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提香在画他最后的作品-约瑟夫·尼古拉斯·罗伯特·弗莱里

~ Titian, painting his last work (1843) --Joseph Nicolas Robert-Fleury (法国艺术家, 1797 – 1890)

图片文件尺寸: 1850 x 2896px

莫里森《浮士德》的原创作品-Liebler和Maass Lith。

~ Morrisons original production of Faust (1896) --Liebler and Maass Lith. (美国艺术家, 19th/20th Century)

材质 :Pochoirs 尺寸 :57.2 × 44.5 cm Print

La Sleet Double（不完整的14幅作品组合，装在原始的布料翻盖盒中，文本由Helene Parmelin创作）（1967年）-在巴勃罗·毕加索之后

英文名称:La Flute Double (incomplete portfolio of 14 prints housed in original cloth clamshell box with text by Helene Parmelin) (1967)-After Pablo Picasso

图片文件尺寸: 8392×10200 px

《思想者》，1880年版，1901年出演-奥古斯特·罗丁

-The Thinker was originally conceived not in heroic isolation, but as part of Rodin\'s monumental Gates of Hell—a pair of bronze doors intended for a museum of decorative arts in Paris. Although the doors were never cast during the sculptor\'s lifetime, they nevertheless provided Rodin a rich source of ideas for individual figures and groups that he worked and reworked for the rest of his career.
The theme for Gates of Hell was taken from Dante\'s Inferno, and this figure, planned for the lintel on top, was initially conceived as the poet himself. His nudity, though, marked him as a universal embodiment of every poet—every creator—who draws new life from the imagination. In the late 1880s Rodin began to exhibit the figure, sometimes with the title Poet, other times as Poet/Thinker. By 1896, however, it had become simply The Thinker, a still more universal image that reveals in physical terms the mental effort and even anguish of creativity. As Rodin himself described: \"What makes my Thinker think is that he thinks not only with his brain, with his knitted brow, his distended nostrils and compressed lips, but with every muscle of his arms, back, and legs, with his clenched fist and gripping toes.\"
Rodin\'s Thinker exists today in many casts and sizes. More than fifty are known in this size—which is the size of Rodin\'s original handmade clay model.

图片文件像素：4600 x 3500 px

亚历山大·德米特里厄斯·戈尔茨（Alexander Demetrius Goltz）19世纪的绘画作品。

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（püspöck/Ladany 1857–1944维也纳）
夏季新鲜，签名，日期为亚历山大·D·戈尔茨1882年，油画，124；x；90；厘米，镶框

图片文件像素：4600 x 3500 px

约瑟夫·韦德纳（Joseph Weidner）将1900年前的绘画和版画、、微缩画归为大师级作品-

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（1801-1871）一位年轻女士的肖像，留着卷发，戴着大而优雅的羽毛帽，画布上涂有油画，厚18 x 15厘米，带框，与旧的不干胶标签相反（胡）

材质 :Collage and china on cardboard 尺寸 :14.5 × 167.5 cm Drawing, Collage or other Work on Paper

安东·韦伯恩（Anton Webern，1972）钢琴变奏曲作品27中变奏曲II的色彩可视化-路易吉·维罗内西(Italian, 1908–1998)

英文名称:Visualizzazione cromatica della variazione II dalle variazioni per pianoforte op.27 di Anton Webern (1972)-Luigi Veronesi

EMILE ANTOINE BOURDELLE | TÊTE DE RIEUSE SUR PIÉDOUCHE, ÉTUDE POUR LA FIGURE DE GAUCHE DE RIRES ET ROSES (I) & TÊTE DE RIEUSE SUR PIÉDOUCHE, ÉTUDE POUR LA FIGURE DE DROITE DE RIRES ET ROSES (II) (A PAIR OF WORKS)-Sold-Without-Reserve-
（埃米尔·安托万·布尔戴尔|皮杜切的笑脸，为左边的笑脸和玫瑰做研究（一）&皮杜切的笑脸，为右边的笑脸和玫瑰做研究（二）（一对作品）-毫无保留地出售-）

图片文件尺寸: 3168 x 5056px

为“学习”“思想与物质”-查尔斯·塞缪尔·基恩

~ Study for “Mind and Matter”--Charles Samuel Keene (English, 1823-1891)

Ten drawings: (i) Groupe de personnages et croissant de lune (ii) Thème de recherche pour la Porteuse eau (iii) Etude pour les huiles de 1947: Flood ou Inondation ou Grange Blanche (iv) Etude pour les tableaux intitulés Black Mountain (v) Etude pour les huiles: Granges au bord de l;eau ou Barn by the pool spring (vi) Etude de montagnes (vii) Mise en page œuvres pour une exposition (viii) Etudes divers pour des œuvres exécutées entre 1951 et 1957 (ix) Croquis un cylindre (x) Worls Library, série de croquis pour un projet de bibliothèque-Amédée-Ozenfant
（十幅图：（一）人物组与新月（二）D载体研究主题；水（iii）1947年石油研究：洪水或洪水或白色谷仓（iv）黑山表格研究（v）石油研究：L边缘的谷仓；池泉旁的水或谷仓（vi）山地研究（vii）布局D展览作品（八）1951年至1957年间作品的杂项研究（九）草图D一个气缸世界%s库，库项目的草图系列-阿米德·奥齐芬特）