家,但是哀叹这一事实,而不是三个小狗屎中没有一个会去看她或关心她,2021。-戴尔·弗兰克(Australian, b. 1959)

英文名称:Although now left the industry she had worked for three Sydney commercial galleries all her life and had three children, each fathered by an artist from each gallery, but bemoaned the fact than none of the three little shits would visit or cared about her, 2021-Dale Frank

606. 参观水族馆,水母`Visit the Aquarium, Jellyfish by Federal Art Project 高清作品[9%]

AF-Visit the Aquarium, Jellyfish

图片文件尺寸: 6394×8000 px

参观水族馆,水母-联邦艺术项目

-Poster promoting the Aquarium as a place to visit, showing Jellyfish.

Visit the Aquarium, Jellyfish (Poster), by Federal Art Project, WPA

The Federal Art Project (1935-1943) was a New Deal program to fund the visual arts in the United States. Under national director Holger Cahill, it was one of five Federal Project Number One projects sponsored by the Works Progress Administration (WPA), and the largest of the New Deal art projects. It was created not as a cultural activity, but as a relief measure to employ artists and artisans to create murals, easel paintings, sculpture, graphic art, posters, photography, theatre scenic design, and arts and crafts. The WPA Federal Art Project established more than 100 community art centers throughout the country, researched and documented 美国艺术家 design, commissioned a significant body of public art without restriction to content or subject matter, and sustained some 10,000 artists and craft workers during the Great Depression.

607. 参观动物园,河马`Visit the Zoo, Hippopotamus by Federal Art Project 高清作品[9%]

AF-Visit the Zoo, Hippopotamus

图片文件尺寸: 5478×7200 px

参观动物园,河马-联邦艺术项目

-Poster promoting the Zoo as a place to visit, showing a Hippopotamus.

Visit the Zoo, Hippopotamus (Poster), by Federal Art Project, WPA

The Federal Art Project (1935-1943) was a New Deal program to fund the visual arts in the United States. Under national director Holger Cahill, it was one of five Federal Project Number One projects sponsored by the Works Progress Administration (WPA), and the largest of the New Deal art projects. It was created not as a cultural activity, but as a relief measure to employ artists and artisans to create murals, easel paintings, sculpture, graphic art, posters, photography, theatre scenic design, and arts and crafts. The WPA Federal Art Project established more than 100 community art centers throughout the country, researched and documented 美国艺术家 design, commissioned a significant body of public art without restriction to content or subject matter, and sustained some 10,000 artists and craft workers during the Great Depression.

608. 参观动物园,朱鹭`Visit the Zoo, Ibis by Federal Art Project 高清作品[9%]

AF-Visit the Zoo, Ibis

图片文件尺寸: 5480×7200 px

参观动物园,朱鹭-联邦艺术项目

-Poster promoting the Zoo as a place to visit, showing Ibis.

Visit the Zoo, Ibis (Poster), by Federal Art Project, WPA

The Federal Art Project (1935-1943) was a New Deal program to fund the visual arts in the United States. Under national director Holger Cahill, it was one of five Federal Project Number One projects sponsored by the Works Progress Administration (WPA), and the largest of the New Deal art projects. It was created not as a cultural activity, but as a relief measure to employ artists and artisans to create murals, easel paintings, sculpture, graphic art, posters, photography, theatre scenic design, and arts and crafts. The WPA Federal Art Project established more than 100 community art centers throughout the country, researched and documented 美国艺术家 design, commissioned a significant body of public art without restriction to content or subject matter, and sustained some 10,000 artists and craft workers during the Great Depression.