51. 巴尔德马尔大帝在押沙龙的母亲家中有联系，他在罗斯基德的袭击后在那里寻求庇护` Valdemar Den Store Bliver Forbundet I Absalons Moders Hus, Hvor Han Har Søgt Tilflugt Efter Overfaldet I Roskilde (1821 – 1840) by Peter Raadsig 高清作品[19%]

~ Valdemar Den Store Bliver Forbundet I Absalons Moders Hus, Hvor Han Har Søgt Tilflugt Efter Overfaldet I Roskilde (1821 – 1840) -

图片文件尺寸: 2821 x 3112px

巴尔德马尔大帝在押沙龙的母亲家中有联系，他在罗斯基德的袭击后在那里寻求庇护-彼得·拉迪希

~ Valdemar Den Store Bliver Forbundet I Absalons Moders Hus, Hvor Han Har Søgt Tilflugt Efter Overfaldet I Roskilde (1821 – 1840) --Peter Raadsig (丹麦画家, 1806 – 1882)

55. 钢琴家的左手，1910年`Left Hand of a Pianist, 1910 by Auguste Rodin 高清作品[19%]

AF-Left Hand of a Pianist, 1910

图片文件尺寸: 6327×9000 px

钢琴家的左手，1910年-奥古斯特·罗丁

-François Auguste René Rodin (1840–1917) was a 法国艺术家 sculptor generally considered the founder of modern sculpture. He was schooled traditionally and took a craftsman-like approach to his work. Rodin possessed a unique ability to model a complex, turbulent, and deeply pocketed surface in clay. He is known for such sculptures as The Thinker, The Kiss, The Burghers of Calais, and The Gates of Hell.
In 1900, the critic Gustave Kahn wrote, \"Rodin is the sculptor of hands, raging, tensed, arched, damned hands\". There is no doubt that Rodin attached more importance to this part of the body than any other. Fascinated by the expressive power of isolated hands, he studied them unceasingly, accumulating in his studio numerous studies in clay or plaster, in which the sensitivity of the modelling vies with the verisimilitude of the gesture.
Through hands, Rodin expresses the full range of human emotions, from anxiety to suffering, from resignation to despair. As revealing as the face, on their own they can sometimes symbolize a form of human activity, such as this Hand of a Pianist which seems to run over an imaginary keyboard with nervous energy.

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