约翰·弗里德里希·纳格尔,大师画,1900年前的版画,-
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(瓦尔德海姆1765–1825梅ß恩)
易北河沃尔肯斯坦城堡的全景,壮观岩石下的半木结构房屋,对应物,与题为“沃尔肯斯坦和拉贝姆”或“沃尔肯斯坦和拉贝姆”的旧便签相对照。“Krajina”(风景画),一张署名JF Nagel的纸,纸上有水粉画,黑边,每张26;x;36;厘米,框架,损坏(摩擦),(2)(Hu)
弗里德里希·高尔曼,1900年前的大师画和版画,,微缩画-
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(Miesenbach 1807-1862 Wien)
Joseph Höger beim Zeichnen im Wald, rückseitig Baumstudie, bezeichnet und datiert \"In Oed mit Höger im Juni 1831\", Bleistift auf Papier, 24 x 18,2 cm, ohne Passep., ohne Rahmen, (Sch)
Provenienz:
Privatsammlung, Österreich.
图片文件尺寸: 3261×4800 px
武藏平原上的月亮-筑冈义
-The former Musashi Plain is now a suburb of Tokyo, but centuries ago, the area was known for its views of the moon and its magic foxes. These animals play a special role in Japanese folklore. They are loyal messengers of the Shinto god Inari, but also sly tricksters that enjoyed playing practical jokes on hapless humans. They can assume human form, like the priest in the print “Cry of the Fox,”, often transforming into beautiful women. In this print, a fox admires its reflection in the water, perhaps in preparation to transform itself into one such beauty. Yoshitoshi delicately expresses its moonlit reflection as heavy fog settles on the bank. The work presents the standard iconography of Musashi Plain—the large moon, the windswept grass, and the open sky—while heightening the mystery of the scene through the presence of the fox.