52. 无标题(雕塑本身。前身收藏展,周日木匠俱乐部作品)-T.福克,1962/2019 by Gabriel Sierra 高清作品[41%]

Untitled (Sculptures Per-se. The predecessor collection show, works from the Sunday Carpenters Club) - T. Folke, 1962 / 2019

材质 :Set of 2. Wood and lead roof tile prototypes for the Pretzel Temple, with shapes that replicate the landscape of the location and the pattern created when the snow and rain fell over it 尺寸 :17.5 × 23.5 × 32 cm Sculpture

图片文件尺寸 : 5630 x 4332px

无标题(雕塑本身。前身收藏展,周日木匠俱乐部作品)-T.福克,1962/2019-加布里埃尔·塞拉(Colombian, b. 1975)

英文名称:Untitled (Sculptures Per-se. The predecessor collection show, works from the Sunday Carpenters Club) - T. Folke, 1962 / 2019-Gabriel Sierra

53. 伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》是一部宏大现实主义作品` Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) by Strobridge and Co 高清作品[41%]

`
Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) -

图片文件尺寸: 1877 x 2844px

伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》是一部宏大现实主义作品-斯特罗布里奇公司。

` Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) --Strobridge and Co (美国艺术家, 1910-1954)

54. 伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》是一部宏大现实主义作品` Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) by Strobridge and Co 高清作品[41%]

~
Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) -

图片文件尺寸: 1877 x 2844px

伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》是一部宏大现实主义作品-斯特罗布里奇公司。

~ Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) --Strobridge and Co (美国艺术家, 1910-1954)

55. 表演参与者肖像,准备感受一条L.B.项链,苏西·戈梅兹在其中提议试验一条项链,这是路易丝·布尔乔亚作品,具有明确女权主义内涵,创作时是对女性状态、女性社会、政治和法律限制指控。(2019-2020) by Susy Gómez 高清作品[40%]

Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear  feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)

材质 :Photography 96 x 11 each 尺寸 :96 × 111 cm Photography

表演参与者肖像,准备感受一条L.B.项链,苏西·戈梅兹在其中提议试验一条项链,这是路易丝·布尔乔亚作品,具有明确女权主义内涵,创作时是对女性状态、女性社会、政治和法律限制指控。(2019-2020)-苏西·戈梅兹(Spanish, b. 1964)

英文名称:Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)-Susy Gómez

60. 月光下沼泽地,有海葵和蜀葵(透过7.5英寸窗户观看立体画)(2020年) by Patrick Jacobs 高清作品[35%]

Moonlit Bog with Anemones and Hollyhock (Diorama viewed through 7.5 inch window) (2020)

材质 :Styrene, clay, paper, foam, wood, acrylic, steel, lighting, BK7 glass 尺寸 :50.8 × 71.1 × 50.8 cm Sculpture

月光下沼泽地,有海葵和蜀葵(透过7.5英寸窗户观看立体画)(2020年)-帕特里克·雅各布斯(American, b. 1971)

英文名称:Moonlit Bog with Anemones and Hollyhock (Diorama viewed through 7.5 inch window) (2020)-Patrick Jacobs