542. 剧《仙台黑鬼美步谷》中的场景王子在看茶水准备` Scene from the Play Meiboku Sendai Hagi; The Prince Watching Tea Preparation (late 1840s) by Utagawa Kunisada (Toyokuni III) 高清作品[9%]

~ Scene from the Play Meiboku Sendai Hagi; The Prince Watching Tea Preparation (late 1840s) -

图片文件尺寸: 3593 x 1705px

剧《仙台黑鬼美步谷》中的场景王子在看茶水准备-Utagawa Kunisada（Toyokuni III）

~ Scene from the Play Meiboku Sendai Hagi; The Prince Watching Tea Preparation (late 1840s) --Utagawa Kunisada (Toyokuni III) (Japanese, 1786 – 1865)

548. 斗牛前，巴勃罗·毕加索在勒瓦洛里斯餐厅为他的朋友们准备了午餐，巴勃罗·毕加索和科克托为他们的朋友装扮成斗牛士。他们身后是作家何塞·埃雷拉·彼得雷的儿子。瓦洛里斯，1955年 - 爱德华·奎因-- 高清作品[9%]

AT THE LUNCH GIVEN FOR HIS FRIENDS BY PABLO PICASSO AT RESTAURANT LE VALLAURIS BEFORE THE BULLFIGHT, PABLO PICASSO AND COCTEAU DRESS UP AS TOREADORS FOR THEIR FRIENDS. BEHIND THEM THE SONS OF THE WRITER JOSÉ HERRERA-PETERE. VALLAURIS, 1955-EDWARD-QUINN--

AT THE LUNCH GIVEN FOR HIS FRIENDS BY PABLO PICASSO AT RESTAURANT LE VALLAURIS BEFORE THE BULLFIGHT, PABLO PICASSO AND COCTEAU DRESS UP AS TOREADORS FOR THEIR FRIENDS. BEHIND THEM THE SONS OF THE WRITER JOSÉ HERRERA-PETERE. VALLAURIS, 1955-EDWARD-QUINN--
（斗牛前，巴勃罗·毕加索在勒瓦洛里斯餐厅为他的朋友们准备了午餐，巴勃罗·毕加索和科克托为他们的朋友装扮成斗牛士。他们身后是作家何塞·埃雷拉·彼得雷的儿子。瓦洛里斯，1955年-爱德华·奎因--）

549. 表演参与者的肖像，准备感受一条L.B.项链，苏西·戈梅兹在其中提议试验一条项链，这是路易丝·布尔乔亚的作品，具有明确的女权主义内涵，创作时是对女性状态、女性的社会、政治和法律限制的指控。(2019-2020) by Susy Gómez 高清作品[9%]

Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)

材质 :Photography 96 x 11 each 尺寸 :96 × 111 cm Photography

表演参与者的肖像，准备感受一条L.B.项链，苏西·戈梅兹在其中提议试验一条项链，这是路易丝·布尔乔亚的作品，具有明确的女权主义内涵，创作时是对女性状态、女性的社会、政治和法律限制的指控。(2019-2020)-苏西·戈梅兹(Spanish, b. 1964)

英文名称:Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)-Susy Gómez

550. 九幅菲律宾水彩画，包括马尼拉一栋房屋的河边景观；同一所房子的院子；准备大米；两个女人，一个抽雪茄；一位女士与一位农民交谈；一家人乘船；拿着拐杖和阳伞的绅士；优雅的女士；还有一个拿着匕首、剑和矛的士兵 - 何塞-霍诺拉托-洛扎诺 高清作品[9%]

Nine watercolours of the Philippines, including a riverside view of a house in Manila; the courtyard of the same house; figures preparing rice; two women, one smoking a cigar; a lady conversing with a farmer; a family boarding a boat; a gentleman holding a cane and parasol; an elegant lady; and a solider armed with a dagger, sword and spear

  • Nine watercolours of the Philippines, including a riverside view of a house in Manila; the courtyard of the same house; figures preparing rice; two women, one smoking a cigar; a lady conversing with a farmer; a family boarding a boat; a gentleman holding a cane and parasol; an elegant lady; and a solider armed with a dagger, sword and spear
  • all watercolour over pencil, heightened with bodycolour and gum arabic;four inscribed

    • Nine watercolours of the Philippines, including a riverside view of a house in Manila; the courtyard of the same house; figures preparing rice; two women, one smoking a cigar; a lady conversing with a farmer; a family boarding a boat; a gentleman holding a cane and parasol; an elegant lady; and a solider armed with a dagger, sword and spear-JOSÉ-HONORATO-LOZANO
    （九幅菲律宾水彩画，包括马尼拉一栋房屋的河边景观；同一所房子的院子；准备大米；两个女人，一个抽雪茄；一位女士与一位农民交谈；一家人乘船；拿着拐杖和阳伞的绅士；优雅的女士；还有一个拿着匕首、剑和矛的士兵-何塞-霍诺拉托-洛扎诺）

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