55. 纽约世界剧院和音乐厅礼堂建议处理方法这是1939年交易会。][方案A草图]` Suggested treatments of Auditorium for Theatre and Concert Hall, New York Worlds Fair 1939.] [Sketch for Scheme A (1938) by Winold Reiss 高清作品[38%]

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Suggested treatments of Auditorium for Theatre and Concert Hall, New York Worlds Fair 1939.] [Sketch for Scheme A (1938) -

图片文件尺寸: 8837 x 4577px

纽约世界剧院和音乐厅礼堂建议处理方法这是1939年交易会。][方案A草图]-温诺德赖斯

` Suggested treatments of Auditorium for Theatre and Concert Hall, New York Worlds Fair 1939.] [Sketch for Scheme A (1938) --Winold Reiss (美国艺术家, 1886-1953)

56. 纽约世界剧院和音乐厅礼堂建议处理方法这是1939年交易会。][方案A草图]` Suggested treatments of Auditorium for Theatre and Concert Hall, New York Worlds Fair 1939.] [Sketch for Scheme A (1938) by Winold Reiss 高清作品[38%]

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Suggested treatments of Auditorium for Theatre and Concert Hall, New York Worlds Fair 1939.] [Sketch for Scheme A (1938) -

图片文件尺寸: 9292 x 4569px

纽约世界剧院和音乐厅礼堂建议处理方法这是1939年交易会。][方案A草图]-温诺德赖斯

~ Suggested treatments of Auditorium for Theatre and Concert Hall, New York Worlds Fair 1939.] [Sketch for Scheme A (1938) --Winold Reiss (美国艺术家, 1886-1953)

57. 《无题》(不要低估什么都不做价值,只是继续前行,所有你不到东西,不打扰)(2021) by Lulu Kaalund 高清作品[38%]

Untitled (Don’t underestimate the value of doing nothing, of just going along, listening to all the things you can’t hear, and not bothering) (2021)

材质 :Crocheted cotton and wool yarns stretched on cotton canvas and wood frame, 4.5 needle 尺寸 :85 × 85 × 5 cm Textile Arts

《无题》(不要低估什么都不做价值,只是继续前行,所有你不到东西,不打扰)(2021)-露露称重

英文名称:Untitled (Don’t underestimate the value of doing nothing, of just going along, listening to all the things you can’t hear, and not bothering) (2021)-Lulu Kaalund

59. 基督被歌唱和音乐天使包围`Christ Surrounded by Singing and Music-Making Angels by Hans Memling 高清作品[38%]

AF-Christ Surrounded by Singing and Music-Making Angels

图片文件尺寸 : 15000×3757 px

基督被歌唱和音乐天使包围-汉斯·梅姆林

-The Christ surrounded by angels stands against a golden background surrounded by black clouds. On his collar are the words Agyos Otheos (Holy God). The three precious stones which adorn the fibula of his mantle evoke the Holy Trinity: God the Father, God the Son and the Holy Spirit. With his crown and his crystal ball surmounted by a cross, he reigns over the Christian kingdom, both celestial and terrestrial. He is flanked by sixteen angels who sing and play music . Their instruments are typical of the fifteenth century.

The scene was possibly inspired by the passage from the Gospel according to Matthew, which mentions: \"When the Son of man comes in his glory, accompanied by all the angels, then he will sit on his throne of glory\".

The central panel represents Christ blessing and looking down in the direction of the Virgin Mary, his mother, with three angels on either side. Each group of angels holds a large songbook. On the two side shutters, angels play musical instruments, five on each side. In the left panel the instruments are, from left to right, a psaltery, a tromba marina, a lute, a trumpet and a shawm. In the right panel, from left to right, there are a straight trumpet, a looped trumpet, a portative organ, a harp and a fiddle.

Christ Surrounded by Singing and Music-Making Angels, Triptych (Oil on Canvas), by Hans Memling

60. 基督与歌唱和音乐天使-面板3`Christ with Singing and Music-Making Angels - Panel 3 by Hans Memling 高清作品[37%]

AF-Christ with Singing and Music-Making Angels - Panel 3

图片文件尺寸: 6400×4700 px

基督与歌唱和音乐天使-面板3-汉斯·梅姆林

-Against a golden background bordered by dark clouds, Christ is surrounded by musician angels. His collar bears the words \'Agyos Otheos\' or Holy God. The three gems on his brooch refer to the Holy Trinity: the Father, the Son and the Holy Spirit. The crown and the crystal globe with a cross identify him as the ruler of the Christian kingdom on earth and in heaven. Around Christ, several angels are singing and playing music. Their instruments are typical 15th century and include a psaltery on the left and a vielle on the right.
德国艺术家-born artist Hans Memling, who painted this Christ with Singing and Music-making Angels, spent most of his career in Bruges. Consequently, his style and technique are entirely congruent with 15th-century Southern Netherlandish painting. Today Hans Memling is quite rightly regarded as one of the great Flemish Primitives.