53. \\“1930年英国装饰风格\\”(文章弗朗西斯·培根——年轻室内设计师),1930年,《创意艺术杂志》(1930年) by Francis Bacon 高清作品[30%]

材质 :Print 尺寸 :29.2 × 21 cm Ephemera or Merchandise

\\“1930年英国装饰风格\\”(文章弗朗西斯·培根——年轻室内设计师),1930年,《创意艺术杂志》(1930年)-弗朗西斯·培根

英文名称:\\\"The 1930 Look in British Decoration\\\" (article Francis Bacon- As Young Interior Designer), 1930, Creative Art Magazine (1930) | Available for Sale-Francis Bacon

55. Jazzy Jay的罗兰TR-727软件节奏合成器,由Jazzy Jay在12“版本的LL Cool J上编程;《摇滚钟声》(1985年,由里克·鲁宾制作)由爵士杰伊借给里克·鲁宾,用于制作《Beastie男孩》的首张专辑《Hold it,Now Hit it》(1986年),该专辑由Ill授权发行 - [爵士杰伊] 高清作品[27%]

Jazzy Jay’s Roland TR-727 Software Rhythm Composer, programmed by Jazzy Jay on 12” Version of LL Cool J;s “Rock the Bells” (1985, produced by Rick Rubin) and lent by Jazzy Jay to Rick Rubin for production on the Beastie Boys’ “Hold it, Now Hit It” (1986) from their debut album Licensed to Ill-[Jazzy Jay]

Jazzy Jay’s Roland TR-727 Software Rhythm Composer, programmed by Jazzy Jay on 12” Version of LL Cool J;s “Rock the Bells” (1985, produced by Rick Rubin) and lent by Jazzy Jay to Rick Rubin for production on the Beastie Boys’ “Hold it, Now Hit It” (1986) from their debut album Licensed to Ill-[Jazzy-Jay]
(Jazzy Jay的罗兰TR-727软件节奏合成器,由Jazzy Jay在12“版本的LL Cool J上编程;《摇滚钟声》(1985年,由里克·鲁宾制作)由爵士杰伊借给里克·鲁宾,用于制作《Beastie男孩》的首张专辑《Hold it,Now Hit it》(1986年),该专辑由Ill授权发行-[爵士杰伊])

56. B面:倒转记录*左:仍然来自伍斯特集团的B面:来自德克萨斯州监狱的黑人民间传说;2018年2月9日(2019年)摄于纽约州布法罗市布法罗大学创意艺术倡议, by Shannon Ebner 高清作品[26%]

B SIDE: INVERTED RECORD *Left: Still from The Wooster Group\'s B SIDE: NEGRO FOLKLORE FROM TEXAS STATE PRISONS; photographed at the Creative Arts Initiative, University at Buffalo, Buffalo, New York on February 9th, 2018, (2019) | Available for Sale

材质 :Archival pigment print mounted to aluminum 尺寸 :45.7 × 39.1 × 0.8 cm Photography

B面:倒转记录*左:仍然来自伍斯特集团的B面:来自德克萨斯州监狱的黑人民间传说;2018年2月9日(2019年)摄于纽约州布法罗市布法罗大学创意艺术倡议,-香农·埃伯纳

英文名称:B SIDE: INVERTED RECORD *Left: Still from The Wooster Group\'s B SIDE: NEGRO FOLKLORE FROM TEXAS STATE PRISONS; photographed at the Creative Arts Initiative, University at Buffalo, Buffalo, New York on February 9th, 2018, (2019) | Available for Sale-Shannon Ebner

57. “Eli Chi自称为非二元transmasculine,来自一个从古巴移民到美国的中国家庭。他是Tender Bois Club的创始人之一,这是一家音乐制作公司,塑造了他希望在世界上看到的那种温柔、有创意、相互关联的男性气质。(2019年) by Jamil Hellu 高清作品[25%]

“Self-identified as non-binary transmasculine, Eli Chi comes from a Chinese family who immigrated to the United States from Cuba. He’s one of the founders of the Tender Bois Club, a music production house modeling the kind of tender, creative, and connected masculinity he wishes to see in the world. (2019) | Available for Sale

材质 :Digital pigment print 尺寸 :147.3 × 101.6 cm Photography

“Eli Chi自称为非二元transmasculine,来自一个从古巴移民到美国的中国家庭。他是Tender Bois Club的创始人之一,这是一家音乐制作公司,塑造了他希望在世界上看到的那种温柔、有创意、相互关联的男性气质。(2019年)-Jamil灯

英文名称:“Self-identified as non-binary transmasculine, Eli Chi comes from a Chinese family who immigrated to the United States from Cuba. He’s one of the founders of the Tender Bois Club, a music production house modeling the kind of tender, creative, and connected masculinity he wishes to see in the world. (2019) | Available for Sale-Jamil Hellu