Alice Mak @ McDull Artroom, Spring 3, Mcdull calligraphy-麥家碧@麥兜美術室，巧月春麥兜臨王羲之草書
（Alice Mak@McDull Artroom，春季3，麦兜书法-麥家碧@麥兜美術室，巧月春麥兜臨王羲之草書）
572.
戴安娜之浴，范迪门中国的土地`
The bath of Diana, Van Diemens Land by John Glover 高清作品[28%]
图片文件尺寸: 5245 x 3463px
戴安娜之浴，范迪门中国的土地-约翰·格洛弗
` The bath of Diana, Van Diemens Land--John Glover (English, 1767-1849)
573.
中国和日本的海岸`Shore of China and Japan by Italian painter of the 16th century 高清作品[28%]
图片文件尺寸: 4972×8500 px
中国和日本的海岸-16世纪意大利画家
-Shore of China and Japan (oil on canvas), by Italian painter of the 16th century
574.
戴安娜之浴，范迪门中国的土地`
The bath of Diana, Van Diemens Land by John Glover 高清作品[28%]
图片文件尺寸: 5245 x 3463px
戴安娜之浴，范迪门中国的土地-约翰·格洛弗
~ The bath of Diana, Van Diemens Land--John Glover (English, 1767-1849)
575.
粉色杜鹃花，威廉·梅里特·蔡斯的中国花瓶`
Pink Azalea, Chinese Vase (1880–90) by William Merritt Chase 高清作品[28%]
图片文件尺寸: 2550 x 3650px
粉色杜鹃花，威廉·梅里特·蔡斯的中国花瓶-威廉·梅里特·蔡斯
~ Pink Azalea, Chinese Vase (1880–90) --William Merritt Chase (美国艺术家, 1849-1916)
576.
中国式室内的白日梦`
Daydreaming in a Chinois Interior by Louis-Auguste-Georges Loustaunau 高清作品[28%]
图片文件尺寸: 2048 x 2616px
中国式室内的白日梦-路易·奥古斯特·乔治·卢斯托诺
~ Daydreaming in a Chinois Interior--Louis-Auguste-Georges Loustaunau (法国艺术家, 1846-1898)
577.
一块中国出口的军械板，清代，雍正时期，大约1735年 - A-CHINESE-EXPORT-ARMORIAL-PLATE-清代-雍正时期-约1735年 高清作品[28%]
A CHINESE EXPORT ARMORIAL PLATE, QING DYNASTY, YONGZHENG PERIOD, CIRCA 1735-A-CHINESE-EXPORT-ARMORIAL-PLATE-QING-DYNASTY-YONGZHENG-PERIOD-CIRCA-1735
（一块中国出口的军械板，清代，雍正时期，大约1735年-A-CHINESE-EXPORT-ARMORIAL-PLATE-清代-雍正时期-约1735年）
578.
Isaak Soreau的《中国瓷碗里的桃子静物》`
Still Life With Peaches In A Chinese Porcelain Bowl (1638) by Isaak Soreau 高清作品[28%]
图片文件尺寸: 5988 x 4442px
Isaak Soreau的《中国瓷碗里的桃子静物》-伊萨克·索罗
~ Still Life With Peaches In A Chinese Porcelain Bowl (1638) --Isaak Soreau (德国艺术家, 1604-1645/55)
579.
《藝術家的妹妹蘿拉肖像》 - 巴布羅・畢加索 高清作品[28%]
《藝術家的妹妹蘿拉肖像》-巴布羅・畢加索
（《藝術家的妹妹蘿拉肖像》-巴布羅・畢加索）
580.
恩索画圈，书法，挂卷轴，大正时代`Enso Circle with Calligraphy, Hanging Scroll, Taisho era by Nakahara Nantembo 高清作品[28%]
图片文件尺寸: 8500×5087 px
恩索画圈，书法，挂卷轴，大正时代-中原南登博
-Ensō is a Japanese word meaning circle and a concept strongly associated with Zen. Ensō is one of the most popular subjects of Japanese calligraphy even though it is a symbol and not a character. It symbolises the Absolute, enlightenment, strength, elegance, the Universe, and the void; it can also symbolise the Japanese aesthetic itself. As an ‘expression of the moment’ it is often considered a form of minimalist expressionist art.
In Zen Buddhist painting, ensō represents a moment when the mind is free to simply let the spirit create. The brushed ink of the circle is usually done on silk or paper in one movement (but sometimes the great Bankei used two strokes) and there is no possibility of modification: it shows the expressive movement of the spirit at that time. Zen Buddhists believe that the character of the artist is fully exposed in how he or she draws an ensō. Only a person who is mentally and spiritually complete can draw a true ensō. Achieving the perfect circle, be it a full moon or an ensō is said to be The Moment of Enlightenment.
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