材质 :Unique work on paper made using oil stick, tape, collage, spray paint 尺寸 :127 × 97.2 cm Drawing, Collage or other Work on Paper
加权表达式（如果没有层次结构该怎么办）（2020）-查尔斯·梅森三世(American, b. 1990)
英文名称:Weighted Expression (what if there was no hierarchy) (2020) | Available for Sale-Charles Mason III
材质 :Arches Hot Press Watercolour paper, 156LB, Mounted with reversible archival conservators’ adhesive on cotton fiber board 尺寸 :61 × 45.7 cm Painting
图片文件尺寸 : 5630 x 4332px
有人给了我这具尸体我现在该怎么办2017年-玛西娅·库尔(Nigerian, b. 1970)
英文名称:Somebody gave me this Body—What do I do with it now, 2017-Marcia Kure
材质 :Mixed media on paper 尺寸 :38 × 38 cm Painting
我的梦想该怎么办？(2021)-莫伊斯·雅格斯
英文名称:What do I do with my dreams? (2021)-Moisés Yagües
材质 :Stamped drawing in ink on Ingres paper on cardboard 尺寸 :55.5 × 34 cm Drawing, Collage or other Work on Paper
图片文件尺寸 : 5630 x 4332px
他怎么了？他怎么了？1930-保罗·克莱(German, 1879–1940)
英文名称:Was fehlt ihm? (What’s the Matter with Him?), 1930-Paul Klee
材质 :Wood, copper plate with soft ground 尺寸 :133.4 × 72.4 × 5.1 cm Print
Aspen CO.第二天（2010年）在咆哮的福克河上24小时-劳伦斯·拉比安卡
英文名称:Twenty Four Hours on the Roaring Fork River, Aspen CO. Day Two (2010) | Available for Sale-Lawrence LaBianca
图片文件尺寸: 11874×8648 px
这滴水很危险，我们该怎么办
-Harry Watrous
Property from a Prominent Private Collection
David Hockney
b. 1939
Hotel Acatlán: Second Day, from Moving Focus (M.C.A.T. 270; T. 283)
signed, dated 1984-5 and numbered 7/98
lithograph in colours on TGL handmade wove paper, in two parts
73.3 by 191.8 cm. 28⅞ by 75½ in.
framed: 89 by 201.1 cm. 35 by 79⅛ in.
This work is number 7 from an edition of 98, plus 20 artist s proofs.
Hotel Acatlán: Second Day, from Moving Focus (M.C.A.T. 270; T. 283)-David-Hockney
（阿卡特兰酒店：第二天，来自移动焦点（M.C.A.T.270；T.283）-大卫·霍克尼）
图片文件尺寸: 2367 x 8223px
头痛之后的第二天早上-威廉·斯坦尼根
~ Morning after such a headache (1908) --William Steinigans (美国艺术家, 1878-1918)
图片文件尺寸: 2886 x 1877px
前天晚上的第二天早上-亚瑟·伯德特·弗罗斯特
~ The Morning After The Night Before--Arthur Burdett Frost (美国艺术家, 1851 - 1928)
图片文件尺寸: 9500×6641 px
特拉法加战役的第二天-Richard Brydges Beechey
-The Day after the Battle of Trafalgar, 1883 (Oil on Canvas), by Richard Brydges Beechey