National Gallery III [maquette]-ALEXANDER-CALDER
（国家美术馆III[造型]-亚历山大·考尔德）

ANDY WARHOL AT TATE GALLERY, 1971-NEIL-LIBBERT--
（安迪·沃霍尔在泰特美术馆，1971年-尼尔·利伯特--）

图片文件尺寸: 8841×6000 px

土耳其馆-伊万·康斯坦蒂诺维奇·艾瓦佐夫斯基

-Turkish Pavilion (Oil on Canvas), by Ivan Konstantinovich Aivazovsky

图片文件尺寸: 6220×3858 px

相扑馆-Isoda Koryusai

-Isoda Koryūsai (礒田 湖龍斎, 1735-1790) was a Japanese ukiyo-e print designer and painter active from 1769 to 1790.
Shunga (春画) is a Japanese term for erotic art. Most shunga are a type of ukiyo-e, usually executed in woodblock print format. While rare, there are extant erotic painted handscrolls which predate ukiyo-e. Translated literally, the Japanese word shunga means picture of spring; \"spring\" is a common euphemism for sex.
The positioning of this passionate couple is so entwined it does bring to mind the grabbling of wrestling. He is entering her from behind but she manages to twist her upper body around and grasp at him in what appears to be nearly a headlock. Her expression and gestures are of intense involvement and pleasure.

Projet de decoration pour lun des Pavillon de lExposition Internationale de Paris 1937-Sonia-Delaunay
（1937年巴黎国际定位馆LUN装饰工程-索尼娅·德洛奈）

材质 :2 colour screenprint with gold leaf on antique map 尺寸 :43.5 × 58.5 × 0.5 cm Print

国家美术馆（2021）-安吉拉·莫里斯·温米尔。(Australian, b. 1969)

英文名称:National Gallery (2021)-Angela Morris-Winmill

材质 :Woodcut on paper 尺寸 :95.3 × 69.2 cm Print

波茨坦美术馆-大型罕见木刻海报（1921（1968））-奥托·缪勒(German, 1874–1930)

英文名称:POTSDAMER KUNSTSOMMER - LARGE RARE WOODCUT POSTER (1921 (1968) )-Otto Mueller

材质 : 尺寸 : Architecture

蛇形画廊馆，指示性CGI，夜间（2014年）-微笑半径(Chilean)

英文名称:Serpentine Galleries Pavilion, Indicative CGI, night (2014)-Smiljan Radić

材质 : 尺寸 : Architecture

蛇形画廊馆，外部指示性CGI（2014年）-微笑半径(Chilean)

英文名称:Serpentine Galleries Pavilion, External indicative CGI (2014)-Smiljan Radić

材质 :Pencil and Gouache on Foamboard. Hand Signed. Framed. 尺寸 :56.5 × 50.8 cm Painting

图片文件尺寸 : 5630 x 4332px

加州国家美术馆Calder Mobile室内设计，1990年-理查德哈斯(American, b. 1936)

英文名称:Interior with Calder Mobile at the National Gallery, ca. 1990-Richard Haas