53. 雉鸡和荆棘,最新雕刻的木材。蝴蝶和蜻蜓,镶嵌。鸭子和鸢尾,模具。` Faisan et ronces, bois sculpté à jour. Papillons et libellules, marqueterie. Canards et iris, pochoir. (1897) by Maurice Pillard Verneuil 高清作品[15%]

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Faisan et ronces, bois sculpté à jour. Papillons et libellules, marqueterie. Canards et iris, pochoir. (1897) -

图片文件尺寸: 5088 x 3546px

雉鸡和荆棘,最新雕刻的木材。蝴蝶和蜻蜓,镶嵌。鸭子和鸢尾,模具。-莫里斯·皮拉德·韦尔内伊

~ Faisan et ronces, bois sculpté à jour. Papillons et libellules, marqueterie. Canards et iris, pochoir. (1897) --Maurice Pillard Verneuil (法国艺术家, 1869-1942)

55. 站在Sumida河岸上的艺妓(摘自《喜欢最新时尚和礼仪的人》系列)` Geisha Standing on the Bank of the Sumida River (from the series People Who Like the Latest Fashions and Manners) (early 1830s) by Utagawa Kuniyoshi 高清作品[14%]

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Geisha Standing on the Bank of the Sumida River (from the series People Who Like the Latest Fashions and Manners) (early 1830s) -

图片文件尺寸: 5151 x 7404px

站在Sumida河岸上的艺妓(摘自《喜欢最新时尚和礼仪的人》系列)-Utagawa Kuniyoshi

~ Geisha Standing on the Bank of the Sumida River (from the series People Who Like the Latest Fashions and Manners) (early 1830s) --Utagawa Kuniyoshi (Japanese, 1797-1861)

56. 1934年,那不勒斯国家博物馆(Museo Nazionale)一座原始建筑的抽象化 - 奥古斯托-贾科梅蒂 高清作品[14%]

Abstraktion nach einem Primitiven im Museo Nazionale in Neapel, 1934

  • Augusto Giacometti
  • Abstraktion nach einem Primitiven im Museo Nazionale in Neapel, 1934
  • Signed with the artist\'s initials lower right;signed, dated, titled on verso
  • Pastel on paper laid down on cardboard
  • Abstraktion nach einem Primitiven im Museo Nazionale in Neapel, 1934-AUGUSTO-GIACOMETTI
    (1934年,那不勒斯国家博物馆(Museo Nazionale)一座原始建筑的抽象化-奥古斯托-贾科梅蒂)