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51. 1893年的星夜`Starry Night, 1893 by Edvard Munch 高清作品[20%]

图片文件尺寸: 7735×7500 px

1893年的星夜-爱德华·蒙克

-Starry Night, 1893 (Oil on Canvas), by Edvard Munch

52. 1924年的星夜`Starry Night, 1924 by Edvard Munch 高清作品[20%]

图片文件尺寸: 7000×8202 px

1924年的星夜-爱德华·蒙克

-Starry Night, 1924 (Oil on Canvas), by Edvard Munch

53. 罗恩河上的星夜（1888） by Vincent van Gogh 高清作品[20%]

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罗恩河上的星夜（1888）-文森特·梵高(Dutch, 1853–1890)

英文名称:Starry Night over the Rhône (1888)-Vincent van Gogh

54. 星夜`The Starry Night by Vincent Willem van Gogh 高清作品[20%]

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星夜-文森特·威廉·梵高

-Vincent Willem van Gogh was a 荷兰艺术家 post-impressionist painter who is among the most famous and influential figures in the history of Western art.
In creating this image of the night sky—dominated by the bright moon at right and Venus at center left—van Gogh heralded modern painting’s new embrace of mood, expression, symbol, and sentiment. Inspired by the view from his window at the Saint-Paul-de-Mausole asylum in Saint-Rémy, in southern France, where the artist spent twelve months in 1889–90 seeking reprieve from his mental illnesses, The Starry Night (made in mid-June) is both an exercise in observation and a clear departure from it. The vision took place at night, yet the painting, among hundreds of artworks van Gogh made that year, was created in several sessions during the day, under entirely different atmospheric conditions. The picturesque village nestled below the hills was based on other views—it could not be seen from his window—and the cypress at left appears much closer than it was. And although certain features of the sky have been reconstructed as observed, the artist altered celestial shapes and added a sense of glow.
Van Gogh assigned an emotional language to night and nature that took them far from their actual appearances. Dominated by vivid blues and yellows applied with gestural verve and immediacy, The Starry Night also demonstrates how inseparable van Gogh’s vision was from the new procedures of painting he had devised, in which color and paint describe a world outside the artwork even as they telegraph their own status as, merely, color and paint.