52. 从1992年到现在,几乎所有的电影和视频作品如此。可以在显示器上看到,一些人戴着耳机,其他人安静地同时运行。(1999年进行中) by Douglas Gordon 高清作品[22%]

Pretty much every film and video work from about 1992 until now. To be seen on monitors, some with headphones, others run silently and all simultaneously. (1999-ongoing)

材质 :Multi-channel video installation, black-and-white and color, on monitors 尺寸 :San Francisco Museum of Modern Art (SFMOMA) Installation

从1992年到现在,几乎所有的电影和视频作品如此。可以在显示器上看到,一些人戴着耳机,其他人安静地同时运行。(1999年进行中)-道格拉斯·戈登(Scottish, b. 1966)

英文名称:Pretty much every film and video work from about 1992 until now. To be seen on monitors, some with headphones, others run silently and all simultaneously. (1999-ongoing)-Douglas Gordon

53. 表演参与者的肖像,准备感受一条L.B.项链,苏西·戈梅兹在其中提议试验一条项链,这路易丝·布尔乔亚的作品,具有明确的女权主义内涵,创作时对女性状态、女性的社会、政治和法律限制的指控。(2019-2020) by Susy Gómez 高清作品[22%]

Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear  feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)

材质 :Photography 96 x 11 each 尺寸 :96 × 111 cm Photography

表演参与者的肖像,准备感受一条L.B.项链,苏西·戈梅兹在其中提议试验一条项链,这路易丝·布尔乔亚的作品,具有明确的女权主义内涵,创作时对女性状态、女性的社会、政治和法律限制的指控。(2019-2020)-苏西·戈梅兹(Spanish, b. 1964)

英文名称:Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)-Susy Gómez

57. 东方浪漫故事的插图,可能天方夜谭,(右图为跪着的女性)` Illustration for an Eastern Romance, possibly ;The Arabian Nights, with Kneeling Female Figure at Right) (1807) by Robert Smirke 高清作品[21%]

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Illustration for an Eastern Romance, possibly ;The Arabian Nights, with Kneeling Female Figure at Right) (1807) -

图片文件尺寸: 2198 x 3051px

东方浪漫故事的插图,可能天方夜谭,(右图为跪着的女性)-斯默克

~ Illustration for an Eastern Romance, possibly ;The Arabian Nights, with Kneeling Female Figure at Right) (1807) --Robert Smirke (English, 1752 - 1845)

58. 1679年,伦敦,查尔斯二世时期的一个镀银大杯,上面的制造商马克·阿穆勒(MARK AH MULLET)可能为亚伯拉罕·辛德(ABRAHAM HIND,E)设计的 - A-CHARLES-II-LARGE-SILVER-GILT-CAUDLE-CUP-MAKER#x27;S-MARK-AH-MULLET-ABRAHAM-HIND(东)-伦敦-1679 高清作品[20%]

A CHARLES II LARGE SILVER-GILT CAUDLE CUP, MAKERS MARK AH MULLET ABOVE PROBABLY FOR ABRAHAM HIND(E), LONDON, 1679-A-CHARLES-II-LARGE-SILVER-GILT-CAUDLE-CUP-MAKER#x27;S-MARK-AH-MULLET-ABOVE-PROBABLY-FOR-ABRAHAM-HIND(E)-LONDON-1679

A CHARLES II LARGE SILVER-GILT CAUDLE CUP, MAKERS MARK AH MULLET ABOVE PROBABLY FOR ABRAHAM HIND(E), LONDON, 1679-A-CHARLES-II-LARGE-SILVER-GILT-CAUDLE-CUP-MAKER#x27;S-MARK-AH-MULLET-ABOVE-PROBABLY-FOR-ABRAHAM-HIND
(1679年,伦敦,查尔斯二世时期的一个镀银大杯,上面的制造商马克·阿穆勒(MARK AH MULLET)可能为亚伯拉罕·辛德(ABRAHAM HIND,E)设计的-A-CHARLES-II-LARGE-SILVER-GILT-CAUDLE-CUP-MAKER#x27;S-MARK-AH-MULLET-ABRAHAM-HIND(东)-伦敦-1679)

59. 新古典主义建筑的设计,被认为斯德哥尔摩市的艺术学校` Design for a Neoclassical Building, Thought to be a School of Arts for the City of Stockholm (ca. 1770–94) by Louis Gustave Taraval 高清作品[20%]

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Design for a Neoclassical Building, Thought to be a School of Arts for the City of Stockholm (ca. 1770–94) -

图片文件尺寸: 3824 x 2186px

新古典主义建筑的设计,被认为斯德哥尔摩市的艺术学校-路易·古斯塔夫·塔拉瓦尔

~ Design for a Neoclassical Building, Thought to be a School of Arts for the City of Stockholm (ca. 1770–94) --Louis Gustave Taraval (法国艺术家, 1738–1794)

60. 伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》现代奥林匹亚最伟大的作品。` Imre Kiralfys historical romance, Venice, the bride of the sea at Olympia the greatest production of modern times at Olympia. (1891) by Strobridge and Co 高清作品[19%]

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Imre Kiralfys historical romance, Venice, the bride of the sea at Olympia the greatest production of modern times at Olympia. (1891) -

图片文件尺寸: 2374 x 3567px

伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》现代奥林匹亚最伟大的作品。-斯特罗布里奇公司。

~ Imre Kiralfys historical romance, Venice, the bride of the sea at Olympia the greatest production of modern times at Olympia. (1891) --Strobridge and Co (美国艺术家, 1910-1954)