51. 《照片雕刻师平面设计公约》，芝加哥。][以卡通鹳为特色的海报` Graphic design for Photo Engravers Convention, Chicago.] [Poster featuring cartoon~like storks (1915) by Winold Reiss 高清作品[24%]

` Graphic design for Photo Engravers Convention, Chicago.] [Poster featuring cartoon`like storks (1915) -

图片文件尺寸: 7464 x 10229px

《照片雕刻师平面设计公约》，芝加哥。][以卡通鹳为特色的海报-温诺德赖斯

` Graphic design for Photo Engravers Convention, Chicago.] [Poster featuring cartoon`like storks (1915) --Winold Reiss (美国艺术家, 1886-1953)

55. 装饰有彩绘风景的镶板室内立面图，以及带有卡通花纹和花朵的小海湾` Elevation of a paneled interior decorated with painted landscapes and coves with cartouches and flowers (1830–97) by Jules-Edmond-Charles Lachaise 高清作品[23%]

~ Elevation of a paneled interior decorated with painted landscapes and coves with cartouches and flowers (1830–97) -

图片文件尺寸: 3754 x 2238px

装饰有彩绘风景的镶板室内立面图，以及带有卡通花纹和花朵的小海湾-朱尔斯·爱德蒙·查尔斯·拉切斯

~ Elevation of a paneled interior decorated with painted landscapes and coves with cartouches and flowers (1830–97) --Jules-Edmond-Charles Lachaise (法国艺术家, ?-1897)

56. 一个花环围绕着一个带有神圣家庭和putti的卡通画，由年长的扬·范·凯塞尔（Jan Van Kessel）设计` A wreath of flowers surrounding a cartouche with the Holy Family and putti by Jan Van Kessel The Elder 高清作品[22%]

~ A wreath of flowers surrounding a cartouche with the Holy Family and putti-

图片文件尺寸: 3395 x 4630px

一个花环围绕着一个带有神圣家庭和putti的卡通画，由年长的扬·范·凯塞尔（Jan Van Kessel）设计-元老简·范·凯塞尔

~ A wreath of flowers surrounding a cartouche with the Holy Family and putti--Jan Van Kessel The Elder (Flemish, 1626 - 1679)

57. 佩内洛普·惠特尼（Penelope Whitney）回忆道：“我从小在加利福尼亚州中部骑马和比赛的马匹世界是如此可怕的性别歧视；女孩和女人通常只被视为性对象，而不是天才的骑手和训练员。”惠特尼的灵感来自查理·帕克赫斯特（Charley Parkhurst，又名独眼查理）的故事。在淘金热期间，帕克赫斯特是一名著名的驿站马车司机，他去世后，人们发现帕克赫斯特在生物学上是女性。（2018年） by Jamil Hellu 高清作品[22%]

“The horse world I grew up riding and competing in central California was so horribly sexist; girls and women were often seen only as sexual objects, not as talented riders and trainers,” recalls Penelope Whitney who is inspired by the story of Charley Parkhurst, aka One-Eyed Charley. Celebrated as a stagecoach driver during the Gold Rush, it was discovered after his death that Parkhurst was biologically female. (2018) | Available for Sale

材质 :Digital pigment print 尺寸 :147.3 × 101.6 cm Photography

佩内洛普·惠特尼（Penelope Whitney）回忆道：“我从小在加利福尼亚州中部骑马和比赛的马匹世界是如此可怕的性别歧视；女孩和女人通常只被视为性对象，而不是天才的骑手和训练员。”惠特尼的灵感来自查理·帕克赫斯特（Charley Parkhurst，又名独眼查理）的故事。在淘金热期间，帕克赫斯特是一名著名的驿站马车司机，他去世后，人们发现帕克赫斯特在生物学上是女性。（2018年）-Jamil灯

英文名称:“The horse world I grew up riding and competing in central California was so horribly sexist; girls and women were often seen only as sexual objects, not as talented riders and trainers,” recalls Penelope Whitney who is inspired by the story of Charley Parkhurst, aka One-Eyed Charley. Celebrated as a stagecoach driver during the Gold Rush, it was discovered after his death that Parkhurst was biologically female. (2018) | Available for Sale-Jamil Hellu

58. 《盆景——微观世界宏观世界》中的“4020”（《盆景——微观世界宏观世界》中的“4018”） by Yamamoto Masao 高清作品[22%]

\'4020\' from \'Bonsai – Microcosms Macrocosms\' (\'4018\' from \'Bonsai – Microcosms Macrocosms\') | Available for Sale

材质 :Gelatin silver print 尺寸 :25.1 × 32.8 cm Photography

《盆景——微观世界宏观世界》中的“4020”（《盆景——微观世界宏观世界》中的“4018”）-山本正雄

英文名称:\'4020\' from \'Bonsai – Microcosms Macrocosms\' (\'4018\' from \'Bonsai – Microcosms Macrocosms\') | Available for Sale-Yamamoto Masao

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