55. 伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》是一部宏大现实主义作品` Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) by Strobridge and Co 高清作品[15%]

`
Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) -

图片文件尺寸: 1877 x 2844px

伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》是一部宏大现实主义作品-斯特罗布里奇公司。

` Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) --Strobridge and Co (美国艺术家, 1910-1954)

56. 伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》是一部宏大现实主义作品` Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) by Strobridge and Co 高清作品[15%]

~
Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) -

图片文件尺寸: 1877 x 2844px

伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》是一部宏大现实主义作品-斯特罗布里奇公司。

~ Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) --Strobridge and Co (美国艺术家, 1910-1954)

57. 表演参与者肖像,准备感受一条L.B.项链,苏西·戈梅兹在其中提议试验一条项链,这是路易丝·布尔乔亚作品,具有明确女权主义内涵,创作时是对女性状态、女性社会、政治和法律限制指控。(2019-2020) by Susy Gómez 高清作品[15%]

Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear  feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)

材质 :Photography 96 x 11 each 尺寸 :96 × 111 cm Photography

表演参与者肖像,准备感受一条L.B.项链,苏西·戈梅兹在其中提议试验一条项链,这是路易丝·布尔乔亚作品,具有明确女权主义内涵,创作时是对女性状态、女性社会、政治和法律限制指控。(2019-2020)-苏西·戈梅兹(Spanish, b. 1964)

英文名称:Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)-Susy Gómez

58. Jean Braudillard(2019)《物体系统》一书中“边缘物体/古代物体”一章手写抄本 by Jose Vera Matos 高清作品[15%]

Transcripción a mano del Capítulo “Objeto marginal/objeto antiguo” del libro “El sistema de los objetos de Jean Braudillard (2019)

材质 :Fo 尺寸 :47 × 35 cm Drawing, Collage or other Work on Paper

Jean Braudillard(2019)《物体系统》一书中“边缘物体/古代物体”一章手写抄本-何塞·维拉·马托斯(Peruvian, b. 1981)

英文名称:Transcripción a mano del Capítulo “Objeto marginal/objeto antiguo” del libro “El sistema de los objetos de Jean Braudillard (2019)-Jose Vera Matos

59. 关于黄昏构成和沉着,与新月或强直、阵挛和其他在死前和死后重复僵硬慢性倾向有关。,二千零二十一 by objet A.D 高清作品[15%]

On the Composition and Composure of the Crepuscular in Relation to the Presence of a Crescent—or, the Tonic, the Clonic, and Other Chronic Tendencies Toward Timing the Repetition of Rigor Between Pre- and Post- Mortem., 2021

材质 :Gesso, Charcoal, Oil, Oil-stick, and Oil-pastel on Hardboard 尺寸 :76.2 × 61 × 0.6 cm Painting

图片文件尺寸 : 5630 x 4332px

关于黄昏构成和沉着,与新月或强直、阵挛和其他在死前和死后重复僵硬慢性倾向有关。,二千零二十一-目标A.D(b. 1993)

英文名称:On the Composition and Composure of the Crepuscular in Relation to the Presence of a Crescent—or, the Tonic, the Clonic, and Other Chronic Tendencies Toward Timing the Repetition of Rigor Between Pre- and Post- Mortem., 2021-objet A.D

60. 纸飞机灵感来源于20世纪初一名囚犯写一封信,这封信是从监狱牢房窗户扔出来。。。,《摄影与空花瓶共同点》(2019年)系列中有哪些 by Edgar Martins 高清作品[14%]

Paper plane inspired on a letter written by an inmate in the early 1900s, which was thrown from a prison cell window..., from the series What photography has in Common with an Empty Vase (2019) | Available for Sale

材质 :C-print mounted on aluminium 尺寸 :60 × 47 cm Photography

纸飞机灵感来源于20世纪初一名囚犯写一封信,这封信是从监狱牢房窗户扔出来。。。,《摄影与空花瓶共同点》(2019年)系列中有哪些-埃德加·马丁斯(Portuguese, b. 1977)

英文名称:Paper plane inspired on a letter written by an inmate in the early 1900s, which was thrown from a prison cell window..., from the series What photography has in Common with an Empty Vase (2019) | Available for Sale-Edgar Martins