51. Scruto VII——当代未来主义空间绘画,具有难以置信质感和形式(蓝色+橙色+黑色)(2021年) by Hero 高清作品[31%]

Scruto VII - Contemporary Futuristic Space Painting with Incredible Texture & Forms (Blue + Orange + Black)  (2021)

材质 :Aerosol and diamond dust on wood panel 尺寸 :50.8 × 25.4 cm Painting

图片文件尺寸 : 5630 x 4332px

Scruto VII——当代未来主义空间绘画,具有难以置信质感和形式(蓝色+橙色+黑色)(2021年)-英雄

英文名称:Scruto VII - Contemporary Futuristic Space Painting with Incredible Texture & Forms (Blue + Orange + Black) (2021)-Hero

55. 僵硬脖子野蛮野兽,有时他们会转头寻求解脱或反抗(伤疤和条纹故事)(2021) by James Rogers 高清作品[31%]

Stiff necks make the most barbaric of beasts, sometimes they turn their head for relief or rebellion (Stories of scars and stripes) (2021)

材质 :Oil paint over sanguine ink etching on velin arches cream paper 尺寸 :20 × 28 cm Print

僵硬脖子野蛮野兽,有时他们会转头寻求解脱或反抗(伤疤和条纹故事)(2021)-詹姆斯·罗杰斯(British, b. 1993)

英文名称:Stiff necks make the most barbaric of beasts, sometimes they turn their head for relief or rebellion (Stories of scars and stripes) (2021)-James Rogers

56. 僵硬脖子野蛮野兽,有时它们会转头寻求解脱或反抗(《伤疤与条纹故事》(2021) by James Rogers 高清作品[31%]

Stiff necks make the most barbaric of beasts, sometimes they turn their head for relief or rebellion (Stories of scars and stripes) (2021) | Available for Sale

材质 :Oak gall ink, pastel, and pencil over sanguine ink etching on velin arches cream paper. 尺寸 :20 × 28 cm Print

僵硬脖子野蛮野兽,有时它们会转头寻求解脱或反抗(《伤疤与条纹故事》(2021)-詹姆斯·罗杰斯(British, b. 1993)

英文名称:Stiff necks make the most barbaric of beasts, sometimes they turn their head for relief or rebellion (Stories of scars and stripes) (2021) | Available for Sale-James Rogers

57. 一种精致波利尼西亚-汤加群岛,主要双手铁木战争俱乐部“Apa\'Apai”,以椰子叶柄形式出现(1750-1800年) by Ethnographic Art 高清作品[31%]

A Fine Polynesian Tongan Islands Chiefly Two Handed Ironwood War Club ‘Apa’Apai’ in the Form of a Coconut Leaf Stalk (1750-1800)

材质 :Wood, Whaletooth 尺寸 :5 × 11 cm Other

一种精致波利尼西亚-汤加群岛,主要双手铁木战争俱乐部“Apa\'Apai”,以椰子叶柄形式出现(1750-1800年)-民族志艺术

英文名称:A Fine Polynesian Tongan Islands Chiefly Two Handed Ironwood War Club ‘Apa’Apai’ in the Form of a Coconut Leaf Stalk (1750-1800)-Ethnographic Art

59. 伟大黑水名字。我形态凯普里形态,阿图姆叶子。重复我以一个无知身份进入;我以akh身份出发了。[一] 将以我形式永远被视为人类。”索贝克莫斯纸莎草提取物 - 佐赫拉·奥波克 高清作品[30%]

Great Black Water is my name. My forms (are) the forms of Khepri, the foliage of Atum. Repeat. I entered as one who was ignorant; I have gone forth as an akh. [I] shall be seen in my form as a human forever.’ Extract from The Papyrus of Sobekmose-Zohra-Opoku

Great Black Water is my name. My forms (are) the forms of Khepri, the foliage of Atum. Repeat. I entered as one who was ignorant; I have gone forth as an akh. [I] shall be seen in my form as a human forever.’ Extract from The Papyrus of Sobekmose-Zohra-Opoku
(伟大黑水名字。我形态凯普里形态,阿图姆叶子。重复我以一个无知身份进入;我以akh身份出发了。[一] 将以我形式永远被视为人类。”索贝克莫斯纸莎草提取物-佐赫拉·奥波克)

60. 形态,这片海洋,在这无月之夜黑暗时刻,被褐色地球运动和夜间变化唤醒,微小看不见生物,可见生物,像信使一样在人们身上翻滚,他们知道更多什么,在下面,看不见 by Rina Banerjee 高清作品[30%]

This bluest of form, this ocean, in the darkest of hour this moonless night, awaked by brown earthly movements, shifts in the night, the tiniest creatures invisible, visible tumble over people as messengers who knew more of what was, in the beneath, invisible, 2018

材质 :Wood panel, acrylic, sequin, marbled and Batik paper, cow horn, thread, copper nails, silver leaf 尺寸 :101.6 × 50.8 × 3.8 cm Painting

图片文件尺寸 : 5630 x 4332px

形态,这片海洋,在这无月之夜黑暗时刻,被褐色地球运动和夜间变化唤醒,微小看不见生物,可见生物,像信使一样在人们身上翻滚,他们知道更多什么,在下面,看不见-班尼杰(Indian, b. 1963)

英文名称:This bluest of form, this ocean, in the darkest of hour this moonless night, awaked by brown earthly movements, shifts in the night, the tiniest creatures invisible, visible tumble over people as messengers who knew more of what was, in the beneath, invisible, 2018-Rina Banerjee