52. 1648年7月在安特卫普为庆祝《蒙斯特条约》而设计古典凉廊` A Design For A Classical Loggia To Celebrate The Treaty Of Munster In Antwerp July 1648 by Erasmus Quellinus the younger 高清作品[37%]

~
A Design For A Classical Loggia To Celebrate The Treaty Of Munster In Antwerp July 1648-

图片文件尺寸: 4000 x 2837px

1648年7月在安特卫普为庆祝《蒙斯特条约》而设计古典凉廊-年轻的伊拉斯谟·奎利努斯

~ A Design For A Classical Loggia To Celebrate The Treaty Of Munster In Antwerp July 1648--Erasmus Quellinus the younger (Flemish, 1607-1678)

53. 当我坐在山谷里,凝视着阴影,随着太阳的节奏在树叶上翩翩起舞时,距离和比例对我来说似乎都没有意义(I)(2019) by Derek Liddington 高清作品[33%]

Neither distance or scale seemed to make sense to me as I sat in the valley, staring at the shadows, as they danced along the foliage to the rhythm of the sun (I) (2019) | Available for Sale

材质 :Oil on canvas 尺寸 :165.1 × 195.6 cm Painting

当我坐在山谷里,凝视着阴影,随着太阳的节奏在树叶上翩翩起舞时,距离和比例对我来说似乎都没有意义(I)(2019)-德里克·利丁顿(Canadian, b. 1981)

英文名称:Neither distance or scale seemed to make sense to me as I sat in the valley, staring at the shadows, as they danced along the foliage to the rhythm of the sun (I) (2019) | Available for Sale-Derek Liddington

54. 当我坐在山谷里,凝视着阴影,随着太阳的节奏在树叶上翩翩起舞时,距离和比例对我来说似乎都没有意义(II)(2019) by Derek Liddington 高清作品[33%]

Neither distance or scale seemed to make sense to me as I sat in the valley, staring at the shadows, as they danced along the foliage to the rhythm of the sun (II) (2019) | Available for Sale

材质 :Oil on canvas 尺寸 :165.1 × 195.6 cm Painting

当我坐在山谷里,凝视着阴影,随着太阳的节奏在树叶上翩翩起舞时,距离和比例对我来说似乎都没有意义(II)(2019)-德里克·利丁顿(Canadian, b. 1981)

英文名称:Neither distance or scale seemed to make sense to me as I sat in the valley, staring at the shadows, as they danced along the foliage to the rhythm of the sun (II) (2019) | Available for Sale-Derek Liddington

57. 安东·v·沃纳(Anton v.Werner)于2013年在1892年修订的壁画《柏林之光》(Der Kongress zu Berlin)最终版本中的装潢和政治权力的意义 by Michael van Ofen 高清作品[32%]

材质 :Oil on canvas 尺寸 :80 × 120 × 8 cm Painting

图片文件尺寸 : 5630 x 4332px

安东·v·沃纳(Anton v.Werner)于2013年在1892年修订的壁画《柏林之光》(Der Kongress zu Berlin)最终版本中的装潢和政治权力的意义-迈克尔·范奥芬(German, b. 1956)

英文名称:Dekor und Signifikant politischer Macht in der überarbeiteten Endfassung des Wandbildes \"Der Kongreß zu Berlin\", 1892 von Anton v. Werner, 2013-Michael van Ofen