51. 2005年,《无题》(记忆不过是我们对过去的感觉,但正是记忆帮助我们摆脱过去的样子,让我们成为现在的样子)。 by Markus Muntean & Adi Rosenblum 高清作品[30%]

Untitled (Memory is no more than our sensation of the past but it is memory that has helped to take us from who we were and make us who we have become), 2005.

材质 : Oil on canvas

图片文件尺寸 : 4859 x 3695 px

2005年,《无题》(记忆不过是我们对过去的感觉,但正是记忆帮助我们摆脱过去的样子,让我们成为现在的样子)。-马库斯·蒙坦和阿迪·罗森布鲁姆

英文名称:Untitled (Memory is no more than our sensation of the past but it is memory that has helped to take us from who we were and make us who we have become), 2005.-Markus Muntean & Adi Rosenblum

52. 哈姆雷特&;现在我可以做帕特,现在他在祈祷,第三幕,第三场,哈姆雷特` Hamlet; ;Now I might do it pat, now he is praying, Act III, Scene iii, Hamlet (1902) by Edwin Austin Abbey 高清作品[29%]

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Hamlet; ;Now I might do it pat, now he is praying, Act III, Scene iii, Hamlet (1902) -

图片文件尺寸: 2118 x 2871px

哈姆雷特&;现在我可以做帕特,现在他在祈祷,第三幕,第三场,哈姆雷特-埃德温·奥斯汀修道院

~ Hamlet; ;Now I might do it pat, now he is praying, Act III, Scene iii, Hamlet (1902) --Edwin Austin Abbey (美国艺术家, 1852 - 1911)

53. 哈姆雷特;现在我可以做帕特,现在他在祈祷,第三幕,第三场,哈姆雷特` Hamlet; Now I might do it pat, now he is praying, Act III, Scene iii, Hamlet (1902) by Edwin Austin Abbey 高清作品[29%]

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Hamlet; Now I might do it pat, now he is praying, Act III, Scene iii, Hamlet (1902) -

图片文件尺寸: 2118 x 2871px

哈姆雷特;现在我可以做帕特,现在他在祈祷,第三幕,第三场,哈姆雷特-埃德温·奥斯汀修道院

~ Hamlet; Now I might do it pat, now he is praying, Act III, Scene iii, Hamlet (1902) --Edwin Austin Abbey (美国艺术家, 1852 - 1911)

56. 自史前时代起用作住所的洞穴,用凝灰岩立面进行修改,现在正在修复中,意大利马特拉,1994年,摘自《非普通土地》(1994年)系列 by Laura McPhee, Virginia Beahan 高清作品[29%]

Caves Used as Dwellings since Prehistoric Times, Modified with Tufa Façades, Now under Restoration, Matera Italy, 1994, from the series No Ordinary Land (1994)

材质 :Chromogenic print 尺寸 :50.8 × 61 cm Photography

自史前时代起用作住所的洞穴,用凝灰岩立面进行修改,现在正在修复中,意大利马特拉,1994年,摘自《非普通土地》(1994年)系列-劳拉·麦克菲,弗吉尼亚比翰(American, b. 1958)

英文名称:Caves Used as Dwellings since Prehistoric Times, Modified with Tufa Façades, Now under Restoration, Matera Italy, 1994, from the series No Ordinary Land (1994)-Laura McPhee, Virginia Beahan

58. 斗牛前,巴勃罗·加索在勒瓦洛里斯餐厅为他的朋友们准备午餐,巴勃罗·加索和科克托为他们的朋友装扮成斗牛士。他们身后是作家何塞·埃雷拉·彼得雷的儿子。瓦洛里斯,1955年 - 爱德华·奎因-- 高清作品[28%]

  AT THE LUNCH GIVEN FOR HIS FRIENDS BY PABLO PICASSO AT RESTAURANT LE VALLAURIS BEFORE THE BULLFIGHT, PABLO PICASSO AND COCTEAU DRESS UP AS TOREADORS FOR THEIR FRIENDS. BEHIND THEM THE SONS OF THE WRITER JOSÉ HERRERA-PETERE. VALLAURIS, 1955-EDWARD-QUINN--

AT THE LUNCH GIVEN FOR HIS FRIENDS BY PABLO PICASSO AT RESTAURANT LE VALLAURIS BEFORE THE BULLFIGHT, PABLO PICASSO AND COCTEAU DRESS UP AS TOREADORS FOR THEIR FRIENDS. BEHIND THEM THE SONS OF THE WRITER JOSÉ HERRERA-PETERE. VALLAURIS, 1955-EDWARD-QUINN--
(斗牛前,巴勃罗·加索在勒瓦洛里斯餐厅为他的朋友们准备午餐,巴勃罗·加索和科克托为他们的朋友装扮成斗牛士。他们身后是作家何塞·埃雷拉·彼得雷的儿子。瓦洛里斯,1955年-爱德华·奎因--)

59. ;我不知道我不知道如果我现在有个孩子我会怎么做我还没准备好。这需要的不仅仅是钱,你知道` ;I dont know what I would do if I had a child now–Im not prepared. It takes more than money, you know (1981) by U.S.. Department of Health & Human Services 高清作品[27%]

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;I dont know what I would do if I had a child now–Im not prepared. It takes more than money, you know (1981) -

图片文件尺寸: 1650 x 3504px

;我不知道我不知道如果我现在有个孩子我会怎么做我还没准备好。这需要的不仅仅是钱,你知道-美国。。卫生署人力服务

` ;I dont know what I would do if I had a child now–Im not prepared. It takes more than money, you know (1981) --U.S.. Department of Health & Human Services (美国艺术家, 1953-)

60. 虽然现在离开这个行业,但她一生都在悉尼的三个商业画廊工作过,有三个孩子,每一个都是来自每个画廊的艺术家,但是哀叹这一事实,而不是三个小狗屎中没有一个会去看她或关心她,2021。 by Dale Frank 高清作品[26%]

Although now left the industry she had worked for three Sydney commercial galleries all her life and had three children, each fathered by an artist from each gallery, but bemoaned the fact than none of the three little shits would visit or cared about her, 2021

材质 :Colour and metallic pigments, black aluminium, acrylic in easycast resin, epoxyglass, on perspex 尺寸 :200 × 180 cm Painting

图片文件尺寸 : 5630 x 4332px

虽然现在离开这个行业,但她一生都在悉尼的三个商业画廊工作过,有三个孩子,每一个都是来自每个画廊的艺术家,但是哀叹这一事实,而不是三个小狗屎中没有一个会去看她或关心她,2021。-戴尔·弗兰克(Australian, b. 1959)

英文名称:Although now left the industry she had worked for three Sydney commercial galleries all her life and had three children, each fathered by an artist from each gallery, but bemoaned the fact than none of the three little shits would visit or cared about her, 2021-Dale Frank