561. 圣乔治系列——两项针对女性服务员的研究公主画了致命的一张` St George Series – Two Studies of Female Attendants for ;The Princess draws the fatal Lot by Sir Edward Coley Burne-Jones 高清作品[8%]

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St George Series – Two Studies of Female Attendants for ;The Princess draws the fatal Lot-

图片文件尺寸: 2792 x 3999px

圣乔治系列——两项针对女性服务员的研究公主画了致命的一张-爱德华·科利·伯恩·琼斯爵士

~ St George Series – Two Studies of Female Attendants for ;The Princess draws the fatal Lot--Sir Edward Coley Burne-Jones (English, 1833 – 1898)

562. 对一条左臂、一名年轻女子、一位圣母和一个孩子、一张侧面脸和裸体人像的研究` Studies of a Left Arm, a Young Woman, a Madonna and Child, a Face in Profile and Nude Figures by Bartolomeo Passarotti 高清作品[8%]

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Studies of a Left Arm, a Young Woman, a Madonna and Child, a Face in Profile and Nude Figures-

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对一条左臂、一名年轻女子、一位圣母和一个孩子、一张侧面脸和裸体人像的研究-巴托洛梅奥·帕萨罗蒂

` Studies of a Left Arm, a Young Woman, a Madonna and Child, a Face in Profile and Nude Figures--Bartolomeo Passarotti (Italian, 1529–1592)

563. 一张日本风格的镀金青铜圭里登桌,其顶部由中国托盘景泰蓝珐琅构成,由爱德华·李耶夫(Edouard Lièvre)为Maison F.Barbedianne(1875年左右的巴黎为展台,18世纪末的中国清朝为顶部) by Edouard Lièvre 高清作品[8%]

A patinated and gilded bronze gueridon table in the Japanese style, its top composed of a Chinese tray cloisonné enamel, executed by Edouard Lièvre for the Maison F. Barbedienne (Paris, circa 1875 for the stand and China, dynasty Qing, end of 18th century for the top)

材质 :Patinated and gilded bronze ; cloisonné enamel (top). 尺寸 :85 × 73 cm Design\\\\u002FDecorative Art

一张日本风格的镀金青铜圭里登桌,其顶部由中国托盘景泰蓝珐琅构成,由爱德华·李耶夫(Edouard Lièvre)为Maison F.Barbedianne(1875年左右的巴黎为展台,18世纪末的中国清朝为顶部)-爱德华·利耶夫(French, 1828–1886)

英文名称:A patinated and gilded bronze gueridon table in the Japanese style, its top composed of a Chinese tray cloisonné enamel, executed by Edouard Lièvre for the Maison F. Barbedienne (Paris, circa 1875 for the stand and China, dynasty Qing, end of 18th century for the top)-Edouard Lièvre

564. 站起来的方式,来自女性礼仪图片(Onna Reishiki Zuga)` Manner of Standing Up, from Pictures of Female Manners (Onna Reishiki Zuga) (late 18th century – early 19th century) by Bunkyu Sakura 高清作品[8%]

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Manner of Standing Up, from Pictures of Female Manners (Onna Reishiki Zuga) (late 18th century – early 19th century) -

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站起来的方式,来自女性礼仪图片(Onna Reishiki Zuga)-樱本久

~ Manner of Standing Up, from Pictures of Female Manners (Onna Reishiki Zuga) (late 18th century – early 19th century) --Bunkyu Sakura (Japanese, 1767–1830)

565. 一张桌子上摆放着鲑鱼、鲽鱼、螃蟹和其他鱼类的静物画,远处的海景` A Still Life With Salmon, Plaice, A Crab And Other Fish Arranged On A Table, A View Of The Sea Beyond by Abraham van Beijeren 高清作品[8%]

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A Still Life With Salmon, Plaice, A Crab And Other Fish Arranged On A Table, A View Of The Sea Beyond-

图片文件尺寸: 4000 x 3444px

一张桌子上摆放着鲑鱼、鲽鱼、螃蟹和其他鱼类的静物画,远处的海景-亚伯拉罕·范·贝杰伦

~ A Still Life With Salmon, Plaice, A Crab And Other Fish Arranged On A Table, A View Of The Sea Beyond--Abraham van Beijeren (荷兰艺术家, c.1620-1690)

566. 《女性礼仪图片》中的用餐方式(Onna Reishiki Zuga)` Manner of Eating a Meal, from Pictures of Female Manners (Onna Reishiki Zuga) (late 18th century – early 19th century) by Bunkyu Sakura 高清作品[8%]

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Manner of Eating a Meal, from Pictures of Female Manners (Onna Reishiki Zuga) (late 18th century – early 19th century) -

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《女性礼仪图片》中的用餐方式(Onna Reishiki Zuga)-樱本久

~ Manner of Eating a Meal, from Pictures of Female Manners (Onna Reishiki Zuga) (late 18th century – early 19th century) --Bunkyu Sakura (Japanese, 1767–1830)

567. 一张白布桌子上摆着鲭鱼、玻璃器皿、一条面包和柠檬的静物画` A Still Life Of Mackerel, Glassware, A Loaf Of Bread And Lemons On A Table With A White Cloth (1787) by Anne Vallayer-Coster 高清作品[8%]

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A Still Life Of Mackerel, Glassware, A Loaf Of Bread And Lemons On A Table With A White Cloth (1787) -

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一张白布桌子上摆着鲭鱼、玻璃器皿、一条面包和柠檬的静物画-安妮·瓦莱尔·科斯特

` A Still Life Of Mackerel, Glassware, A Loaf Of Bread And Lemons On A Table With A White Cloth (1787) --Anne Vallayer-Coster (法国艺术家, 1744-1818)

568. 在那里,在一张拉开窗帘的床上,他看到了他所见过的最美丽的景象。` And there, on a bed the curtains of which were drawn wide, he beheld the loveliest vision he had ever seen. by Edmund Dulac 高清作品[8%]

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And there, on a bed the curtains of which were drawn wide, he beheld the loveliest vision he had ever seen.-

图片文件尺寸: 2504 x 3111px

在那里,在一张拉开窗帘的床上,他看到了他所见过的最美丽的景象。-埃德蒙·杜拉克

~ And there, on a bed the curtains of which were drawn wide, he beheld the loveliest vision he had ever seen.--Edmund Dulac (法国艺术家, 1882 – 1953)

570. 在那里,在一张拉开窗帘的床上,他看到了他所见过的最可爱的景象` And there, on a bed the curtains of which were drawn wide he beheld the loveliest vision he had ever seen (1910) by Edmund Dulac 高清作品[8%]

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And there, on a bed the curtains of which were drawn wide he beheld the loveliest vision he had ever seen (1910) -

图片文件尺寸: 2424 x 3448px

在那里,在一张拉开窗帘的床上,他看到了他所见过的最可爱的景象-埃德蒙·杜拉克

~ And there, on a bed the curtains of which were drawn wide he beheld the loveliest vision he had ever seen (1910) --Edmund Dulac (法国艺术家, 1882 – 1953)