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阿姆斯特丹辛格尔河畔的拉丁学校-雅各布微笑着

~ The Latin school on the Singel, Amsterdam (1802) --Jacob Smies (荷兰艺术家, 1765-1833)

材质 :Gilt and Hand-Painted Earthenware 尺寸 :20.6 cm diameter Design\\\\u002FDecorative Art

维也纳分裂国家镀金和手绘陶器柜板，由弗兰兹·斯塔迪格尔（Franz Staudigl，1912年）设计-恩斯特·瓦利斯

英文名称:Vienna Secession Gilt and Hand-Painted Earthenware Cabinet Plate Designed by Franz Staudigl (1912)-Ernst Wahliss

图片文件尺寸: 3788×5000 px

安格尔的小提琴，蒙帕纳斯的琪琪-曼雷

-The Violon d\'Ingres depicts the nude back of Kiki de Montparnasse, the 法国艺术家 model, actress and nightclub singer who permeated and helped shape Parisian culture of the 1920s. She is posed in accordance with the Valpinçon Bather by Jean Auguste Dominque Ingres hanging famously in the Louvre. The curves of her figure mimic those of a violin, and as such, Man Ray superimposes sound holes characteristic of the musical instrument onto the small of her back. Indeed, the colloquial 法国艺术家 saying \"violon d\'Ingres\" refers to a hidden talent eclipsed by one\'s primary skill--derived from the little known fact that Ingres was an accomplished violinist in addition to his success as an artist. A further reading of the image alludes to the inherent sexual nuances--presenting this actress in the guise of the 19th century Orientalist femme fatale and thereby opening her up to the predatory male gaze or to being \"played\" like an instrument.
The source of this multi-dimensional title reveals Man Ray\'s wit and knowledge of painting and the history of art, as well as demonstrating his status as a forerunner of conceptual art. Arturo Schwarz writes that \"A photograph thus became an exciting Surrealist image by the coupling of two distant realities\' that transformed the woman\'s torso into the body of a violin. In addition--and this was probably what mattered to Man Ray--he was hinting at the fact that photography was for him merely his violon d\'Ingres; his real interests lay elsewhere\" (A. Schwarz, The Rigour of Imagination, New York, 1977, p. 281).
As a leading figure in the DADA and Surrealist movements, Man Ray paved the way for conceptual art practice as it developed in the course of the 20th century. His advancements in photography, namely through photocollage and in his self-proclaimed rayographs (cameraless photography), represent only a small piece of his contribution to the art world.

图片文件尺寸: 6125 x 4312px

英格尔伯勒教堂乐谷-透纳

~ Ingleborough from Chapel~Le~Dale (between 1810 and 1815) --Joseph Mallord William Turner (English, 1775-1851)

图片文件尺寸: 2193 x 2888px

海伦娜·比亚尼卡·比鲁尔肖像-斯坦尼斯·瓦夫·伊格纳西·维特基维茨

~ Portret Heleny Białynickiej~Birula (1927) --Stanisław Ignacy Witkiewicz (波兰画家, 1885-1939)

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唐·米格尔·德·卡斯特罗，孔戈的使者-艾伯特·埃克霍特

~ Don Miguel de Castro, Emissary of Kongo (1640 – 1644) --Albert Eckhout (荷兰艺术家, 1610–1665)

RITTMEISTER VON WERNITZ AUF SEINEM EROBERTEN KOSAKEN (PORTRÄT EINES REITERS MIT MILITÄRISCHER AUSZEICHNUNG (EISERNES KREUZ)) CAPTAIN OF WERNITZ ON HIS CONQUERED COSSACK HORSE (PORTRAIT OF A RIDER WITH MILITARY DECORATION (IRON CROSS))-MAX-BECKMANN-
（韦尔尼茨的船长骑着他征服的哥萨克马（一个有军事装饰的骑手的肖像（铁十字架））-麦克斯·贝克曼-）

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警官卡罗尔·赞德拉姆·马斯科夫斯基在罗基特尼卡的住所-卡罗尔·津德拉姆·马斯科夫斯基

~ Officers quarters in Rokitnica (1916) --Karol Zyndram Maszkowski (波兰画家, 1868-1938)

图片文件尺寸: 5696 x 3677px

戴着大伞欣赏特格尔西湖-海因里希·亚当

~ Ansicht vom Tegernsee mit dem großen Paraplui (1831) --Heinrich Adam (德国艺术家, 1787-1862)

图片文件尺寸: 1760 x 2400px

波西米亚人，主厨阿文格尔，尼亚加拉，上欧勒-亚科夫列夫

~ Boemi, chef Avungur, Niangara, Haut Ouelle (1925) --Alexander Evgenievich Yakovlev (Russian, 1887 - 1938)